Up Island chronicles the mass redemption of a unlikely group, thrown together by the vicissitudes of love and fate: "a six foot Southern Betrayed Wife and her widowed father and a senile old Portuguese lesbian and a one-legged schoolteacher and a mongrel dog and two aberrant swans..." As the novel begins, newly divorced Molly Redwine is in the market for some redemption. Battered and numb from loss, she comes to Martha's Vineyard to escape and heal if she can. For the next 300 pages, the story shuttles between Molly's heart, packed with pain, regret, and guilt, and the sea-licked open spaces of the island. By book's end, both places are terra cognita. There are family secrets, haunted dreams, and enough death to do Shakespeare proud--balanced delicately with small pleasures, kindness, and unbreakable bonds. Up Island is a fractal of a book: complicated but ultimately satisfying as only the completion of a pattern can be. Intelligent and insightful, it is good story tenderly told.


From School Library Journal
YA. For Molly Redwine, maintaining her family is the essence of her existence. When her husband announces he is leaving her for another woman, her world collapses. The "other woman" quickly takes over Molly's social position, her house, and even the affection of her son. With the sudden death of her domineering mother, Molly is truly set adrift. Escaping with friends to Martha's Vineyard, she starts the search for her own identity. When her friends depart, she stays on in a small cottage. As a renter, she must also assume the duties of caretaker of two cantankerous old women who share a haunting secret, a gravely ill and estranged son of one of those women, and two territorial swans. Through the winter, Molly struggles to nurture them as she searches for a future for herself. As with most of Siddons's heroines, Molly is an engaging woman who battles successfully with adversity and remains unsinkable. The author's fans will be delighted with her latest novel and its setting.?Katherine Fitch, Lake Braddock Middle School, Burke, VACopyright 1997 Reed Business Information, Inc.


From Library Journal
A woman whose family has fallen apart finds refuge on Martha's Vineyard, caring for others as a means of finding herself.Copyright 1997 Reed Business Information, Inc.


From Booklist
Following her resoundingly successful Fault Lines (1995), Siddons now introduces Molly Bell Redwine, the statuesque wife of an Atlanta blue blood. This story is a quest for family; her whole life, Molly, now a happy wife and mother in the wealthy Atlanta suburbs, has defined her universe by what she perceives to be her role in the family. Molly's world begins its descent upon learning that her husband not only has a mistress but also has plans to marry the younger woman. Her mother's sudden death only makes her ground shakier. Thus, without realizing it, Molly begins a journey to find a new family. She decides to stay on at Martha's Vineyard after visiting her friend there, and she proceeds to play familiar roles with new people. Siddons has always had a certain knack for weaving lyrical phrases and conveying a mood through her prose; her portrayal of the woman scorned is particularly poignant and insightful, as is her depiction of complex family dynamics. But the story gets frustrating because the reader wants everything to be right for Molly, and that certainly doesn't always happen. Sure there is some sort of resolution at the end, but it is a disjointed and odd conclusion. However, given the 250,000-copy first printing and aggressive marketing, this novel is sure to find its fans. Mary Frances Wilkens


From Kirkus Reviews
Siddons has her formula down to a science (Fault Lines, 1995, etc.), as this latest once again demonstrates. Molly Bell Redwine is a woman who's never had a chance to discover herself. As a child, she lived under the shadow of her glamorous mother. As a young adult, she met and married Tee, a Coca-Cola executive who fathered her two children, Teddy and Caroline, and kept her comfortable in the manner to which she'd become accustomed. When Tee announces out of the blue that he's met a younger woman, a Coke attorney, and wants a divorce, and Molly's mother up and dies without any notice, Molly's stable if painfully dull Atlanta existence is thrown into disarray. On the advice of her transplanted northern friend Liv, she heads to Liv's house in Martha's Vineyard for the rest of the summer, and to everyone's surprise decides to stay once Liv heads back south at the end of the season. On the island, Molly finds herself in an unusual position as house-sitter, nurse, and friend to two elderly, ill women, and as part-time caretaker to one of the women's sons, who's suffering from cancer and has recently had his leg amputated. On top of it all, Molly's depressed, mourning father joins her, hoping to find solace in this place where he and his daughter are anonymous. But as is often the case--at least in a good Siddons novel--alone doesn't last for long, and love comes when it's least expected. What has seemed at first an unbearable burden transforms Molly in ways she couldn't have imagined. Far-fetched but oddly compelling, this beaten-down housewife's journey to self-reliance and happiness has surprising quirks, lively characters, and actual feeling. (First printing of 250,000; Literary Guild selection; $200,000 ad/promo; author tour) -- Copyright ©1997, Kirkus Associates, LP. All rights reserved.


