Since 1976, Maupin's Tales of the City has etched itself upon the hearts and minds of its readers, both straight and gay. From a groundbreaking newspaper serial in the San Francisco Chronicle to a bestselling novel to a critically acclaimed PBS series, Tales (all six of them) contains the universe--if not in a grain of sand, then in one apartment house.


From Publishers Weekly
Maupin's alternately playful and sentimental tales depict an all-too-easily satirized population of transients and toffs living in and around San Francisco. Copyright 1993 Reed Business Information, Inc.


Entertainment Weekly
A good serial writer can make even a big city feel like a small town.... The only downside is that the stories end, and the reader, who has come to enjoy Maupin's crew more than one's own much less colorful friends, is left with a far duller social life.


From AudioFile
For years Maupin's witty novels about the residents of San Francisco's Barbary Lane have thrilled readers. This audiobook collection takes the thrill a step further. All six tales are here in collectible form, with a heartfelt special introduction by Maupin himself. With the pleasure he seems to take in performing these stories, it's evident that these rich characters are truly a part of Maupin. His effortless enthusiasm runs throughout the anthology, making it not only a joy for listeners on a mere storytelling level, but also an accessible chronicle of American life in the 1970s and 1980s. R.A.P. © AudioFile 2000, Portland, Maine-- Copyright © AudioFile, Portland, Maine



"A consummate entertainer who has made a generationlaugh...It is Maupin's Dickensian gift to be able to render loveconvincingly."


Book Description
Armistead Maupin's Tales of the City has blazed a singular trail through popular culture -- from a groundbreaking newspaper serial to a classic novel to a television event that entranced millions around the world. The first of six novels about the denizens of the mythic apartment house at 28 Barbary Lane, Tales is both a wry comedy of manners and a deeply involving portrait of a vanished era.


About the Author
Armistead Maupin is the author of Tales of the City, More Tales of the City, Further Tales of the City, Babycakes, Significant Others, Sure of You, and Maybe the Moon. In 1994 Tales of the City became a controversial but highly acclaimed miniseries on public television. More Tales of the City became a Showtime original miniseries in 1998. Maupin lives in San Francisco.

FROM OUR EDITORS

The Barnes & Noble Review
Mary Ann Singleton was twenty-five years old when she saw San Francisco for the first time.

That's the opening of Armistead Maupin's Tales of the City, a collection of stories from the 1970s about the fictional residents of 28 Barbary Lane: Mary Ann the midwestern naïf, Mona the free spirit, Michael the romantic, and Brian the swinger, all of them looked after by the benevolent landlady Mrs. Madrigal.
A late bloomer, I was in my 29th year when I first saw San Francisco.

Well, there was that daylong stopover one family vacation. Not that there was much to remember, except the crowds at Fisherman's Wharf and when Dad, at the wheel of the rental car, terrified Mom as he tore down Lombard roaring, "It's the crookedest street in the world!"
I was a teenager and determined not to be impressed by anyone or anything, and I was too busy rolling my eyes the whole time to see much of the place.
Fifteen years later, however, I landed at San Francisco International Airport, alone this time and sick of New York, intent on seeing as much as I could—in particular, what of Maupin's San Francisco might have survived the rise and fall of roller disco.

Tales of the City is a soap opera, but it's not merely Melrose Place in bell-bottomed pants. There's something touchingly familiar about these characters navigating contemporary urban life and the onset of adulthood. They may have rotten jobs, too little money, and too much heartbreak, but they have a family at 28 Barbary Lane. And if TheMary Tyler Moore Show (to invoke another '70s icon) taught us anything, it's that family-where-you-find-it is what keeps you going when you're going it alone.

