From Publishers Weekly
The author of the bestselling Anam Cara hits a lyrical mark again with this book that boldly takes up an eternal verity and idealbeauty. O'Donohue's premise is urgent and sweeping: "Politics, religion, and economics and the institutions of family and community all have become abruptly unsure. At first, it sounds completely naive to suggest that now might be the time to awaken and invoke beauty. Yet this is exactly the claim that this book explores." And so the author, who has a background in philosophy and has written about Hegel, seeks "intimations" and manifestations of beauty, finding it in music, color and movement, as well as some less likely locationsimperfection and death. Beauty is sensuous and present, but it is also always pointing to the transcendent. Its trail leads to the recognition of God, with O'Donohue quoting the novelist Dostoyevski"Perhaps it is beauty that will save us in the end"as well as medieval Christian mystic Meister Eckhart, whose thought he weaves through the book. O'Donohue writes like the poet he is ("Memory is the place where our vanished days secretly gather"), and he generously quotes from other poets across cultures and times. He also liberally draws into his circle of imagination the great philosophers of beauty, from Plato and Aquinas to contemporary German philosopher Hans-Georg Gadamer. The resulting book is a lively and informed discussion among great mindsa digest of provocative views on an inexhaustible and compelling topic. This refreshing book falls like rain on the parched plain of contemporary discourse. Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
Book Description
In this eagerly awaited follow-up to his international bestsellers Anam Cara and Eternal Echoes, John O'Donohue turns his attention to the subject of beauty -- the divine beauty that calls theimagination and awakens all that is noble in the human heart.
In these uncertain times of global conflict and crisis, we are riven with anxiety; our trust in the future has lost its innocence, from one second to the next. In such an unsheltered world, it may sound naive to suggest that this might be the moment to invoke and awaken beauty, yet this is exactly the claim that this book seeks to explore.
Beauty is a gentle but urgent call to awaken. O'Donohue opens our eyes, hearts, and minds to the wonder of our own relationship with beauty. Rather than "covering" this theme, he uncovers it, exposing the infinity and mystery of its breadth. His words return us to the dignity of silence, the profundity of stillness, the power of thought and perception, and the eternal grace and generosity of beauty's presence. In this masterful and revelatory work, O'Donohue encourages our greater intimacy with beauty and celebrates it for what it really is: a homecoming of the human spirit.
As he focuses on the classical, medieval, and Celtic traditions, on art, music, literature, nature, and language, O'Donohue reveals how beauty's invisible embrace invites us toward new heights of passion and creativity.
Beauty is an exquisite treasury of Forms of the Beautiful. Its surface employs narrative, image, anecdote, and myth, while into the silence of its subtext are sown seeds of reflection that gradually blossom in the heart.
About the Author
John O'Donohue was awarded a Ph.D. in philosophical theology from the University of T#252;bingen in 1990. He is the author of several works, including a book on the philosophy of Hegel, Person als Vermittlung; two collections of poetry, Echoes of Memory and Conamara Blues; and two international bestsellers, Anam Cara and Eternal Echoes. He lectures and holds workshops in Europe and America, and is currently researching a book on the philosophical mysticism of Meister Eckhart. He lives in Ireland.
Beauty: The Invisible Embrace FROM THE PUBLISHER
In this eagerly awaited follow-up to his international bestsellers Anam Cara and Eternal Echoes, John O'Donohue turns his attention to the subject of beauty -- the divine beauty that calls the imagination and awakens all that is noble in the human heart. In these uncertain times of global conflict and crisis, we are riven with anxiety; our trust in the future has lost its innocence, from one second to the next. In such an unsheltered world, it may sound naive to suggest that this might be the moment to invoke and awaken beauty, yet this is exactly the claim that this book seeks to explore. Beauty is a gentle but urgent call to awaken. O'Donohue opens our eyes, hearts, and minds to the wonder of our own relationship with beauty. Rather than "covering" this theme, he uncovers it, exposing the infinity and mystery of its breadth. His words return us to the dignity of silence, the profundity of stillness, the power of thought and perception, and the eternal grace and generosity of beauty's presence. In this masterful and revelatory work, O'Donohue encourages our greater intimacy with beauty and celebrates it for what it really is: a homecoming of the human spirit. As he focuses on the classical, medieval, and Celtic traditions, on art, music, literature, nature, and language, O'Donohue reveals how beauty's invisible embrace invites us toward new heights of passion and creativity. Beauty is an exquisite treasury of Forms of the Beautiful. Its surface employs narrative, image, anecdote, and myth, while into the silence of its subtext are sown seeds of reflection that gradually blossom in the heart.
FROM THE CRITICS
Publishers Weekly
The author of the bestselling Anam Cara hits a lyrical mark again with this book that boldly takes up an eternal verity and ideal-beauty. O'Donohue's premise is urgent and sweeping: "Politics, religion, and economics and the institutions of family and community all have become abruptly unsure. At first, it sounds completely naive to suggest that now might be the time to awaken and invoke beauty. Yet this is exactly the claim that this book explores." And so the author, who has a background in philosophy and has written about Hegel, seeks "intimations" and manifestations of beauty, finding it in music, color and movement, as well as some less likely locations-imperfection and death. Beauty is sensuous and present, but it is also always pointing to the transcendent. Its trail leads to the recognition of God, with O'Donohue quoting the novelist Dostoyevski-"Perhaps it is beauty that will save us in the end"-as well as medieval Christian mystic Meister Eckhart, whose thought he weaves through the book. O'Donohue writes like the poet he is ("Memory is the place where our vanished days secretly gather"), and he generously quotes from other poets across cultures and times. He also liberally draws into his circle of imagination the great philosophers of beauty, from Plato and Aquinas to contemporary German philosopher Hans-Georg Gadamer. The resulting book is a lively and informed discussion among great minds-a digest of provocative views on an inexhaustible and compelling topic. This refreshing book falls like rain on the parched plain of contemporary discourse. (Mar.) Forecast: The Irish scholar O'Donohue will launch this book in the U.S. this month with visits to New York, Austin, Baltimore and Los Angeles. Copyright 2004 Reed Business Information.