From Publishers Weekly
BBC reporter Delaney's fictionalized history of his native country, an Irish bestseller, is a sprawling, riveting read, a book of stories melding into a novel wrapped up in an Irish history text. In 1951, when Ronan O'Mara is nine, he meets the aging itinerant Storyteller, who emerges out a "silver veil" of Irish mist, hoping to trade a yarn for a hot meal. Welcomed inside, the Storyteller lights his pipe and begins, telling of the architect of Newgrange, who built "a marvelous, immortal structure... before Stonehenge in England, before the pyramids of Egypt," and the dentally challenged King Conor of Ulster, who tried, and failed, to outsmart his wife. The stories utterly captivate the young Ronan ("This is the best thing that ever, ever happened"), and they'll draw readers in, too, with their warriors and kings, drinkers and devils, all rendered cleanly and without undue sentimentality. When Ronan's mother banishes the Storyteller for telling a blasphemous tale, Ronan vows to find him. He also becomes fascinated by Irish myth and legend, and, as the years pass, he discovers his own gift for storytelling. Eventually, he sets off, traversing Ireland on foot to find his mentor. Past and present weave together as Delaney entwines the lives of the Storyteller and Ronan in this rich and satisfying book. Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From Booklist
To paraphrase a World War I song, it's a long, long way to the end of Delaney's reland--in more ways than one. In 1951, Alison O'Mara cast out the "last" seanachi, a wandering storyteller who told stories from Irish history and myth to the household and neighbors in exchange for housing and food. The old man left, taking with him the family's peace, stirring up family tensions and secrets. By alternating folklore and historical stories with the story of the O'Mara family, Delaney paints a vivid portrait of the country and fits both storyteller and family into it. There's something for everyone in this book: newcomers to Irish history will relish the rich stories based on real and imagined characters, while readers familiar with tales of the old sod will plow through the stories to find out what happens with the O'Maras. Heavy publicity will ensure demand for this novel, which recalls the work of James Michener and will appeal to readers of family sagas and popular historical fiction. Ellen Loughran
Copyright © American Library Association. All rights reserved
Ireland FROM THE PUBLISHER
"One wintry evening in 1951, an itinerant storyteller - a Seanchai, the very last practitioner of a fabled tradition extending back hundreds of years - arrives unannounced at a house in the Irish countryside. In exchange for a bed and a warm meal, he invites his hosts and some of their neighbors to join him by the fireside, and begins to tell formative stories of Ireland's history. One of his listeners, a nine-year-old boy, grows so entranced by the storytelling that, when the old man leaves abruptly under mysterious circumstances, the boy devotes himself to finding him again." "Ronan's search for the Storyteller becomes both a journey of self-discovery and an immersion into the sometimes-conflicting histories of his native land. As the long-unspoken secrets of his own family begin to reveal themselves, he becomes increasingly single-minded in pursuit of the old man, who he fears may already be dead. But Ronan's personal path also leads him deeper and deeper into the history and mythology of Ireland itself, in all its drama, intrigue, and heroism." Ireland travels through the centuries, interweaving Ronan's quest for the Storyteller with an unfolding of the great moments in Irish history, ranging from the savage grip of the Ice Age to the green and troubled land of tourist brochures and political unrest.
FROM THE CRITICS
Bill Sheehan - The Washington Post
The stories of Irish history are familiar but still stirring, and Delaney brings a fresh perspective and a depth of understanding to the telling. His detailed grasp of Irish history lends weight and authority to this long, discursive tale. At the same time, his familiarity with every aspect -- social, cultural and economic -- of Irish society, his empathetic rendering of a varied cast of real and imagined characters, and his ability to convey the intricate beauty of the Irish countryside enrich the narrative at every turn. Mostly, though, the novel draws its power from Delaney's conviction that stories matter, giving shape and meaning to our otherwise fractured personal -- and national -- histories. The troubled history of Ireland makes a particularly memorable story. Delaney tells it very well indeed.