You're gonna make it after all, Mary Ann Singleton.
It was a sunny, warm August day when I arrived, though my friends in town kept insisting that the fog would roll in, any minute now, really. But I wasn't having any of it, and neither was the Bay. I had rubber-soled shoes (those hills, you know) and directions to the "real" Barbary Lane, or rather its alleged inspiration. It was on Russian Hill. Finding the street, Macondry Lane, was a challenge for a New Yorker used to a consistent street grid and generally horizontal movement. I finally found a shady garden path lined with paving stones and branches of long green leaves, small houses on either side. I was astounded. This was an oasis, an impossibility in the middle of the modern city. It was something out of a storybook. It was quiet and peaceful. It smelled really good. There was no real street there, not in any sense of a street as I'd ever understood it. It was nothing like my block in Manhattan, where buses rumble by and car alarms whoop it up. You couldn't fit a Yugo onto Macondry Lane, and that seemed just perfect. This was the street where you live, not the street where you drive.
I wondered briefly how anyone could be unhappy there, even Mary Ann while she was having her disastrous affair with the heartless Beauchamp Day, Michael while he was nursing a heart decimated by a handsome gynecologist, or Mona when she was freaking out over being, well, Mona. I knew I was being naive. San Francisco was still a city with traffic and garbage and poverty. And I knew that troubles still find their way even into the most picturesque place. I just have this habit of thinking, when I'm somewhere extraordinary, that maybe this is just what I need. Why do I subject myself to New York? But something about Macondry Lane did make me think: Maybe I can live like this. Maybe it's not an impossibility after all. A real-life resident wandered out of his house to water his miniature garden, and I shyly hid my camera, feeling like an intruder. I walked the length of the block and down the long wooden steps at the end, back into a more typical urban scene. I left San Francisco determined to come back as soon as possible, maybe to stay. I returned halfheartedly to my life in New York, my job, and my noisy street. Autumn was beautiful in New York this year, unusually warm and sunny. My friends were here, and I found myself maybe a little more relaxed after my trip than I had been before. Something from that moment on Russian Hill must have stayed with me. As the months went by, I thought less and less about moving. It would be more hassle than I really wanted, hauling my belongings across the continent. But it also seemed to me, after a while, that Barbary Lane might be wherever you happen to build it.—Kristen Mirenda

FROM THE PUBLISHER

"An extended love letter to a magical San Francisco." —New York Times Book Review

Armistead Maupin's Tales of the City has blazed a singular trail through popular culture—from a groundbreaking newspaper serial to a classic novel to a television event that entranced millions around the world. The first of six novels about the denizens of the mythic apartment house at 28 Barbary Lane, Tales is both a wry comedy of manners and a deeply involving portrait of a vanished era.

Author Biography: Armistead Maupin's other novels are Maybe the Moon (1992) and The Night Listener (2000). His Tales novels first appeared as daily serials in San Francisco newspapers, starting in 1976. Tales of the City became a controversial but highly acclaimed miniseries on PBS in 1994, followed by More Tales of the City on Showtime in 1998. Maupin wrote the narration for the HBO documentary The Celluloid Closet. As a librettist he collaborated in 1999 with composer Jake Heggie on "Anna Madrigal Remembers" for mezzo-soprano Frederica von Stade and the classical vocal ensemble, Chanticleer.

SYNOPSIS

Armistead Maupin's Tales of the City has blazed a singular trail through popular culture￯﾿ﾽfrom a groundbreaking newspaper serial to a classic novel to a television event that entranced millions around the world. The first of six novels about the denizens of the mythic apartment house at 28 Barbary Lane, Tales is both a wry comedy of manners and a deeply involving portrait of a vanished era.

FROM THE CRITICS

The Times (London)

An unprecedented portrait of the agonies and absurdities of modern urban life. The funniest series of novels currently in progress.

WHAT PEOPLE ARE SAYING

An enormously talented writer—witty but always sympathetic, generous in showing us the secrets of his heart...By writing about what's seemingly different Armistead Maupin always manages to capture what's so hilariously painfully true for all of us. — Harper Collins - New Media

A consummate entertainer who has made a generation laugh...It is Maupin's Dickensian gift to be able to render love convincingly. — Harper Collins - New Media

An enormously talented writer￯﾿ﾽwitty but always sympathetic, generous in showing us the secrets of his heart...By writing about what's seemingly different Armistead Maupin always manages to capture what's so hilariously painfully true for all of us. — Amy Tan