From Publishers Weekly
As ambitious and imaginative as any of Helprin's past works (Memoir from Antproof Case; Winter's Tale; etc.), the 16 stories collected in the author's first book in nearly a decade are gloriously rich and varied. In "Perfection," Helprin's fabulist skills glitter as a Hasidic boy from 1958 Brooklyn makes a pilgrimage to "the house of Ruth" in the Bronx, believing that he must save Mickey Mantle and the "New York Yenkiss." Other tales explore loss, regret, retribution and time's passage, their exotic locations—Italy, France, Israel, the orange grove–era Pacific coast—imbuing them with exuberant life. In "Il Colore Ritrovato," a bookkeeper-turned-impresario, who years ago discovered one of the world's greatest (and unhappiest) opera singers, happens upon another untrained but perfect soprano and wrestles with his conscience about introducing her to the professional world. In "Monday," an honorable contractor willing to sacrifice other contracts and his own reputation to renovate the home of a woman whose husband was killed on September 11 learns "the power of those who had done right." "Passchendaele," a story of unrequited passion between a Canadian rancher and his neighbor's mute wife, is tender and moving, as are "Last Tea with the Armorers" and "Prelude," each demonstrating immense faith in the power of love. These are sturdy, rewarding stories from a master of the form. Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From The Washington Post's Book World/washingtonpost.com
Mark Helprin just might be the most romantic writer in America. The Pacific and Other Stories is rich in big, life-shaping notions (love, honor, duty, regret) filtered through the language of longing and nostalgia in such a way that the world takes on a kind of fairy-tale luster.Here are beautiful people doing beautiful things in beautiful places, all beautifully described. In "Il Colore Ritravato," an opera impresario traveling in Venice looks for redemption in the career of an unknown but beautiful soprano. In "Passchendaele," a Montana rancher pines for his neighbor's beautiful wife.And in the title story, set on the California coast during World War II, a beautiful woman named Paulette Ferry is hired as a precision welder at a factory that manufactures instruments for fighter planes. Her husband is soldiering in the south Pacific, and Paulette takes both pride and solace in her work. "The rhythm of the work seemed to signify something far greater than the work itself. The timing of her welds, the blinking of the arc . . . the generation of blinding flares and small pencil-shots of smoke: these acts, these qualities, and their progress, like the repetitions in the hymns that the women sang on the line, made a kind of quiet thunder that rolled through all things and that, in Paulette's deepest wishes, shot across the Pacific in performance of a miracle she dared not even name."There's no question that Helprin can write a ravishing sentence. He does it again and again throughout this book and has been doing it for a long time now (he's published two previous story collections and four novels, including Winter's Tale and A Soldier of the Great War). The question is, what's the net effect of such a romantic vision of the world?Each of the 16 stories begins well enough, but Helprin has a tendency to resort, sometimes at the most crucial moment, to object lessons and melodramatic gestures. "Jacob Byer and the Telephone," for example, is about an itinerant teacher who wanders into a Russian city obsessed with a new invention called the telephone. The setup is fresh and funny, the place vividly described, Jacob Byer himself likable and interesting. The whole thing feels more like a fable than modern short fiction. Like a fable, however, the story leaves the reader with an all-too-simple moral -- in this case, about the dangers of replacing faith with technology:"He glanced back for the last time and thought that . . . the telephone would triumph . . . and spread victoriously over the whole world. Probably, after the first flush of enthusiasm, people would no longer think it divine. But having thought so, they would put a distance between them and all that was true, a distance that would perhaps be extended . . . until the gap was so great that only God could see across it." In a remarkable scene in "Mar Nueva," one of the strongest stories in the book, a young boy comes face-to-face with a ruthless dictator named Santos-Ott. Their exchange is noteworthy for its humor and poignancy, for what it imparts about both the dictator and the boy, and for the subtlety with which Helprin renders all of the above. It's followed closely, however, by a second meeting, except this time the boy's (beautiful) older sister is present, and within minutes she has engaged Santos-Ott in a heated political debate."I don't have power," says Santos-Ott, "because my portrait is on postage stamps. My picture is on postage stamps because my power was born with me."A few lines later, the sister replies, "You pervert logic for your own benefit. Perhaps because everyone is afraid of you, no one has corrected your error. Perhaps no one has even tried. Let me explain to you how you err."And she goes on to do just that. The issue here isn't that Helprin is wrong about technology or dictators (would anyone disagree?). It's only that, in some ways, a great deal less is revealed when any writer resorts to this kind of reduction.The Pacific and Other Stories is decidedly old-fashioned in both style and temperament but seems oddly fresh in Helprin's resistance to anything so quotidian as realism or irony. By the end of the collection I found myself not so much wishing that Helprin were less a sentimentalist, less heavy-handed in his portrayal of love and politics and human nature, as that I had it in me to see the world as he does -- a place where good and bad are easily recognized; where sadness carries the day from time to time but always evokes our better selves; a place, above all, where beauty reigns. Reviewed by Michael Knight Copyright 2004, The Washington Post Co. All Rights Reserved.

