From Publishers Weekly
With the initially self-published Black Feeling Black Talk (1968) and the same year's Black Judgment, the then 25-year-old Giovanni helped take the Black Arts Movement to national prominence, including TV appearances, a top-selling spoken-word LP, and nine books (counting interviews and anthologies) in the next six years. Giovanni's fiery yet personal early voice struck many listeners as the authentic sound of black militancy: "This is a crazy country," one poem explained, "But we can't be Black/ And not be crazy"; "White degrees do not qualify negroes to run/ The Black Revolution." The '70s saw Giovanni move toward more personal or private concerns: "touching was and still is and will always be the true/ revolution," she concluded in 1972, suggesting a few years later "We gulp when we realize/ There are few choices in life/ That are clear." This volume compiles not all Giovanni's poems but those of her first seven volumes, from Black Feeling to Those Who Ride the Night Winds (1983), which introduced her later "lineless" style ("This is not a poem... this is hot chocolate at the beginning of spring"). Her outspoken advocacy, her consciousness of roots in oral traditions, and her charismatic delivery place her among the forebearers of present-day slam and spoken-word scenes. Virginia C. Fowler provides an ample and diligent introduction, chronology and notes to individual works. Giovanni's planned reading tour for 2003-2004 includes the Javits Center in Manhattan and convention centers in D.C., Philadelphia and Miami-one sign of her unusually large fan base. Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
Determined to be heard, 26-year-old Giovanni self-published her first book, the now classic Black Feeling, Black Talk, in 1969 to such galvanizing effect that her third book, My House, was released in 1972 in a quantity unheard of for a black poet: 50,000 copies. A seminal figure in the great social movements of our times, an early and influential practitioner of spoken-word poetry, and a crucial force in American letters, Giovanni is forthright, audacious, and profoundly moving in each of her 11 poetry collections as well as her essay collections, memoirs, and children's books. It is a great boon, therefore, to have her first five volumes published together here in their entirety. Introduced by critic Virginia Fowler and accompanied by extensive notes and an afterword by Giovanni herself, this substantial and potent collection includes 30 years' worth of vibrant, bluesy, and penetrating poetry about race and gender, family and community, risk and justice, sex and love. Wise and mischievous, Giovanni is a must-read at every stage of her, happily, still growing oeuvre. Donna Seaman
Copyright © American Library Association. All rights reserved

Book Description

For the first time ever, the complete poetry collection spanning three decades from Nikki Giovanni, renowned poet and one of America's national treasures.

When her poems first emerged during the Black Arts Movement in the 1960s, Nikki Giovanni immediately took her place among the most celebrated, controversial, and influential poets of the era. Now, more than thirty years later, Giovanni still stands as one of the most commanding, luminous voices to grace America's political and poetic landscape.

The first of its kind, this omnibus collection covers Nikki Giovanni's complete work of poetry from three decades, 1968–1998. The Collected Poetry of Nikki Giovanni contains Giovanni's first seven volumes of poetry: Black Feeling Black Talk, Black Judgement, Re: Creation, My House, The Women and the Men, Cotton Candy on a Rainy Day, and Those Who Ride the Night Winds. Arranged chronologically with a biographical timeline and introduction, a new afterword from the author, title and first-line indexes, and extensive notes to the poems, this collection is the testimony of a life's work -- from one of America's most beloved daughters and powerful poets.

Known for their iconic revolutionary phrases, Black Feeling Black Talk (1968), Black Judgement (1968), and Re: Creation (1970) are heralded as being among the most important volumes of contemporary poetry. My House (1972) marks a new dimension in tone and philosophy -- it signifies a new self-confidence and maturity as Giovanni artfully connects the private and the public, the personal and the political. In The Women and the Men (1975), Giovanni displays her compassion for the people, things, and places she has encountered -- she reveres the ordinary and is in search of the extraordinary. Cotton Candy on a Rainy Day (1978) is one of the most poignant and introspective. These poems chronicle the drastic change that took place during the 1970s -- in both the consciousness of the nation and in the soul of the poet -- when the dreams of the Civil Rights era seemed to have evaporated. Those Who Ride the Night Winds (1983) is devoted to "the day trippers and midnight cowboys," the ones who have devoted their lives to pushing the limits of the human condition and shattering the constraints of the status quo.

Each volume reflects the changes Giovanni has endured as a Black woman, lover, mother, teacher, and poet. A timeless classic, The Collected Poetry of Nikki Giovanni is the evocation of a nation's past and present -- intensely personal and fiercely political -- from one of our most compassionate, vibrant observers.

