From Booklist
Perhaps Ray Bradbury is the latter-day O. Henry. He is most famous for his short stories--and short they are, rarely more than 15 pages. He attracts nonliterary readers in droves, and he has a raconteur's magnetic style. Those are O. Henry's virtues, making it quite possible to read him pleasurably today, even if you read only "The Gift of the Magi" and "The Ransom of Red Chief." Since Bradbury is 50 to 100 years closer to us, just about every one of his stories is a gas, and his selection of 100 of them is something like a lifetime supply of nitrous oxide. No matter how calculated its surprises or how sentimental its denouement, a Bradbury story typically evokes a smile and a tip o' the hat. He acknowledges in the introduction here that he is in love with writing, and it is obvious there and in every story that, what's more, he is in love with life, so that even his eeriest, most mordant stories leave one feeling wonder, not bleakness: case in point, "The Illustrated Man." Even more to that point are his Irish stories, most of them set in and around Heber Finn's pub. Characteristically Celtic compoundings of grue and glee, these are read-aloud, memorize-and-recite gems of pure gab (especially "A Wild Night in Galway"). Ray Olson
Copyright © American Library Association. All rights reserved


Book Description

For more than sixty years, the imagination of Ray Bradbury has opened doors into remarkable places, ushering us across unexplored territories of the heart and mind while leading us inexorably toward a profound understanding of ourselves and the universe we inhabit. In this landmark volume, America's preeminent storyteller offers us one hundred treasures from alifetime of words and ideas -- tales that amaze, enthrall, and horrify; breathtaking journeys backward and forward in time; classic stories with the undiminished power to tantalize, mystify, elate, and move the reader to tears. Each small gem in the master's collection remains as dazzling as when it first appeared in print.

There is magic in these pages: the wonders of interstellar flight, a conspiracy of insects, the early bloom of love in the warmth of August. Both the world of Ray Bradbury and its people are vivid and alive, as colorfully unique as a poker chip hand-painted by a brilliant artist or as warmly familiar as the well-used settings on a family's dining room table. In a poor man's desire for the stars, in the twisted night games of a hateful embalmer, in a magnificent fraud perpetrated to banish despair and repair a future, in a writer's wonderful death is the glowing proof of the timeless artistry of one of America's greatest living bards.

The one hundred stories in this volume were chosen by Bradbury himself, and span a career that blossomed in the pulp magazines of the early 1940s and continues to flourish in the new millennium. Here are representatives of the legendary author's finest works of short fiction, including many that have not been republished for decades, all forever fresh and vital, evocative and immensely entertaining. This is Bradbury at his very best -- golden visions of tomorrow, poetic memories of yesterday, dark nightmares and glorious dreams -- a grand celebration of humankind, God's intricate yet poignantly fallible machineries of joy.


About the Author
Ray Bradbury, American novelist, short story writer, essayist, playwright, screenwriter and poet, was born August 22, 1920 in Waukegan, Illinois. He graduated from a Los Angeles high school in 1938.Although his formal education ended there, he became a "student of life," selling newspapers on L.A. street corners from 1938 to 1942, spending his nights in the public library and his days at the typewriter. He became a full-time writer in 1943, and contributed numerous short stories to periodicals before publishing a collection of them, Dark Carnival, in 1947.His reputation as a writer of courage and vision was established with the publication of The Martian Chronicles in 1950, which describes the first attempts of Earth people to conquer and colonize Mars, and the unintended consequences. Next came The Illustrated Man and then, in 1953, Fahrenheit 451, which many consider to be Bradbury’s masterpiece, a scathing indictment of censorship set in a future world where the written word is forbidden. In an attempt to salvage their history and culture, a group of rebels memorize entire works of literature and philosophy as their books are burned by the totalitarian state. Other works include The October Country, Dandelion Wine, A Medicine for Melancholy, Something Wicked This Way Comes, I Sing the Body Electric!, Quicker Than the Eye, and Driving Blind. In all, Bradbury has published more than thirty books, close to 600 short stories, and numerous poems, essays, and plays. His short stories have appeared in more than 1,000 school curriculum "recommended reading" anthologies. Mr. Bradbury’s eagerly awaited new novel, From the Dust Returned, will be published by William Morrow at Halloween 2001. Morrow will release One More For the Road, a new collection Bradbury stories, at Christmas 2001. Ray Bradbury’s work has been included in four Best American Short Story collections. He has been awarded the O. Henry Memorial Award, the Benjamin Franklin Award, the World Fantasy Award for Lifetime Achievement, the Grand Master Award from the Science Fiction Writers of America, the PEN Center USA West Lifetime Achievement Award, among others. In November 2000, the National Book Foundation Medal for Distinguished Contribution to American Letters was conferred upon Mr. Bradbury at the 2000 National Book Awards Ceremony in New York City.Ray Bradbury has never confined his vision to the purely literary. He has been nominated for an Academy Award (for his animated film Icarus Montgolfier Wright), and has won an Emmy Award (for his teleplay of The Halloween Tree). He adapted sixty-five of his stories for television’s Ray Bradbury Theater. He was the creative consultant on the United States Pavilion at the 1964 New York World’s Fair. In 1982 he created the interior metaphors for the Spaceship Earth display at Epcot Center, Disney World, and later contributed to the conception of the Orbitron space ride at Euro-Disney, France.Married since 1947, Mr. Bradbury and his wife Maggie live in Los Angeles with their four beloved cats. They have four daughters and eight grandchildren.On the occasion of his 80th birthday in August 2000, Bradbury said, "The great fun in my life has been getting up every morning and rushing to the typewriter because some new idea has hit me. The feeling I have every day is very much the same as it was when I was twelve. In any event, here I am, eighty years old, feeling no different, full of a great sense of joy, and glad for the long life that has been allowed me. I have good plans for the next ten or twenty years, and I hope you’ll come along."

