In Roddy Doyle's Booker Prize-winning novel Paddy Clarke Ha Ha Ha, an Irish lad named Paddy rampages through the streets of Barrytown with a pack of like-minded hooligans, playing cowboys and Indians, etching their names in wet concrete, and setting fires. Roddy Doyle has captured the sensations and speech patterns of preadolescents with consummate skill, and managed to do so without resorting to sentimentality. Paddy Clarke and his friends are not bad boys; they're just a little bit restless. They're always taking sides, bullying each other, and secretly wishing they didn't have to. All they want is for something--anything--to happen.

Throughout the novel, Paddy teeters on the nervous verge of adolescence. In one scene, Paddy tries to make his little brother's hot water bottle explode, but gives up after stomping on it just one time: "I jumped on Sinbad's bottle. Nothing happened. I didn't do it again. Sometimes when nothing happened it was really getting ready to happen." Paddy Clarke senses that his world is about to change forever--and not necessarily for the better. When he realizes that his parents' marriage is falling apart, Paddy stays up all night listening, half-believing that his vigil will ward off further fighting. It doesn't work, but it is sweet and sad that he believes it might. Paddy's logic may be fuzzy, but his heart is in the right place. --Jill Marquis


From Publishers Weekly
Doyle's Booker Prize-winning novel, told from the perspective of Irish, working-class 10-year-old Paddy Clarke, was a seven-week PW bestseller. Copyright 1994 Reed Business Information, Inc.


From School Library Journal
YA-A look at the daily exploits and thoughts of a 10-year-old Irish boy. As the story progresses, readers become more and more aware of the anguish that Paddy Clarke is feeling as he becomes conscious of the impending breakup of his parents' marriage. They may find it disconcerting to see the pain he inflicts on others (preferably younger or weaker boys) for the sheer "fun" of it and the dangerous antics of Paddy and his friends. The novel is powerfully written and slowly draws readers into the protagonist's complex personality. However, in spite of the critical acclaim the book has gotten, its lack of a straightforward plot and its violence and petty lawlessness to the exclusion of the character development may limit its appeal to YAs.Shirley Blaes, R.E. Lee High School, Springfield, VACopyright 1994 Reed Business Information, Inc.


From Library Journal
Paddy Clarke is ten years old. He lives with his ma and da, his younger brother Sinbad ("at home he was Francis"), and two baby sisters in the Dublin working-class neighborhood of Barrytown. Paddy spends his days with his friends Kevin, Aiden, and Liam, roaming local construction sites (it's the late 1960s, and suburbia is creeping over the Irish countryside), writing their names in wet cement, conducting Viking funerals for dead rats, and torturing Sinbad ("Big brothers hated their little brothers. They had to. It was the rule."). At night, Paddy listens vigilantly for the sounds of his parents fighting, whispering the magic word "Stop" to end it. Filled with the same earthy humor and pungent Irish dialog that marked Doyle's earlier novels ( The Commitments , Vintage, 1989; The Snapper and The Van , LJ 7/92), this book is also a vivid and poignant portrait of a little boy trying to make sense of the adult world. As Paddy Clarke himself would say, it is " brilliant," well deserving of the 1993 Booker Prize. The U.S. publication date of this book was changed from April 1994 to December after it won the prize.--Ed.- Wilda Williams, "Library Journal"Copyright 1993 Reed Business Information, Inc.


From AudioFile
Roddy Doyle's novel offers a ten-year-old boy's impressions of friends, parents and school through colorful sketches and vivid images of Ireland in 1968. Recounting Paddy's adventures in the first person, the multi-faceted Aidan Gillen captures both the author's literary voice and the eagerness of the boy telling the story. Wonder, curiosity and disbelief come through beautifully thanks to Gillen's rhythmic, fast-paced, clear, Irish lilt. He is consistently successful with characters of both genders and several generations. This book is superb in audio because the experience of hearing Paddy's accent, enthusiasm and boyishness brings his character to life. J.A.H. An AUDIOFILE Earphones Award winner (c)AudioFile, Portland, Maine

ANNOTATION

In this national bestseller and winner of the Booker Prize, Roddy Doyle, author of the "Barrytown Trilogy, " takes us to a new level of emotional richness with the story of ten-year-old Padraic Clarke. Witty and poignant--and adored by critics and readers alike--Paddy Clarke Ha Ha Ha charts the trumphs, indignities, and bewilderment of Paddy as he tries to make sense of his changing world. print.