About the Author
When Nikki Giovanni's poems first emerged during the Civil Rights, Black Power and Black Arts Movements in the 1960s, she immediately took a place among the most celebrated and influential poets of the era. Now, more than 30 years later, Nikki Giovanni still stands as one of the most commanding, luminous voices to grace America's political and poetic landscape. Poet, activist, mother and professor Nikki Giovanni was born June 7, 1943, in Knoxville, Tennessee. While a student at Fisk University, she re-established the campus's Student Nonviolent Coordinating Committee (SNCC) Chapter in 1965. In New York, 1968, after studying at University of Pennsylvania's School of Social Work and Columbia University's School of Fine Arts and, she self-published her first volume of poetry Black Feeling, Black Talk. Over the span of 30 years as a poet, Ms. Giovanni has received nineteen honorary degrees from colleges and universities including, Fisk University, Smith College, Indiana University, Delaware State University, and University of Maryland. Her numerous awards include Woman of the Year for Ebony, Mademoiselle, Essence, and Ladies Home Journal magazines; YWCA Woman of the Year, Cincinnati Chapter; Outstanding Woman of Tennessee Award; Ohio Women's Hall of Fame induction; Distinguished Recognition Award, Detroit City Council; McDonald's Literary Achievement Award for Poetry presented in the name of Nikki Giovanni in perpetuity; Outstanding Humanitarian Award, The House of Representatives of the Commonwealth of Kentucky; two Tennessee Governor's Award in the Arts and in the Humanities; the Virginia Governor's Award; and two NAACP Image Awards for Love Poems and Blues: For All the Changes. Ms. Giovanni has been given the keys to more than a dozen cities, including New York City, Los Angeles, Dallas, Miami, New Orleans, and Baltimore. Most recently, she was named the first recipient of the Rosa Parks Woman of Courage Award. Nikki Giovanni is the author of 16 books of poetry for adults and children including the seminal Black Feeling, Black Talk/Black Judgement, Re: Creation, My House, The Women and the Men, Those Who Ride the Night Winds, The Selected Poems of Nikki Giovanni, Love Poems and her most recent Blues: For All the Changes. Nikki is University Distinguished Professor/English at Virginia Tech. She continues to read her work all over the country.

FROM THE PUBLISHER

The first of its kind, this omnibus collection covers Nikki Giovanni's complete work of poetry from three decades, 1968-1998. The Collected Poetry of Nikki Giovanni contains Giovanni's first seven volumes of poetry: Black Feeling Black Talk, Black Judgement, Re: Creation, My House, The Women and the Men, Cotton Candy on a Rainy Day, and Those Who Ride the Night Winds. Arranged chronologically with a biographical timeline and introduction, a new afterword from the author, title and first-line indexes, and extensive notes to the poems, this collection is the testimony of a life's work - from one of America's most beloved daughters and powerful poets.

FROM THE CRITICS

Publishers Weekly

With the initially self-published Black Feeling Black Talk (1968) and the same year's Black Judgment, the then 25-year-old Giovanni helped take the Black Arts Movement to national prominence, including TV appearances, a top-selling spoken-word LP, and nine books (counting interviews and anthologies) in the next six years. Giovanni's fiery yet personal early voice struck many listeners as the authentic sound of black militancy: "This is a crazy country," one poem explained, "But we can't be Black/ And not be crazy"; "White degrees do not qualify negroes to run/ The Black Revolution." The '70s saw Giovanni move toward more personal or private concerns: "touching was and still is and will always be the true/ revolution," she concluded in 1972, suggesting a few years later "We gulp when we realize/ There are few choices in life/ That are clear." This volume compiles not all Giovanni's poems but those of her first seven volumes, from Black Feeling to Those Who Ride the Night Winds (1983), which introduced her later "lineless" style ("This is not a poem... this is hot chocolate at the beginning of spring"). Her outspoken advocacy, her consciousness of roots in oral traditions, and her charismatic delivery place her among the forebearers of present-day slam and spoken-word scenes. Virginia C. Fowler provides an ample and diligent introduction, chronology and notes to individual works. Giovanni's planned reading tour for 2003-2004 includes the Javits Center in Manhattan and convention centers in D.C., Philadelphia and Miami-one sign of her unusually large fan base. (Dec.) Copyright 2003 Reed Business Information.

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