FROM OUR EDITORS

The Barnes & Noble Review
Encapsulating a career that has spanned more than six decades, this retrospective compilation confirms what everyone already knows: Ray Bradbury is the master of short fiction. Included in this "collection to end collections" are classics like "The Illustrated Man," "The Toynbee Convector," and "The Pedestrian" (the precursor to Fahrenheit 451), as well as little-known literary gems like "Almost the End of the World," a story about what happens when humanity loses television reception; "The Garbage Collector," Bradbury's reaction to an ignorant politician; and a bittersweet story ("Bug") about an aging man who lets reality get between him and the thing he loves most.

Bradbury's imagination is like the earth in its orbit: It never stops spinning. Year after year he keeps on producing original, captivating works -- be it short stories, novels, plays, screenplays, television scripts, or verse. The scary thing about this collection is that several of his better-known short stories aren't included --and it doesn't even matter. He could release Bradbury Stories: The Next 100 Most Celebrated Tales and it would be just as good. A must-have for longtime Bradbury fans a the perfect gift for bibliophiles of all ages, this stylishly produced shelf-bender -- with a heartfelt introduction from Bradbury himself -- is a book to be cherished for generations. Paul Goat Allen

FROM THE PUBLISHER

For more than sixty years, the imagination of Ray Bradbury has opened doors into remarkable places, ushering us across unexplored territories of the heart and mind while leading us inexorably toward a profound understanding of ourselves and the universe we inhabit. In this landmark volume, America's preeminent storyteller offers us one hundred treasures from a lifetime of words and ideas -- tales that amaze, enthrall, and horrify; breathtaking journeys backward and forward in time; classic stories with the undiminished power to tantalize, mystify, elate, and move the reader to tears. Each small gem in the master's collection remains as dazzling as when it first appeared in print.

There is magic in these pages: the wonders of interstellar flight, a conspiracy of insects, the early bloom of love in the warmth of August. Both the world of Ray Bradbury and its people are vivid and alive, as colorfully unique as a poker chip hand-painted by a brilliant artist or as warmly familiar as the well-used settings on a family's dining room table. In a poor man's desire for the stars, in the twisted night games of a hateful embalmer, in a magnificent fraud perpetrated to banish despair and repair a future, in a writer's wonderful death is the glowing proof of the timeless artistry of one of America's greatest living bards.

The one hundred stories in this volume were chosen by Bradbury himself, and span a career that blossomed in the pulp magazines of the early 1940s and continues to flourish in the new millennium. Here are representatives of the legendary author's finest works of short fiction, including many that have not been republished for decades, all forever fresh and vital, evocative and immensely entertaining. This is Bradbury at his very best -- golden visions of tomorrow, poetic memories of yesterday, dark nightmares and glorious dreams -- a grand celebration of humankind, God's intricate yet poignantly fallible machineries of joy.

FROM THE CRITICS

The Los Angeles Times

Bradbury may be the last visible survivor of the Midwestern Protestants who once dominated Los Angeles, the "folks" who made the city over as a sleepy Iowa village decades before the city re-imagined itself as a high-tech, Asia-facing, multicultural metropolis. Famous for writing of rockets while refusing to drive a car, Bradbury embodies a contradiction: He's associated with his stories of the future, but his values are nostalgic, yearning for, and calling from, the past. — Scott Timberg

Library Journal

This massive retrospective of self-selected Bradbury stories offers a compendium of his eccentrics, misfits, losers, and small-town dreamers, who typically inhabit an uncanny setting or confront a strange, unsettling situation. Often, it is as if Sherwood Anderson's grotesques suddenly materialized in an Edgar Allan Poe short story. The anthology includes many of Bradbury's Irish anecdotes, village Gothic tales, ironic horror stories, and droll, minimalist sf narratives, frequently set on board his heuristic but obviously inauthentic spaceships or on Mars. While this anthology oddly excludes some of this reviewer's favorites-e.g., "There Will Come Soft Rains" and "The Veldt"-it still represents a generous sampling from his entire career, with several tales taken from his most prized collections, The Martian Chronicles and The Illustrated Man. At times, after one has read tale after tale, Bradbury's raconteur style cloys; the writing can seem stiff with affectation, as if the author were determined to carry through almost any plot idea, however weak or quaint. At other times, he is gently mesmerizing, the story at hand offering a real treat. Recommended for all public libraries and academic libraries where interest warrants.-Roger A. Berger, Everett Community Coll., WA Copyright 2003 Reed Business Information.

Kirkus Reviews