Book Description
If there was ever one woman who knew what was important, that woman was Molly Bell Redwine. From childhood, Molly was taught by her charismatic, demanding mother that "family is everything." But in what seems like an instant, Molly discovers that family can change without warning. Her husband of more than twenty years leaves her for a younger woman, her domineering mother dies, and her Atlanta clan scatters to the four winds. In a heartbeat Molly is set adrift. Devasting by her crumbling world, Molly takes refuge with a friend on Martha's Vineyard where she tries to come to terms with who she really is. After the summer season, Molly decides to stay on in this very different world, renting a small cottage on a remote up-island pond.As Molly's stay up island widens the distance between her and her old life in Atlanta, she lets go of her outworn notions of family and begins to become part of a strange -- and very real -- new family.As the long Vineyard winter closes in, she braces herself for the search for renewal, identity, and strength, until the healing spring finally comes.


Download Description
E-Book Extra: Family Binds: A Reading Group GuideWhen Molly Bell Redwine's husband of more than twenty years leaves her for a younger woman, and her domineering mother dies, she takes refuge with a friend in Martha's Vineyard, and becomes part of a strange -- and very real -- new family.If there was ever one woman who knew what was important, that woman was Molly Bell Redwine. From childhood, Molly was taught by her charismatic, demanding mother that "family is everything." But in what seems like an instant, Molly discovers that family can change without warning. Her husband of more than twenty years leaves her for a younger woman, her domineering mother dies, and her Atlanta clan scatters to the four winds. In a heartbeat Molly is set adrift. Devasting by her crumbling world, Molly takes refuge with a friend on Martha's Vineyard where she tries to come to terms with who she really is. After the summer season, Molly decides to stay on in this very different world, renting a small cottage on a remote up-island pond.As Molly's stay up island widens the distance between her and her old life in Atlanta, she lets go of her outworn notions of family and begins to become part of a strange -- and very real -- new family.As the long Vineyard winter closes in, she braces herself for the search for renewal, identity, and strength, until the healing spring finally comes.


