From Publishers Weekly
A privileged, lonely 19-year-old takes refuge in a doomed love affair in this 16th novel by Piercy (Three Women, etc.), a biting, contemporary take on Romeo and Juliet and an acidic commentary on Washington political culture. Melissa Dickinson is the neglected, needy third child of Republican senator Dick Dickinson and his cold, scheming wife, Rosemary. In her first year at Wesleyan, she meets Blake Ackerman, a classmate who is both dark-skinned and Jewish, qualities sure to distress her parents. Melissa is ripe for the attention Blake lavishes on her after he discovers that she is Dick Dickinson's daughter. He tells Melissa he's the adopted son of Si and Nadine Ackerman, liberal criminal lawyers whose defense of death row cases has been a thorn in Dickinson's side for years, but doesn't immediately inform her that he's also the mixed-race son of Toussaint Parker, a convicted "cop-killer" whose execution Dickinson, a former Pennsylvania governor, failed to stay. They fall into an intensely symbiotic relationship fueled by sexual compatibility ("Sometimes she felt as if they were rooting, digging through each other's bodies trying to sink deeper and deeper within") as well as by Melissa's resentment of her emotionally inaccessible family ("she had wanted to punish them for their long disregard of her") and Blake's desire for vengeance, which includes hacking into Melissa's parents' computer to find evidence that might destroy "King Richard's" career, but ends up destroying much more. Piercy's explosive resolution is rather abrupt and over the top, but it affirms that the most treacherous traps are those set by ignorance and innocence.Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From Booklist
Piercy is adept at fashioning provocatively topical plots and vivid characters in order to explore the psychological complexities of families, relationships between men and women, and various forms of social injustice. In her sixteenth riveting novel, Melissa Dickinson is the unloved third child in a prominent political family, and the bane of her beautiful WASPy mother, a consummate politician's wife, who is militarily well organized and ruthlessly ambitious for her handsome, stain-resistant husband, formerly a hard-hearted governor of Pennsylvania, currently a senator with an eye on the White House. Melissa is nothing like her lovely older sister, politico-clone older brother, or easygoing younger brother. Introspective, embarrassingly voluptuous, and profoundly enraged by her mother's chilling devotion to creating the perfect family image, she is infinitely relieved to go away to college, where, inevitably, she falls in love with a guy who embodies everything her parents despise. Seemingly African American, Blake is the secretive and manipulative adopted son of two famous Jewish liberal lawyers. But there is nothing predictable about Piercy's extraordinarily magnetizing characters or this novel's bold and galvanizing story, which raises tough questions about one's sense of self and the many faces of compassion, loyalty, and power. Donna Seaman
Copyright © American Library Association. All rights reserved
The Third Child FROM THE PUBLISHER
"In the politically prominent Dickinson family, ambition comes first, and Melissa, the third child, has always felt that she comes last. Going away to college offers a chance at a life free from her brilliant mother's constant scrutiny and her famous father's lack of interest." "There she meets Blake, a man of mixed race and apparently unknown parentage. His adoptive parents are lawyers whose defense of deathrow cases has brought them head-to-head with Melissa's father, the former governor of Pennsylvania who is now a U.S. senator." Melissa and Blake's attraction is immediate; their affair, fiery. Yet Blake is keeping a dangerous secret from Melissa, one that could destroy them - and their families.
