From Publishers Weekly
In Follett's latest Le Mans-paced thriller, doses of the possible antidote to a deadly virus are stolen from a small pharmaceutical lab in Scotland, much to the dismay of the lab's security chief, Toni Gallo. Not only is the actual virus capable of decimating the British Isles, but the theft is certain to interfere with Toni's budding romance with the drug company's widowed founder, Stanley Oxenford. It is to Follett's credit that he is able to combine biological terrorism, romance, sadism, Alzheimer's disease and family dysfunction into an effective antidote to boredom. But these disparate elements, not to mention the idea of trapping heroes and villains with the virus in a country home cut off from the rest of humanity by a snowstorm, come close to parody. Reader Rosenblat's breathless British-accented narration crosses that line at times, particularly when she reads passages in which Follett tries, not always convincingly, to provide reasons for why his good guys can't summon help with their cell phones. On the other hand, she is extremely effective in delivering the novel's dialogue. Her Scottish brogues are especially impressive, as is the cruel Cockney accent she employs to add menace to the book's most unique character, a homicidal thug named Daisy who possesses a broken nose, a ring-pierced lip and beautiful hands. Simultaneous release with the Dutton hardcover (Forecasts, Nov. 15, 2004). (Nov.) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From AudioFile
Ken Follett focuses on bioterrorism and demonstrates why he remains a master of suspense. The novel, about two unrelated plots to steal a deadly virus from a Scottish research laboratory, has many twists--and the story builds momentum on every page. Where WHITEOUT differs from many similar thrillers is with Follett's well-drawn characters, in particular Toni Gallo, a disgraced former police officer who is the lab's security director, and Stanley Oxenford, the company's director. The story starts out slowly but quickly gains momentum. Similarly, Josephine Bailey's reading begins somewhat lethargically, with many characters sounding identical. As events progress, Bailey, who has a pleasant British accent, adjusts to the novel's flow, and her performance improves dramatically, with the characters becoming more clearly defined. D.J.S. © AudioFile 2005, Portland, Maine-- Copyright © AudioFile, Portland, Maine

FROM THE PUBLISHER

"As a blizzard whips out of the north on Christmas Eve, several people converge on a remote family house. Stanley Oxenford, director of a pharmaceutical research company, has everything riding on a drug he is developing to fight a lethal virus. Several others are interested in his success too: his children, at home for Christmas with their offspring, have their eyes on the money he will make; Toni Gallo, head of his security team and recently forced to resign from the police, is betting her career on keeping it safe; an ambitious local television reporter sniffs a story, even if he has to bend the facts to tell it; and a violent trio of thugs is on their way to steal it, with a client already waiting." As the storm worsens and the group is laid under siege by the elements, the emotional sparks crackle and dark secrets are revealed that threaten to drive Stanley and his family apart for ever.

FROM THE CRITICS

Publishers Weekly

In Follett's latest Le Mans-paced thriller, doses of the possible antidote to a deadly virus are stolen from a small pharmaceutical lab in Scotland, much to the dismay of the lab's security chief, Toni Gallo. Not only is the actual virus capable of decimating the British Isles, but the theft is certain to interfere with Toni's budding romance with the drug company's widowed founder, Stanley Oxenford. It is to Follett's credit that he is able to combine biological terrorism, romance, sadism, Alzheimer's disease and family dysfunction into an effective antidote to boredom. But these disparate elements, not to mention the idea of trapping heroes and villains with the virus in a country home cut off from the rest of humanity by a snowstorm, come close to parody. Reader Rosenblat's breathless British-accented narration crosses that line at times, particularly when she reads passages in which Follett tries, not always convincingly, to provide reasons for why his good guys can't summon help with their cell phones. On the other hand, she is extremely effective in delivering the novel's dialogue. Her Scottish brogues are especially impressive, as is the cruel Cockney accent she employs to add menace to the book's most unique character, a homicidal thug named Daisy who possesses a broken nose, a ring-pierced lip and beautiful hands. Simultaneous release with the Dutton hardcover (Forecasts, Nov. 15, 2004). (Nov.) Copyright 2005 Reed Business Information.

Library Journal

A laboratory technician's mysterious death on Christmas Eve (think: Ebola) puts a Scottish pharmaceutical firm's security chief, Toni Gallo, on high alert. The extra attention is unfortunate for Kit Oxenford, the lab director's bright but disgraced son, who is planning a Christmas heist of antiviral medicine. Beset by huge gambling debts, Kit now has to work off his losses with a criminal team (i.e., terrorists) more interested in the virus than the cure. Meanwhile, director Stanley Oxenford and the rest of his colorful family are gathering at their remote holiday home. Smart and conscientious Toni catches wind of Kit's plans, and a dynamic game of cat and mouse ensues-in the midst of a blizzard. Implausible? Probably. Exciting? Absolutely. Holidays and viruses aren't new to the bio-thriller field, but best-selling suspense author Follett (Hornet Flight) makes the formula work with his trademark strong females, large cast of characters, and race-against-the-clock pace. Have fun suggesting this title to John J. Nance and Tess Gerritsen fans or other readers looking for high-speed escapism. Strongly recommended. [See Prepub Alert, LJ 8/04.]-Terry Jacobsen, Santa Monica P.L., CA Copyright 2004 Reed Business Information.

AudioFile

Ken Follett focuses on bioterrorism and demonstrates why he remains a master of suspense. The novel, about two unrelated plots to steal a deadly virus from a Scottish research laboratory, has many twists—and the story builds momentum on every page. Where WHITEOUT differs from many similar thrillers is with Follett's well-drawn characters, in particular Toni Gallo, a disgraced former police officer who is the lab's security director, and Stanley Oxenford, the company's director. The story starts out slowly but quickly gains momentum. Similarly, Josephine Bailey's reading begins somewhat lethargically, with many characters sounding identical. As events progress, Bailey, who has a pleasant British accent, adjusts to the novel's flow, and her performance improves dramatically, with the characters becoming more clearly defined. D.J.S. © AudioFile 2005, Portland, Maine

Kirkus Reviews