About the Author
Anne River Siddons was born in 1936 in Fairburn, Georgia, a small railroad town just south of Atlanta, where her family has lived for six generations. The only child of a prestigious Atlanta lawyer and his wife, Siddons was raised to be a perfect Southern belle. Growing up, she did what was expected of her: getting straight A's, becoming head cheerleader, the homecoming queen, and then Centennial Queen of Fairburn. At Auburn University she studied illustration, joined the Tri-Delt sorority, and "did the things I thought I should. I dated the right guys. I did the right activities," and wound up voted "Loveliest of the Plains."During her student years at Auburn, the Civil Rights Movement first gained national attention, with the bus boycott in Montgomery and the integration of the University of Alabama. Siddons was a columnist for the Auburn Plainsman at the time, and she wrote, "an innocuous, almost sophomoric column" welcoming integration. The school's administration requested she pull it, and when she refused, they ran it with a disclaimer stating that the university did not share her views. Because she was writing from the deep South, her column gained instant national attention and caused quite "a fracas." When she wrote a second, similarly-minded piece, she was fired. It was her first taste of the power of the written word.After graduation, she worked in the advertising department of a large bank, doing layout and design. But she soon discovered her real talents lay in writing, as she was frequently required to write copy for the advertisements. "At Auburn, and before that when I wrote local columns for the Fairburn paper, writing came so naturally that I didn't value it. I never even thought that it might be a livelihood, or a source of great satisfaction. Southern girls, remember, were taught to look for security." She soon left the bank to join the staff of the recently founded Atlanta magazine. Started by renowned mentor, Jim Townsend, the Atlanta came to life in the 1960's, just as the city Atlanta was experiencing a rebirth. As one of the magazine's first senior editors, Siddons remembers the job as being, "one of the most electrifying things I have ever done in terms of sheer joy." Her work at the magazine brought her in direct contact with the Civil Rights Movement, often sitting with Dr. King's people at the then-black restaurant Carrousel, listening to the best jazz the city had to offer. At age 30, she married Heyward Siddons, eleven years her senior, and the father of four sons from a previous marriage.Her writing career took its next leap when Larry Ashmead, then an editor at Doubleday, noticed an article of hers and wrote to her asking if she would consider doing a book. She assumed the letter was a prank, and that some of her friends had stolen Doubleday stationary. When she didn't respond, Ashmead tracked her down, and Siddons ended up with a two book contract: a collection of essays which became John Chancellor Makes Me Cry, and a novel of her college days, which became Heartbreak Hotel, and was later turned into a film, Heart of Dixie, starring Ally Sheedy.As Ashmead moved on, from Doubleday to Simon & Shuster, then to Harper & Row, Siddons followed, writing a horror story, The House Next Door, which Stephen King described as a prime example of "the new American Gothic," and then Fox's Earth and Homeplace, about the loss of a beloved home.It was in 1988, with the publication of her fifth book, the best-selling Peachtree Road, that Siddons graduated to real commercial success. Described by her friend and peer, Pat Conroy, as "the Southern novel for our generation." With almost a million copies in print, Peachtree Road ushered Siddons onto the literary fast track. Since then the novels have been coming steadily, about one each year, with her readership and writer's fees increasing commensurately. In 1992 she received $3.25 million from HarperCollins for a three book deal, and then, in 1994, HarperCollins gave Siddons $13 million for a four book deal. Now, she and her Heyward shuttle between a sprawling home in Brookhaven, Atlanta, and their summer home in Brooklin, Maine. She finds Down East, "such a relief after the old dark morass of the South. It's like getting a gulp of clean air...I always feel in Maine like I'm walking on the surface of the earth. In the South, I always feel like I'm knee-deep." But she still remains tied to her home in the South, where she does most of her writing. Each morning, Siddons dresses, puts on her makeup and then heads out to the backyard cottage that serves as her office. And each night, she and her husband edit the day's work by reading it aloud over evening cocktails. Siddons' success has naturally brought comparisons with another great Southern writer, Margaret Mitchell, but Siddons insists that the South she writes about is not the romanticized version found in Gone With the Wind. Instead, her relationship with the South is loving, but realistic. "It's like an old marriage or a long marriage. The commitment is absolute, but the romance has long since worn off...I want to write about it as it really is: I don't want to romanticize it."

ANNOTATION

A capable, well-born Atlanta woman struggles to find a place for herself in the isolation and stark beauty of a New England island after a devastating divorce and her mother's sudden death.

FROM THE PUBLISHER

If there was ever one woman who knew what was important, that woman was Molly Bell Redwine. From childhood, Molly was taught by her charismatic, demanding mother that "family is everything." But in what seems like an instant, Molly discovers that family can change without warning. Her husband of more than twenty years leaves her for a younger woman, her domineering mother dies, and her Atlanta clan scatters to the four winds. In a heartbeat Molly is set adrift.

Devasting by her crumbling world, Molly takes refuge with a friend on Martha's Vineyard where she tries to come to terms with who she really is. After the summer season, Molly decides to stay on in this very different world, renting a small cottage on a remote up-island pond.

As Molly's stay up island widens the distance between her and her old life in Atlanta, she lets go of her outworn notions of family and begins to become part of a strange — and very real — new family.As the long Vineyard winter closes in, she braces herself for the search for renewal, identity, and strength, until the healing spring finally comes.

About the Author

Anne River Siddons was born in 1936 in Fairburn, Georgia, a small railroad town just south of Atlanta, where her family has lived for six generations. The only child of a prestigious Atlanta lawyer and his wife, Siddons was raised to be a perfect Southern belle. Growing up, she did what was expected of her: getting straight A's, becoming head cheerleader, the homecoming queen, and then Centennial Queen of Fairburn. At Auburn University she studied illustration, joined the Tri-Delt sorority, and "did the things I thought I should. I dated the rightguys. I did the right activities," and wound up voted "Loveliest of the Plains."

During her student years at Auburn, the Civil Rights Movement first gained national attention, with the bus boycott in Montgomery and the integration of the University of Alabama. Siddons was a columnist for the Auburn Plainsman at the time, and she wrote, "an innocuous, almost sophomoric column" welcoming integration. The school's administration requested she pull it, and when she refused, they ran it with a disclaimer stating that the university did not share her views. Because she was writing from the deep South, her column gained instant national attention and caused quite "a fracas." When she wrote a second, similarly-minded piece, she was fired. It was her first taste of the power of the written word.