FROM THE CRITICS
Publishers Weekly
A privileged, lonely 19-year-old takes refuge in a doomed love affair in this 16th novel by Piercy (Three Women, etc.), a biting, contemporary take on Romeo and Juliet and an acidic commentary on Washington political culture. Melissa Dickinson is the neglected, needy third child of Republican senator Dick Dickinson and his cold, scheming wife, Rosemary. In her first year at Wesleyan, she meets Blake Ackerman, a classmate who is both dark-skinned and Jewish, qualities sure to distress her parents. Melissa is ripe for the attention Blake lavishes on her after he discovers that she is Dick Dickinson's daughter. He tells Melissa he's the adopted son of Si and Nadine Ackerman, liberal criminal lawyers whose defense of death row cases has been a thorn in Dickinson's side for years, but doesn't immediately inform her that he's also the mixed-race son of Toussaint Parker, a convicted "cop-killer" whose execution Dickinson, a former Pennsylvania governor, failed to stay. They fall into an intensely symbiotic relationship fueled by sexual compatibility ("Sometimes she felt as if they were rooting, digging through each other's bodies trying to sink deeper and deeper within") as well as by Melissa's resentment of her emotionally inaccessible family ("she had wanted to punish them for their long disregard of her") and Blake's desire for vengeance, which includes hacking into Melissa's parents' computer to find evidence that might destroy "King Richard's" career, but ends up destroying much more. Piercy's explosive resolution is rather abrupt and over the top, but it affirms that the most treacherous traps are those set by ignorance and innocence. (Dec. 1) Copyright 2003 Reed Business Information.
Library Journal
Melissa is the third of four children of a glamorous political powerhouse couple, movie-star gorgeous Sen. Dick Dickinson and his perfectly elegant, ruthlessly ambitious wife, Rosemary. Living in the shadow of her preferred siblings-Merilee, the beautiful, smart, older sister; handsome heir apparent Richard IV; and the too-cute "baby," 15-year-old Billy-Melissa is nearly paralyzed with typical teenage insecurities exacerbated by the unforgiving glare of public life. Accepted into Wesleyan, she revels in the anonymity of life as a college freshman, but not for long. Melissa falls in love with Blake, utterly unacceptable to her family with his dark skin, terrifying secret, and adoptive parents, who just happen to be political enemies of Melissa's father. As their affair deepens, Melissa's blind acquiescence to Blake's increasingly sinister intrusion into her family's lives trumpets an impending tragedy that will surprise no one. Piercy, a compulsively readable storyteller, disappoints with her reliance on stereotypical characters and on modern fiction's literary device du jour-plot resolution at gunpoint. For Piercy fans who employ a powerfully willing suspension of disbelief. [Previewed in Prepub Alert, LJ 8/03.]-Beth E. Andersen, Ann Arbor Dist. Lib., MI Copyright 2003 Reed Business Information.
Kirkus Reviews
The message of the prolific Piercy's latest (Sleeping With Cats: A Memoir, 2002, etc.) seems to be that conservative politicians make bad parents as well as bad leaders. After a stint as governor of Pennsylvania, Dick Dickenson has begun his first term as a senator and has eyes on the White House. If Dick has the requisite charm and charisma, his wife Rosemary, a cross between Nancy Reagan and Lady Macbeth (or Hillary Clinton), has the brains. Neither has much interest in third child Melissa. When younger, she tried to win her parents' attention by excelling, but by the time she begins her freshman year at Wesleyan, she merely wants to get below her mother's critical radar. In a nonfiction-writing class where she composes a revealing essay about feeling neglected by her parents, she meets Blake Ackerman, adopted son of anti-death penalty lawyers from Philadelphia. Melissa's brief volunteer stint as an inner-city tutor while in prep school has raised her racial sensitivity, so she doesn't care that Blake is Jewish and part African-American, both no-no's in the Dickensons' WASPy world. As Melissa and Blake's affair intensifies, Melissa is far too interested in her sexual awakening to pay attention to hints that Blake's interest in her father is an obsession. Blake talks in abstract, idealistic terms, but his real agenda is revenge: for political reasons, his father was wrongly prosecuted-and executed-for a police killing while Dick was governor. Melissa, besotted with Blake and resentful of her parents, unwittingly helps get the goods on Dick's political/financial wheeling-dealing for an investigative reporter. When her parents forbid her to see Blake and threaten to pull her out ofWesleyan, she marries him. Then the real nightmare begins. Blake remains an arresting enigma: Does he really love Melissa or is he using her? The rest of the supporting characters are cardboard cutouts. In all: simplistic politics, convoluted plot, and a heroine too whiny and self-centered to pity.