From Bookmarks Magazine
Helprin, author of Ellis Island and A Winter’s Tale, brings to this collection his usual deep look into life, love, and war in prose as "glassy and smooth as amber" (Los Angeles Times). Yet, written over two decades, these stories befuddled a few critics. Some praised Helprin’s wise themes, character studies, dazzling prose, and detailed descriptions of how things, like baseball, work. Most agreed, however, that Helprin paints overly broad generalizations when it comes to people: honorable, brave men and beautiful women. "Jacob Byer and the Telephone," for example, has a fresh plot and protagonist, but a simple, emotionally unsatisfying moral at the end. Yet, even with faults, Helprin’s world still "takes on a kind of fairy-tale luster" (Washington Post). It’s just a matter of if you want it displayed in technicolor, or simplified in black and white. Copyright © 2004 Phillips & Nelson Media, Inc.

From Booklist
*Starred Review* Helprin, the author of such grandly artistic novels as Memoirs from an Antproof Case (1995), generates narrative electricity via the tension between the exactitude of his prose and the operatic drama and, in some cases, fantasia of his metaphor-spangled stories. A veteran of the Israeli armed forces and the British navy, and a contributing editor to the Wall Street Journal, Helprin is a man of the world deeply concerned with valor, integrity, discipline, intelligence, and honor, themes explored with verve in this radiant collection. A British paratrooper carries out a nearly impossible mission; men fall irredeemably under the spell of beautiful women; and in the haunting title story, a woman works in an aircraft factory, waiting for her marine lieutenant husband to come home from the Pacific front. Helprin's values are traditional, but his imagination is unbounded, inspiring exuberantly satirical fables, such as "Perfection," in which a scrawny Hasidic boy goes to the "House of Ruth" to save the Yankees, and the rabbinical debate over the significance of a new technology in "Jacob Bayer and the Telephone." And then there is "Monday," Helprin's glorious story of one magnificent attempt to redress the grief of 9/11. Donna Seaman
Copyright © American Library Association. All rights reserved

Entertainment Weekly, Editor’s Choice
Helprin reaffirms his place as our most elegant moralist... [His] range is staggering.

Los Angeles Times
There is plenty of magic here ... in a prose that is as glassy and smooth as amber.

San Francisco Chronicle
A master crafter of the short story

Book Description
At long last, almost ten years since his previous book, Mark Helprin returns with The Pacific and Other Stories, a collection of sixteen stories that display the remarkable scope, incomparable wit, and deft prose that have come to be his signature. A British paratrooper jumps into occupied territory; the 1958 New York Yankees gain an unexpected teammate in a puny, teenaged Hasidic Jew; a September 11th widow receives an astonishing gift from the contractor working on her new apartment—these and other stories exhibit the constantly changing variety of the ocean itself, the peaks and troughs of life. Lighthearted, glittering fables are met with starker tales that sound the depths of sacrifice and duty. The Pacific and Other Stories is a resplendent, powerful collection of lasting substance and emotional import.

About the Author
Mark Helprin served in the Israeli Army, the Israeli Air Force, and the British Merchant Navy. He is the author of numerous books and was educated at Harvard, Princeton, and Oxford.

FROM THE PUBLISHER

Mark Helprin's fiction is at once so effortlessly imaginative and deeply imagined as to regularly elicit from critics comparisons to Joyce, Kafka, Poe, Mann, and others. John Gardner said of Helprin, "He moves from character to character and from culture to culture as if he'd been born and raised everywhere," and Reynolds Price wrote in The New York Times Book Review, "Such ambitious reach is almost unheard of in our short fiction." Helprin is indisputably one of the great writers of our time.