After graduation, she worked in the advertising department of a large bank, doing layout and design. But she soon discovered her real talents lay in writing, as she was frequently required to write copy for the advertisements. "At Auburn, and before that when I wrote local columns for the Fairburn paper, writing came so naturally that I didn't value it. I never even thought that it might be a livelihood, or a source of great satisfaction. Southern girls, remember, were taught to look for security."

She soon left the bank to join the staff of the recently founded Atlanta magazine. Started by renowned mentor, Jim Townsend, the Atlanta came to life in the 1960's, just as the city Atlanta was experiencing a rebirth. As one of the magazine's first senior editors, Siddons remembers the job as being, "one of the most electrifying things I have ever done in terms of sheer joy." Her work at the magazine brought her in direct contact with the Civil Rights Movement, often sitting with Dr. King's people at the then-black restaurant Carrousel, listening to the best jazz the city had to offer. At age 30, she married Heyward Siddons, eleven years her senior, and the father of four sons from a previous marriage.

Her writing career took its next leap when Larry Ashmead, then an editor at Doubleday, noticed an article of hers and wrote to her asking if she would consider doing a book. She assumed the letter was a prank, and that some of her friends had stolen Doubleday stationary. When she didn't respond, Ashmead tracked her down, and Siddons ended up with a two book contract: a collection of essays which became John Chancellor Makes Me Cry, and a novel of her college days, which became Heartbreak Hotel, and was later turned into a film, Heart of Dixie, starring Ally Sheedy.

As Ashmead moved on, from Doubleday to Simon & Shuster, then to Harper & Row, Siddons followed, writing a horror story, The House Next Door, which Stephen King described as a prime example of "the new American Gothic," and then Fox's Earth and Homeplace, about the loss of a beloved home.

It was in 1988, with the publication of her fifth book, the best-selling Peachtree Road, that Siddons graduated to real commercial success. Described by her friend and peer, Pat Conroy, as "the Southern novel for our generation." With almost a million copies in print, Peachtree Road ushered Siddons onto the literary fast track. Since then the novels have been coming steadily, about one each year, with her readership and writer's fees increasing commensurately. In 1992 she received $3.25 million from HarperCollins for a three book deal, and then, in 1994, HarperCollins gave Siddons $13 million for a four book deal.

Now, she and her Heyward shuttle between a sprawling home in Brookhaven, Atlanta, and their summer home in Brooklin, Maine. She finds Down East, "such a relief after the old dark morass of the South. It's like getting a gulp of clean air...I always feel in Maine like I'm walking on the surface of the earth. In the South, I always feel like I'm knee-deep." But she still remains tied to her home in the South, where she does most of her writing. Each morning, Siddons dresses, puts on her makeup and then heads out to the backyard cottage that serves as her office. And each night, she and her husband edit the day's work by reading it aloud over evening cocktails.

Siddons' success has naturally brought comparisons with another great Southern writer, Margaret Mitchell, but Siddons insists that the South she writes about is not the romanticized version found in Gone With the Wind. Instead, her relationship with the South is loving, but realistic. "It's like an old marriage or a long marriage. The commitment is absolute, but the romance has long since worn off...I want to write about it as it really is: I don't want to romanticize it."

SYNOPSIS

Anne Rivers Siddons's 12th novel, Up Island, can be taken on many levels. It is about the role of the woman in today's society. It is about the shedding of the antiquated conservative ideal of the family unit. It is about searching, self-discovery, and the triumph of the human spirit. These feelings are difficult to put into words, but Siddons handles the task deftly and delivers a story that is able to convey all of these intangible components beautifully.

Siddons introduces us to her complacent heroine, Molly Redwine, a loyal wife and mother. Can a person be too loyal? Perhaps, for when her husband announces that he is leaving her for a younger woman, Molly's whole life is completely and irrevocably shattered. Certainly not an unexpected reaction, except that Molly does not have anything else. She was her family. Her situation is unfortunately and intensely exacerbated by the sudden death of her mother, and she naturally begins to feel bitter and vindictive. Her only satisfaction is not granting her husband a quick divorce, but this only does more harm to Molly's fragile psyche. She decides she must get away.

