Shirley Jackson's The Haunting of Hill House has unnerved readers since its original publication in 1959. A tale of subtle, psychological terror, it has earned its place as one of the significant haunted house stories of the ages.
Eleanor Vance has always been a loner--shy, vulnerable, and bitterly resentful of the 11 years she lost while nursing her dying mother. "She had spent so long alone, with no one to love, that it was difficult for her to talk, even casually, to another person without self-consciousness and an awkward inability to find words." Eleanor has always sensed that one day something big would happen, and one day it does. She receives an unusual invitation from Dr. John Montague, a man fascinated by "supernatural manifestations." He organizes a ghost watch, inviting people who have been touched by otherworldly events. A paranormal incident from Eleanor's childhood qualifies her to be a part of Montague's bizarre study--along with headstrong Theodora, his assistant, and Luke, a well-to-do aristocrat. They meet at Hill House--a notorious estate in New England.
Hill House is a foreboding structure of towers, buttresses, Gothic spires, gargoyles, strange angles, and rooms within rooms--a place "without kindness, never meant to be lived in...."
Although Eleanor's initial reaction is to flee, the house has a mesmerizing effect, and she begins to feel a strange kind of bliss that entices her to stay. Eleanor is a magnet for the supernatural--she hears deathly wails, feels terrible chills, and sees ghostly apparitions. Once again she feels isolated and alone--neither Theo nor Luke attract so much eerie company. But the physical horror of Hill House is always subtle; more disturbing is the emotional torment Eleanor endures. Intense, literary, and harrowing, The Haunting of Hill House belongs in the same dark league as Henry James's classic ghost story, The Turn of the Screw.
Haunting of Hill House FROM THE PUBLISHER
The four visitors at Hill House-- some there for knowledge, others for adventure-- are unaware that the old mansion will soon choose one of them to make its own.
FROM THE CRITICS
Gale Research
Carol Cleveland explained in And Then There Were Nine . . . More Women of Mystery that with this novel Jackson had given the traditional gothic story a twist. "The classic gothic formula, " Cleveland wrote, "brings a vulnerable young girl to an isolated mansion with a reputation for ghosts, exposes her to a few weird happenings to heighten the suspense, then explains the `supernatural' away by a perfectly human, if evil, plot and leaves the heroine in the strong arms of the hero. In House, the heroine is exceedingly vulnerable, the weird happenings quite real, the house really haunted."