FROM THE PUBLISHER

It is 1968. Patrick Clarke is ten. He loves George Best, Geronimo, and the smell of his hot water bottle. He hates zoos, kissing, and the boys from the Corporation houses. He can't stand his little brother Sinbad. He wants to be a missionary like Father Damien, and he coerces the McCarthy twins and Willy Hancock into playing lepers. He never picks the scabs off his knees before they're ready. Kevin is his best friend. Their names are all over Barrytown, written with sticks in wet cement. They play football, knickknack, jumping to the bottom of the sea. They shoplift. Robbing Football Monthly means four million years in purgatory. But a good confession before you died and you'd go straight to heaven. Paddy wants to know why no one jumped in for him when Charles Leavy had been going to kill him. He wants to stop his da arguing with his ma. He's confused: he sees everything, but he understands less and less.

FROM THE CRITICS

Publishers Weekly

Winning the 1993 Booker Prize propelled Doyle's fourth novel from its original spring publication to a December issue date. While retaining the candid pictures of family life, the swift, energetic prose, the ear-perfect vernacular dialogue and the slap-dash humor that distinguished The Van , The Snapper and The Commitments , this narrative has more poignance and resonance . Set in the working-class environment of an Irish town in the late 1960s, the story is related by bright, sensitive 10-year-old Paddy Clarke, who, when we first meet him, is merely concerned with being as tough as his peers. Paddy and his best friend Kevin are part of a neighborhood gang that sets fires in vacant buildings, routinely teases and abuses younger kids and plays in forbidden places. In episodic fashion, Doyle conveys the activities, taboos and ceremonies, the daring glee and often distorted sense of the world of boys verging on adolescence. As Paddy becomes aware that his parents' marriage is disintegrating, Doyle's control of his protagonist's voice remains unerring, and the gradual transition of Paddy's thoughts from the hurly-burly of play and pranks to a growing fear and misery about his father's alcoholic and abusive behavior is masterfully realized. While some topical references may bewilder readers unfamiliar with life in Ireland, other background details--the portrayal of small-town society, of the strict teacher who shows sudden empathy for Paddy--have universal interest. Most notable, however, is the emotional fidelity with which Doyle conveys Paddy's anguished reaction to the breakup of his family. (Dec.)

Library Journal

Paddy Clarke is ten years old. He lives with his ma and da, his younger brother Sinbad (``at home he was Francis''), and two baby sisters in the Dublin working-class neighborhood of Barrytown. Paddy spends his days with his friends Kevin, Aiden, and Liam, roaming local construction sites (it's the late 1960s, and suburbia is creeping over the Irish countryside), writing their names in wet cement, conducting Viking funerals for dead rats, and torturing Sinbad (``Big brothers hated their little brothers. They had to. It was the rule.''). At night, Paddy listens vigilantly for the sounds of his parents fighting, whispering the magic word ``Stop'' to end it. Filled with the same earthy humor and pungent Irish dialog that marked Doyle's earlier novels ( The Commitments , Vintage, 1989; The Snapper and The Van , LJ 7/92), this book is also a vivid and poignant portrait of a little boy trying to make sense of the adult world. As Paddy Clarke himself would say, it is `` brilliant,'' well deserving of the 1993 Booker Prize . The U.S. publication date of this book was changed from April 1994 to December after it won the prize.--Ed.-- Wilda Williams, ``Library Journal''

School Library Journal

YA-A look at the daily exploits and thoughts of a 10-year-old Irish boy. As the story progresses, readers become more and more aware of the anguish that Paddy Clarke is feeling as he becomes conscious of the impending breakup of his parents' marriage. They may find it disconcerting to see the pain he inflicts on others (preferably younger or weaker boys) for the sheer ``fun'' of it and the dangerous antics of Paddy and his friends. The novel is powerfully written and slowly draws readers into the protagonist's complex personality. However, in spite of the critical acclaim the book has gotten, its lack of a straightforward plot and its violence and petty lawlessness to the exclusion of the character development may limit its appeal to YAs.-Shirley Blaes, R.E. Lee High School, Springfield, VA

AudioFile - Julie A. Bell

Roddy Doyle's novel offers a ten-year-old boy's impressions of friends, parents and school through colorful sketches and vivid images of Ireland in 1968. Recounting Paddy's adventures in the first person, the multi-faceted Aidan Gillen captures both the author's literary voice and the eagerness of the boy telling the story. Wonder, curiosity and disbelief come through beautifully thanks to Gillen's rhythmic, fast-paced, clear, Irish lilt. He is consistently successful with characters of both genders and several generations. This book is superb in audio because the experience of hearing Paddy's accent, enthusiasm and boyishness brings his character to life. J.A.H. An AUDIOFILE Earphones Award winner cAudioFile, Portland, Maine

Carolyn See - The Washington Post