Molly's close friend Livvy invites her for a time to Martha's Vineyard. Molly decides to stay in these lush surroundings and not return to the unhappiness awaiting her at home in Atlanta. Is she running away from her problems? No...she is running away from her former self, a person who was not really her. She manages to secure a job as caretaker of the Ponder household: Bella; her female companion, Luz; Dennis, Bella's seriously ill son; and a pair of swans who live on the nearby pond. Molly's father, still grieving the loss of his wife, eventually joins them, and an interesting surrogate family begins to form. You probably have, at some point, read those statistics that say the average American family consists of a man, a woman, and 2.5 children and wondered what relevance that has, considering the complexity of current relationships. As Siddons says, "A family is any group that comes together in love and commitment."

While reading Up Island, you will appreciate Siddons's skill with the English language and her ability to tell an intriguing story, but mostly, you will cherish. You will cherish the fact that you are a thinking, feeling human being with all your achievements and all your failures, appreciating both as a part of your soul and realizing that sometimes out of the most dire and depressing circumstances can come the greatest achievement -- love.

FROM THE CRITICS

Library Journal

A woman whose family has fallen apart finds refuge on Martha's Vineyard, caring for others as a means of finding herself.

School Library Journal

YA--For Molly Redwine, maintaining her family is the essence of her existence. When her husband announces he is leaving her for another woman, her world collapses. The "other woman" quickly takes over Molly's social position, her house, and even the affection of her son. With the sudden death of her domineering mother, Molly is truly set adrift. Escaping with friends to Martha's Vineyard, she starts the search for her own identity. When her friends depart, she stays on in a small cottage. As a renter, she must also assume the duties of caretaker of two cantankerous old women who share a haunting secret, a gravely ill and estranged son of one of those women, and two territorial swans. Through the winter, Molly struggles to nurture them as she searches for a future for herself. As with most of Siddons's heroines, Molly is an engaging woman who battles successfully with adversity and remains unsinkable. The author's fans will be delighted with her latest novel and its setting.--Katherine Fitch, Lake Braddock Middle School, Burke, VA

AudioFile - Ruth P. Ludwig

C.J. Critt's authoritative intonation commands attention. Here again we enjoy Siddons's favorite plot line: A Southern woman in a shaky marriage drags herself into the twentieth century by leaving the deep South and finding inner strength. Critt's crisp delivery is syrupy. She refrains from reading the entire production in a Southern accent, although she does employ it artfully in certain characterizations. A highlight of the audio is Critt's compassionate portrayal of protagonist Molly Redwine's father, Tim Bell. Subtle softening and lowering of voice, delicate layering of Atlanta dialect, and a slight slowing of pace portray Bell as the loving, though hurting, father he is. R.P.L. cAudioFile, Portland, Maine

Kirkus Reviews

Siddons has her formula down to a science ("Fault Lines", 1995, etc.), as this latest once again demonstrates.

Molly Bell Redwine is a woman who's never had a chance to discover herself. As a child, she lived under the shadow of her glamorous mother. As a young adult, she met and married Tee, a Coca-Cola executive who fathered her two children, Teddy and Caroline, and kept her comfortable in the manner to which she'd become accustomed. When Tee announces out of the blue that he's met a younger woman, a Coke attorney, and wants a divorce, and Molly's mother up and dies without any notice, Molly's stable if painfully dull Atlanta existence is thrown into disarray. On the advice of her transplanted northern friend Liv, she heads to Liv's house in Martha's Vineyard for the rest of the summer, and to everyone's surprise decides to stay once Liv heads back south at the end of the season. On the island, Molly finds herself in an unusual position as house-sitter, nurse, and friend to two elderly, ill women, and as part-time caretaker to one of the women's sons, who's suffering from cancer and has recently had his leg amputated. On top of it all, Molly's depressed, mourning father joins her, hoping to find solace in this place where he and his daughter are anonymous. But as is often the case—at least in a good Siddons novel—alone doesn't last for long, and love comes when it's least expected. What has seemed at first an unbearable burden transforms Molly in ways she couldn't have imagined.

Far-fetched but oddly compelling, this beaten-down housewife's journey to self-reliance and happiness has surprising quirks, lively characters, and actual feeling.