When The Grapes of Wrath was published in 1939, America, still recovering from the Great Depression, came face to face with itself in a startling, lyrical way. John Steinbeck gathered the country's recent shames and devastations--the Hoovervilles, the desperate, dirty children, the dissolution of kin, the oppressive labor conditions--in the Joad family. Then he set them down on a westward-running road, local dialect and all, for the world to acknowledge. For this marvel of observation and perception, he won the Pulitzer in 1940.

The prize must have come, at least in part, because alongside the poverty and dispossession, Steinbeck chronicled the Joads' refusal, even inability, to let go of their faltering but unmistakable hold on human dignity. Witnessing their degeneration from Oklahoma farmers to a diminished band of migrant workers is nothing short of crushing. The Joads lose family members to death and cowardice as they go, and are challenged by everything from weather to the authorities to the California locals themselves. As Tom Joad puts it: "They're a-workin' away at our spirits. They're a tryin' to make us cringe an' crawl like a whipped bitch. They tryin' to break us. Why, Jesus Christ, Ma, they comes a time when the on'y way a fella can keep his decency is by takin' a sock at a cop. They're workin' on our decency."

The point, though, is that decency remains intact, if somewhat battle-scarred, and this, as much as the depression and the plight of the "Okies," is a part of American history. When the California of their dreams proves to be less than edenic, Ma tells Tom: "You got to have patience. Why, Tom--us people will go on livin' when all them people is gone. Why, Tom, we're the people that live. They ain't gonna wipe us out. Why, we're the people--we go on." It's almost as if she's talking about the very novel she inhabits, for Steinbeck's characters, more than most literary creations, do go on. They continue, now as much as ever, to illuminate and humanize an era for generations of readers who, thankfully, have no experiential point of reference for understanding the depression. The book's final, haunting image of Rose of Sharon--Rosasharn, as they call her--the eldest Joad daughter, forcing the milk intended for her stillborn baby onto a starving stranger, is a lesson on the grandest scale. "'You got to,'" she says, simply. And so do we all. --Melanie Rehak


From Library Journal
Journey with the Joads for 21 hours in this first unabridged version of Steinbeck's classic. Controversial, even shocking, when it was written, the work continues to be so even today. The keen listener can hear why, because it poses fundamental questions about justice, the ownership and stewardship of the land, the role of government, power, and the very foundations of capitalist society. As history, this brings the Dust Bowl years to life in a most memorable way. Steinbeck (Travels with Charley, Audio Reviews, LJ 11/15/94) is a master storyteller and manages to engage the listener's sympathy with this epic story. Reader Dylan Baker, who gives each character a distinctive voice, draws the listener in. His female characters, especially the minor ones and Rose of Sharon, don't seem as authentic as his wonderful evocation of the fictional Tom, Ma, and Pa. But his voice is easy to listen to, and he is faithful to the characters' backgrounds and the plains region. The music that ends each individual tape is perfect for the story. This program is a well-produced, affordable, and worthwhile addition for any library with a serious audiobook collection.?Nancy Paul, Brandon P.L., WICopyright 1999 Reed Business Information, Inc.


The New York Times Book Review,
Steinbeck has written a novel from the depths of his heart with a sincerity seldom equaled.


From AudioFile
Winner of the Pulitzer Prize in l940, this famous protest novel is a natural for audio. The story is told almost entirely in the country vernacular of the destitute workers of the 1930's--some 300,000 strong--who had been driven from their farms and were pouring into California to face hunger, squalor and humiliation. (An inept narrator, reading their dialogue, could easily have made them sound like the Beverly Hillbillies.) Instead, Dylan Baker's sensitive interpretation has given them the dignity--even the nobility--that Steinbeck intended. He has also avoided another serious pitfall: overdramatizing some of Steinbeck's speeches in the last half of the book, avoiding what the Joads called "a preacher voice." The listener is hardly aware of occasional lapses into sentimental prose as Steinbeck delivers his many impassioned sermons against the selfishness and greed of the rich. Altogether, this is an outstanding performance; John Steinbeck would have relished it. J.C. An AUDIOFILE Earphones Award Winner. (c)AudioFile, Portland, Maine

FROM THE PUBLISHER

Although it follows the movement of thousands of men and women and the transformation of an entire nation, The Grapes of Wrath is also the story of one Oklahoma farm family, the Joads, who are driven off their homestead and forced to travel west to the promised land of California. Out of their trials and their repeated collisons against the hard realities of an America divided into Haves and Have-Nots, Steinbeck created a drama that is intensely human yet majestic in its scale and moral vision, elemental yet plainspoken, tragic but ultimately stirring in its insistence on human dignity.

FROM THE CRITICS

Time Magazine

Steinbeck's best novel.

Time Magazine

Steinbeck's best novel.

Peter Monro Jack