Book Description
This story of raging comedy and despair centers on the tempestuous marriage of an heiress and a Vietnam veteran. From their "carpenter gothic" rented house, Paul sets himself up as a media consultant for Reverend Ude, an evangelist mounting a grand crusade that conveniently suits a mining combine bidding to take over an ore strike on the site of Ude's African mission. At the still center of the breakneck action--revealed in Gaddis's inimitable virtuoso dialoge--is Paul's wife, Liz, and over it all looms the shadowy figure of McCandless, a geologist from whom Paul and Liz rent their house. As Paul mishandles the situation, his wife takes the geologist to her bed and a fire and aborted assassination occur; Ude issues a call to arms as harrowing as any Jeremiad--and Armageddon comes rapidly closer. Displaying Gaddis's inimitable virtuoso dialogue, and his startling treatments of violence and sexuality, Carpenter's Gothic "shows again that Gaddis is among the first rank of contemporary American writers" (Malcolm Bradbury, The Washington Post Book World).
"An unholy landmark of a novel--an extra turret added on to the ample, ingenious, audacious Gothic mansion Gaddis has been building in American letters" --Cynthia Ozick, The New York Times Book Review
"Everything in this compelling and brilliant vision of America--the packaged sleaze, the incipient violence, the fundamentalist furor, the constricted sexuality--is charged with the force of a volcanic eruption. Carpenter's Gothic will reenergize and give shape to contemporary literature." --Walter Abish
About the Author
One of the great masters of the twentieth-century novel, William Gaddis was born in 1922 in New York City and grew up in Massapequa, Long Island. He attended Harvard but was asked to leave the university, under mysterious circumstances, during his senior year. After working as a fact-checker at The New Yorker, he traveled through Europe, Africa, and Central America. During this time he wrote his first novel, The Recognitions (1955), a massive, dense, highly allusive work about the fraudulence that pervades contemporary life. Both critics and the public either ignored or dismissed it. Gaddis took various jobs over the next twenty years to support his family, speechwriting for corporate executives, scriptwriting for government films, and working in public relations for a pharmaceutical company. These experiences informed his second novel, J R (1975). Consisting almost entirely of fragmentary dialogue, the book is a stinging satire of American business, charting the rise and fall of a huge financial empire assembled by an 11-year-old boy. Although it divided critics, J R won the 1976 National Book Award. Considerably shorter and more intimate, Gaddis's third novel, Carpenter's Gothic (1985), is perhaps his darkest work, focusing on the anguished lives of a miserable heiress and her husband, a scheming Vietnam veteran. A Frolic of His Own (1994), the winner of another National Book Award, delineates the absurdities of the law and the legal profession. A member of the American Academy of Arts and Letters, Gaddis received a MacArthur grant in 1982. He died in 1998. His last novel, Agap_ Agape, a monologue about the destructive effects of corporate culture and technological innovation on the arts, was published in October 2002, along with a collection of his critical essays.
Carpenter's Gothic ANNOTATION
"An unholy landmark of a novel. . . .He is an American Original." -- Cythia Ozick, New Times Review of Books
FROM THE PUBLISHER
This story of raging comedy and despair centers on the tempestuous marriage of an heiress and a Vietnam veteran. From their "carpenter gothic" rented house, Paul sets himself up as a media consultant for Reverend Ude, an evangelist mounting a grand crusade that conveniently suits a mining combine bidding to take over an ore strike on the site of Ude's African mission. At the still center of the breakneck action--revealed in Gaddis's inimitable virtuoso dialoge--is Paul's wife, Liz, and over it all looms the shadowy figure of McCandless, a geologist from whom Paul and Liz rent their house. As Paul mishandles the situation, his wife takes the geologist to her bed and a fire and aborted assassination occur; Ude issues a call to arms as harrowing as any Jeremiad--and Armageddon comes rapidly closer. Displaying Gaddis's inimitable virtuoso dialogue, and his startling treatments of violence and sexuality, Carpenter's Gothic "shows again that Gaddis is among the first rank of contemporary American writers" (Malcolm Bradbury, The Washington Post Book World).
"An unholy landmark of a novel--an extra turret added on to the ample, ingenious, audacious Gothic mansion Gaddis has been building in American letters" --Cynthia Ozick, The New York Times Book Review
"Everything in this compelling and brilliant vision of America--the packaged sleaze, the incipient violence, the fundamentalist furor, the constricted sexuality--is charged with the force of a volcanic eruption. Carpenter's Gothic will reenergize and give shape to contemporary literature." --Walter Abish