"The Bible's account of Jacob is a pungent seed found in a tomb," wrote the poet James Merrill about this novel. "Frederick Buechner has planted it and the result is this beautiful swaying tree of a book." The fact that Merrill was an old friend of Buechner's does not disqualify this eloquent testimony. Indeed, Jacob is powerfully translated here through Buechner's honest and humorous--and cantankerous--voice. We see a living, human character, as always in Buechner's work, whether fiction or nonfiction. From this archetypal tale of feuding brothers he draws a story of family and fear, and a tale of a living God with whom Jacob wrestles in more ways than one. The tale of this life is a rich one: the two wives, Leah and Rachel, the journeys and the dreams--all of it takes on a coloring that is both strange and yet familiar: here is a Jacob both larger than life and yet very much human, very much one of us. --Doug Thorpe


From Publishers Weekly
In this reimagined life of the biblical patriarch Jacob, Buechner ( Brendan ) sticks close to the Bible story. Reminiscing during his last days in Goshen, Jacob recounts the familiar events. An ambitious and cunning youth, he gets his ravenous elder twin Esau to sell his birthright for a meal, and then connives to receive the blessing that their father, Isaac (whose name, readers are told means "laughter," hence the title), would confer on his brother. He dreams of a stairway to heaven and wrestles with God, called "the Fear" throughout. Later chapters focus, like the biblical account, on Jacob's son Joseph. Buechner's embellishments deal mainly in his subject's inner psychology, and while his style is highly readable, the prose lacks resonance and in the end the novel proves no more evocative or informative than a well-developed Sunday-school lesson. The conceit of Jacob justifying his own life to the reader wears thin, and because the story is so familiar there are few surprises. Buechner's autobiographical works are more effective, but this volume is not likely to disappoint his many faithful readers. Copyright 1993 Reed Business Information, Inc.


From Library Journal
Buechner is a minister as well as a noted author of historical fiction and devotional nonfiction. His knowledge of and interest in biblical history enriches this retelling of the story of Jacob, son of Isaac (the "laughter" of the title), and grandson of Abraham. The stories of Abraham's near-sacrifice of Isaac, the exchange of Esau's birthright for a bowl of porridge, the deception of Isaac when he is about to give his blessing, Jacob's courtships and marriages, his dream of angels climbing the ladder, his wrestling with God (here referred to as The Fear), the sale of Joseph into slavery in Egypt, and his gaining favor by interpreting dreams--all are beautifully presented. The novel is rich with sensory description. The characters and their relationships with one another are well developed, although more conservative readers may be surprised by Buechner's description of the way men assess each other's strength. Recommended for wide purchase, especially in public libraries.- Ann Irvine, Montgomery Cty. P.L., Md.Copyright 1993 Reed Business Information, Inc.


Book Description

Rich in family drama, passion, and human affinity, critically acclaimed author Frederick Buechner's contemporary retelling of this captivating and timeless biblical saga revitalizes the ancient story of Jacob, delighted our senses and modern sensibilities and gracing us with his exceptional eloquence and wit.


About the Author
Frederick Buechner is the popular author of such nonfiction titles as Telling the Truth, Wishful Thinking, and Peculiar Treasures. The New York Times Book Review described his recently published memoir, The Sacred Journey, as a "beautifully successful experiment." In addition to The Final Beast, which was originally published in 1965, Mr. Buechner is the author of ten other novels, including the bestselling A Long Day's Dying and, most recently, Godric. He makes his home in Rupert, Vermont.

FROM THE PUBLISHER

Rich in family drama, passion, and human affinity, critically acclaimed author Frederick Buechner's contemporary retelling of this captivating and timeless biblical saga revitalizes the ancient story of Jacob, delighted our senses and modern sensibilities and gracing us with his exceptional eloquence and wit.

About the Author

Frederick Buechner is the popular author of such nonfiction titles as Telling the Truth, Wishful Thinking, and Peculiar Treasures. The New York Times Book Review described his recently published memoir, The Sacred Journey, as a "beautifully successful experiment." In addition to The Final Beast, which was originally published in 1965, Mr. Buechner is the author of ten other novels, including the bestselling A Long Day's Dying and, most recently, Godric. He makes his home in Rupert, Vermont.

FROM THE CRITICS

Publishers Weekly

In this reimagined life of the biblical patriarch Jacob, Buechner ( Brendan ) sticks close to the Bible story. Reminiscing during his last days in Goshen, Jacob recounts the familiar events. An ambitious and cunning youth, he gets his ravenous elder twin Esau to sell his birthright for a meal, and then connives to receive the blessing that their father, Isaac (whose name, readers are told means ``laughter,'' hence the title), would confer on his brother. He dreams of a stairway to heaven and wrestles with God, called ``the Fear'' throughout. Later chapters focus, like the biblical account, on Jacob's son Joseph. Buechner's embellishments deal mainly in his subject's inner psychology, and while his style is highly readable, the prose lacks resonance and in the end the novel proves no more evocative or informative than a well-developed Sunday-school lesson. The conceit of Jacob justifying his own life to the reader wears thin, and because the story is so familiar there are few surprises. Buechner's autobiographical works are more effective, but this volume is not likely to disappoint his many faithful readers. (Mar.)

Library Journal