From Publishers Weekly
Here's a useful book for the novice writer battling the fears and insecurities that attend when she contemplates her first novel. Highly successful as the writer of a dozen novels of suspense (A Place of Hiding, etc.) and a teacher with significant experience, George reveals that those same fears and insecurities still bedevil her. She quickly moves beyond that to a consideration of the craft of writing-mastering the tools and techniques that a writer needs in order to create art. While George illustrates her points with passages from both her own works and those of numerous writers she admires (Martin Cruz Smith, Barbara Kingsolver, Louise Erdrich, Michael Dorris), this remains more of a how-I-do-it book than a how-to-do-it book. Thus George will typically discuss an aspect of writing, such as creating the landscape of a novel, illustrate it with examples from various writers and then show how she approaches it. The result is an informative, instructive and idiosyncratic examination of the structure of the novel and of one writer's rigorously disciplined approach to creating one. George makes clear that writing is a job and that mastering the tools and techniques of the craft can go a long way toward making a writer successful. Finally, she advocates self-discipline, or what Bryce Courtenay (The Power of One) calls "bum glue." As George puts it, "A lot of writing is simply showing up... day after day, same time and same place." Both aspiring writers and fans of George's novels should enjoy the author's insights into the creative process. Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
Birmingham News
"A fabulous book for writers."
Write Away: One Novelist's Approach to Fiction and the Writing Life FROM THE PUBLISHER
In Write Away author Elizabeth George offers would-be writers exactly what they need to know about how to construct a novel. She provides a detailed overview of the craft and gives helpful instruction on all elements of writing, from setting and plot to technique and process. To illustrate her points, George presents excerpts from a number of well-known writers, including Barbara Kingsolver, Harper Lee, E. M. Forster, John Irving, Toni Morrison, Stephen King, Ernest Hemingway, and Alice Hoffman.
FROM THE CRITICS
Publishers Weekly
Here's a useful book for the novice writer battling the fears and insecurities that attend when she contemplates her first novel. Highly successful as the writer of a dozen novels of suspense (A Place of Hiding, etc.) and a teacher with significant experience, George reveals that those same fears and insecurities still bedevil her. She quickly moves beyond that to a consideration of the craft of writing-mastering the tools and techniques that a writer needs in order to create art. While George illustrates her points with passages from both her own works and those of numerous writers she admires (Martin Cruz Smith, Barbara Kingsolver, Louise Erdrich, Michael Dorris), this remains more of a how-I-do-it book than a how-to-do-it book. Thus George will typically discuss an aspect of writing, such as creating the landscape of a novel, illustrate it with examples from various writers and then show how she approaches it. The result is an informative, instructive and idiosyncratic examination of the structure of the novel and of one writer's rigorously disciplined approach to creating one. George makes clear that writing is a job and that mastering the tools and techniques of the craft can go a long way toward making a writer successful. Finally, she advocates self-discipline, or what Bryce Courtenay (The Power of One) calls "bum glue." As George puts it, "A lot of writing is simply showing up... day after day, same time and same place." Both aspiring writers and fans of George's novels should enjoy the author's insights into the creative process. (Mar.) Copyright 2004 Reed Business Information.
Library Journal
Learn to write from a master. Copyright 2003 Reed Business Information.