Publishers Weekly
BBC reporter Delaney's fictionalized history of his native country, an Irish bestseller, is a sprawling, riveting read, a book of stories melding into a novel wrapped up in an Irish history text. In 1951, when Ronan O'Mara is nine, he meets the aging itinerant Storyteller, who emerges out a "silver veil" of Irish mist, hoping to trade a yarn for a hot meal. Welcomed inside, the Storyteller lights his pipe and begins, telling of the architect of Newgrange, who built "a marvelous, immortal structure... before Stonehenge in England, before the pyramids of Egypt," and the dentally challenged King Conor of Ulster, who tried, and failed, to outsmart his wife. The stories utterly captivate the young Ronan ("This is the best thing that ever, ever happened"), and they'll draw readers in, too, with their warriors and kings, drinkers and devils, all rendered cleanly and without undue sentimentality. When Ronan's mother banishes the Storyteller for telling a blasphemous tale, Ronan vows to find him. He also becomes fascinated by Irish myth and legend, and, as the years pass, he discovers his own gift for storytelling. Eventually, he sets off, traversing Ireland on foot to find his mentor. Past and present weave together as Delaney entwines the lives of the Storyteller and Ronan in this rich and satisfying book. Agent, Ed Victor. (Feb.) Copyright 2004 Reed Business Information.
Library Journal
On a November evening in 1951, a shanachie (storyteller) visits the rural Irish home of the O'Maras, where neighbors have gathered to hear his tales of Ireland's heroism, intrigue, and bloody grandeur. Nine-year-old Ronan is captivated by the old man and drawn to his life of itinerant story gathering. As best he can, young Ronan follows the traveler over the years, collecting his stories while earning a history degree in Dublin. As Ronan and the shanachie grow closer, the young man fantasizes about a life on the road and, for a time, tries to emulate his hero, walking the fields and living on the kindness of strangers. The retelling of the great legends as "true events" may require a few imaginative leaps on the part of the reader, but the bonding between the apprentice and the master is both touching and real. An accomplished historian and novelist, Delaney (The Sins of the Mother) deftly weaves the story of a people and a country with a poignant coming-of-age tale; fans of Edward Rutherford's historical sagas will love it. Highly recommended for all Irish fiction collections. [See Prepub Alert, LJ 10/15/04.]-Susan Clifford Braun, Aerospace Corp., El Segundo, CA Copyright 2004 Reed Business Information.
Kirkus Reviews
A vivid rendering of Irish history, imagined and real, embracing "blood and bones, legends, guns, and dreams, Catholics, Protestants, England, horses and poets and lovers."Any novel not meant for children that opens with a character called the Storyteller and praises at length the necessity of the Storyteller's art runs the risk of calling undue attention to its author, who is, after all, the real teller. Throw Hibernia into the mix, and the danger of hokum and, worse, goopy sentimentality (for which see Malachy McCourt's History of Ireland, p. 851) mounts. Thankfully, former BBC reporter Delaney steers clear of mawkishness and seems much less interested in calling attention to himself than in emphasizing the importance of the oral tradition to Irish memory and writing; his Storyteller may smoke a pipe and charm the country people with wee yarns that unfold into vast epics, but the rest of his characters are as real as can be, quick to take up arms against Vikings or Brits or one another, quick to strike up a song and take a drink while resisting the cliches to which people who fight and sing and drink lend themselves. Delaney's sprawling narrative takes in the time of King Conor of Ulster and Saint Patrick, the Battle of the Boyne and the building of Newgrange "before Stonehenge in England, before the pyramids of Egypt," the Easter Uprising and the Troubles of more recent times. Delaney keeps a close eye on plot and connects past and present with subtle, writerly touches: a wild man with tawny hair fights a bear in the misty prehistoric past, then resurfaces, 50 centuries later, to die in the ruins of the Dublin post office, while the Irish landscape itself becomes a key character whosepresence spans the centuries, reminding the reader just why the little island should have inspired so much writing to begin with. Reminiscent of the best of James Michener in scope and sheer crowd-pleasing potential. Agent: Ed Victor/Ed Victor Ltd.