Book Description
It's 1922. Amelia Peabody and her family have returned to the Valley of the Kings, and look forward to delving once more into the mysteries buried in Egypt's sands. But a widow's strange story -- and even stranger request -- will plunge them into a storm of secrets, treachery, and murder.
The woman has come bearing a treasure -- a golden likeness of a forgotten king -- which she claims is cursed. She says it has killed her husband and unless it is returned to the tomb from which it was stolen, more people will die.
Intrigued, Amelia and her clan resolve to uncover the secrets of the statue. But each step toward the truth seems to reveal another peril, suggesting that the curse is more than mere superstition ...
The Serpent on the Crown FROM OUR EDITORS
The Barnes & Noble Review
In this installment of fictional Egyptologist Amelia Peabody's fascinating exploits, the year is 1922. The Great War is over, and Amelia and her beloved husband, Emerson, are eager to resume their excavations. However, their work is soon interrupted when a flamboyant widow -- famed for the lurid, gothic tales she writes -- begs the eminent Emersons to save her from a cursed statuette, which she declares has claimed her husband's life and now threatens her own. Though Amelia and Emerson are quick to dispute the validity of the curse, the artifact itself is both genuine and extraordinarily rare. Of course, the danger that accompanies such an incredible find is also realᄑand adds delightfully chilling complications to this tale of Amelia and Emerson's long-awaited return to the Valley of the Kings. Sue Stone
FROM THE PUBLISHER
Once again the incomparable New York Times bestselling master of suspense, Elizabeth Peters, brings an exotic world of adventure, intrigue, and danger to vivid life, in a tale as exciting, mysterious, and powerful as ancient Egypt.
A unique treasure obtained by unscrupulous means, the small gold statuette of an unidentified Egyptian king is a priceless relic from a bygone era. But more than history surrounds the remarkable artifactfor it is said that early death will come to anyone who possesses it.
Enjoying a world finally at peace, the Emersons have returned to the Valley of the Kings in 1922. With the lengthy ban on their archaeological activities lifted, Amelia Peabody and her family look forward to delving once more into the age-old mysteries buried in Egypt's ever-shifting sands. But a widow's strange storyand even stranger requestis about to plunge them into a storm of secrets, treachery, superstition ... and murder.
The woman, a well-known author, has come bearing an ill-gotten treasurea golden likeness of a forgotten kingwhich she claims is cursed. Already, she insists, it has taken the life of her husband, and unless it is returned to the tomb from which it was stolen, more people will die.
Intrigued by the mystery, Amelia and her clan resolve to uncover the secrets of the statue's origins, setting off on a trail that twists and turns in directions they never anticipatedand, perhaps, toward an old nemesis with unscrupulous new designs. But each step toward the truth seems to reveal another peril, suggesting to the intrepid Amelia that the curse is more than mere superstition. And its next victimmight well be her irascible husband, Radcliffe, their beloved son, Ramses, his lovely wife, Nefret ... or Amelia Peabody herself.
A novel filled with riveting suspense, pulse-pounding action, and the vibrant life of a fascinating place and time, The Serpent on the Crown is the jewel in the crown of a grand master, the remarkable Elizabeth Peters.
About the Author:
Elizabeth Peters was born and brought up in Illinois and earned her Ph.D. in Egyptology from the University of Chicago's famed Oriental Institute. Peters was named Grand Master at the inaugural Anthony Awards in 1986 and Grand Master by the Mystery Writers of America at the Edgar Awards in 1998. She lives in a historic farmhouse in western Maryland.
FROM THE CRITICS
Marilyn Stasio - THe New York Times
Peters lays out her scenes of romantic derring-do with such a lavish hand that it seems a bit nerdy to draw attention to the deeper pleasure of the rich scholarship involved in these archaeological mysteries.
Publishers Weekly
MWA Grand Master Peters delivers another winner that you can't put down and yet don't want to see end, the 17th entry in her bestselling series to feature Egyptologist Amelia Peabody Emerson and her extended family (after 2004's Guardian of the Horizon). Early in 1922, novelist Magda Petherick, the widow of noted collector Pringle Petherick, interrupts the tea that the Emerson clan are enjoying on the veranda of their house by the Nile. Mrs. Petherick wants Emerson, Amelia's eminent archeologist husband, to dispose of a beautiful golden statuette that Pringle acquired shortly before his death because she believes it carries a curse. All are intrigued. News travels fast, and such a magnificent artifact soon attracts all manner of collectors, museum authorities, journalists and evildoers. Emerson's illegitimate half-brother, Sethos, formerly a dealer in illegal antiquities, arrives in disguise, but unfortunately he's followed by the gentleman he's impersonating. Tomb excavations, mountain treks, brutal attacks, an abduction, an exorcism and murder keep the plot hopping. The author's droll sense of humor and picture of a leisurely and less complicated age add to the appeal. Agent, Dominick Abel. (On sale Mar. 29) Copyright 2005 Reed Business Information.
Kirkus Reviews
More murder and mayhem for the indefatigable Amelia Peabody and her friends and relations. It's 1922. Peabody and Emerson, her handsome, clever, duplicitous Egyptologist husband, are excavating at Deir el Medina along with their son Ramses, his wife Nefret and the usual supporting cast when well-known collector Pringle Petherick's widow Magda arrives and presents Emerson with a solid-gold figure of a king she claims is cursed. The valuable statue soon attracts a rush of other aspiring owners: Magda's stepchildren, the resourceful Harriet and her brother Adrian, who suffers from war-related mental problems; Emerson's rich American friend Cyrus Vandergelt; the repellent Sir Malcolm, and a host of other thieves, one of them successful. When Magda disappears, Peabody assumes she's trying to publicize her authorial career, but not to the extent of leaving her corpse under a bush in the hotel garden. Emerson, who's determined to solve the murder and return the statue to its rightful owner, is joined by his mysterious brother Sethos and Ramses' friend David. The police think Adrian is the killer, but there are many other possibilities, and Peabody is lucky to escape the thicket of interrelated problems with her life before the denouement. Peabody's Victorian rhetoric can go over the top, but her likable family's fans will find much to enjoy in an adventure less convoluted than usual (The Falcon at the Portal, 1999, etc.), salted with the obligatory tidbits of Egyptology.