According to Ponyboy, there are two kinds of people in the world: greasers and socs. A soc (short for "social") has money, can get away with just about anything, and has an attitude longer than a limousine. A greaser, on the other hand, always lives on the outside and needs to watch his back. Ponyboy is a greaser, and he's always been proud of it, even willing to rumble against a gang of socs for the sake of his fellow greasers--until one terrible night when his friend Johnny kills a soc. The murder gets under Ponyboy's skin, causing his bifurcated world to crumble and teaching him that pain feels the same whether a soc or a greaser. This classic, written by S. E. Hinton when she was 16 years old, is as profound today as it was when it was first published in 1967.
Card catalog description
Three brothers struggle to stay together after their parents' death, as they search for an identity among the conflicting values of their adolescent society in which they find themselves "outsiders."
From the Publisher
Ponyboy is fourteen, tough and confused, yet sensitive behind his bold front. Since his parents' death, his loyalties have been to his brothers and his gang, the rough, swinging, long-haired boys from the wrong side of the tracks. When his best friend, Johnny, kills a member of a rival gang, a nightmare of violence begins and swiftly envelops Ponyboy in a turbulent chain of events.
The Outsiders FROM THE PUBLISHER
Ponyboy can count on his brothers. And on his friends. But no on much else besides trouble with the Socs, a vicious gang of rich kids whose idead oa good time is beating up "greasers" like Ponyboy. At least heknows what to expect--until the night someone takes things too far.
FROM THE CRITICS
AudioFile - Deborah M. Locke
Susan Hinton's ground-breaking book is arguably the most widely read of young adult novels since it first appeared in 1967. Unfortunately, it loses much of its grit and energy in this presentation. Spike McClure's Ponyboy doesn't sound "tough" at all; the good-hearted youth beneath Pony's carefully-tended "tough-greaser" image is exposed from the start. McClure brings little emotional range to the part, and the measured pacing fails to convey the drama of knife fights and other rumbles. McClure misses his chance to bring potentially colorful characters to life. Young people who have read the book will likely be disappointed, and this Ponyboy, with his "gee whiz" wholesomeness, will win few new admirers among today's teens. D.M.L. ᄑAudioFile, Portland, Maine