Book Description
A new translation of one of the cornerstones of Western philosophy.
Always passionately interested in natural phenomena, Aristotle eventually dissented from Plato's idealist premise that what we perceive is just a pale reflection of the true reality. The Metaphysics is Aristotle's first mature statement of his own philosophical understanding of reality. An extraordinary synthesis, integrating the natural and rational aspects of the world, Aristotle's Metaphysics probes some of the deepest questions of philosophy: What is existence? How is change possible? What makes something the same thing at different times? Are there things that must exist for anything else to exist at all? Furthermore, with his notion of "substance" and his associated concepts of matter and form, essence and accident, and potentiality and actuality, Aristotle laid the foundations for Western speculative thought on the nature of reality. Hugh Lawson--Tancred's translation achieves a read-ability absent from earlier versions, and in a stimulating introductory essay he highlights the central themes of one of philosophy's supreme masterpieces.
Language Notes
Text: English (translation)
Original Language: Greek
Metaphysics FROM THE PUBLISHER
This volume brings together the three most original and influential ancient Greek treatises on literature. Artistotle's "Poetics" contains his treatment of Greek tragedy: its history, nature, and conventions, with details on poetic diction. Stephen Halliwell makes this seminal work newly accessible with a translation that is both accurate and readable. His authoritative introduction traces the work's debt to earlier theorists (especially Plato), its distinctive argument, and the reasons behind its enduring relevance. The essay "On the Sublime," usually attributed to "Longinus" (identity uncertain), was probably composed in the first century A.D.; its subject is the appreciation of greatness ("the sublime") in writing, with analysis of illustrative passages ranging from Homer and Sappho to Plato and Genesis. In this edition, Donald Russell has revised and newly annotated the text and translation by W. Hamilton Fyfe and provides a new introduction. The treatise "On Style," ascribed to an (again unidentifiable) Demetrius, was perhaps composed during the second century B.C. It seems to reflect the theoretical energy of Hellenistic rhetorical works now lost, and is notable particularly for its theory and analysis of four distinct styles. Doreen Innes' fresh rendering of the work is based on the earlier Loeb translation by W. Rhys Roberts. Her new introduction and notes represent the latest scholarship.