And now, almost ten years since his last book, Helprin returns with The Pacific and Other Stories, a collection of sixteen stories that display the remarkable scope, incomparable wit, and deft prose that have come to be his signature. A British paratrooper jumps into occupied territory in order to reconnoiter enemy positions and direct artillery fire, but a roof breaks his fall; shattered physically and fully alone, he must decide the extent of his devotion to his mission. The 1958 New York Yankees gain an unexpected teammate in a puny, teenage Hasidic Jew whom God has called to rescue the "House of Ruth." An opera impresario who has made his career on and ruined the life of a laundress-turned-diva now considers whether he ought to pluck from obscurity a soprano singing on a side street in Venice. A novelist in the 1940s, completely forgotten within the vast bureaucracy at U.S. Steel, constructs for himself a lifesaving sinecure. A September 11 widow receives an astonishing gift from the contractor working on her new apartment. In 1972, a female reservist in the Israeli Army who has despaired of love finds it at the very last minute and in its finest expression, while floating in the sea off Haifa.

Helprin's stories exhibit the constantly changing variety of the ocean itself, the peaks and troughs of life depicted as they blend indistinguishably into one another. Lighthearted, glittering fables are met with starker tales that sound the depths of sacrifice and duty. And although many stories are of the present, the pre-World War II past and its promise of a simpler, purer way of life return with tidal regularity to haunt a modern-day world that has slighted tranquillity and reflection.

The Pacific and Other Stories is a resplendent, engulfing, powerful collection of lasting substance and emotional import.

Author Biography: Educated at Harvard, Princeton, and Oxford, Mark Helprin served in the Israeli Army, Israeli Air Force, and British Merchant Navy. He is the author of, among other titles, A Dove of the East and Other Stories, Refiner's Fire, Ellis Island and Other Stories, Winter's Tale, A Soldier of the Great War, and Memoir from Antproof Case.

FROM THE CRITICS

Michael Knight - The Washington Post

Mark Helprin just might be the most romantic writer in America. The Pacific and Other Stories is rich in big, life-shaping notions (love, honor, duty, regret) filtered through the language of longing and nostalgia in such a way that the world takes on a kind of fairy-tale luster.

Publishers Weekly

As ambitious and imaginative as any of Helprin's past works (Memoir from Antproof Case; Winter's Tale; etc.), the 16 stories collected in the author's first book in nearly a decade are gloriously rich and varied. In "Perfection," Helprin's fabulist skills glitter as a Hasidic boy from 1958 Brooklyn makes a pilgrimage to "the house of Ruth" in the Bronx, believing that he must save Mickey Mantle and the "New York Yenkiss." Other tales explore loss, regret, retribution and time's passage, their exotic locations Italy, France, Israel, the orange grove-era Pacific coast imbuing them with exuberant life. In "Il Colore Ritrovato," a bookkeeper-turned-impresario, who years ago discovered one of the world's greatest (and unhappiest) opera singers, happens upon another untrained but perfect soprano and wrestles with his conscience about introducing her to the professional world. In "Monday," an honorable contractor willing to sacrifice other contracts and his own reputation to renovate the home of a woman whose husband was killed on September 11 learns "the power of those who had done right." "Passchendaele," a story of unrequited passion between a Canadian rancher and his neighbor's mute wife, is tender and moving, as are "Last Tea with the Armorers" and "Prelude," each demonstrating immense faith in the power of love. These are sturdy, rewarding stories from a master of the form. Agent, Wendy Weil. 4-city author tour. (On sale Oct. 25) Copyright 2004 Reed Business Information.

Library Journal

Contemporary fiction is awash in self-serving characters happy to parade their weaknesses as badges of honor. So it's especially satisfying to read this collection from Helprin (A Soldier of the Great War), whose characters act in accord with this observation from "Sidney Balbion": "Honor . It's the only thing left." The opera impresario who wonders whether he should pluck a talented younger singer from the streets, giving her fame at the risk of personal happiness; the contractor who does a job for free when he discovers that his client is a 9/11 widow these characters act with almost old-fashioned moral rectitude, and Helprin is gifted enough to make them seem real, not stick-figure advertisements for good behavior. Among these fine character studies are a few more extended pieces, like the arresting "Perfection," wherein a young Hasidic student, who has seen his parents perish in the Holocaust and is eager to find "a justice and a beauty that will lift the ones I love from the kind of grave they were given," teaches the Yankees to play baseball on a higher level. Highly recommended. [See Prepub Alert, LJ 7/04, and "Fall Editors' Picks," p. 40-44. Ed.] Barbara Hoffert, Library Journal Copyright 2004 Reed Business Information.

Kirkus Reviews