Cimorene, princess of Linderwall, is a classic tomboy heroine with classic tomboy strengths--all of which are perceived by those around her as defects: "As for the girl's disposition--well, when people were being polite, they said she was strong-minded. When they were angry or annoyed with her, they said she was as stubborn as a pig." Cimorene, tired of etiquette and embroidery, runs away from home and finds herself in a nest of dragons. Now, in Cimorene's world--a world cleverly built by author Patricia C. Wrede on the shifting sands of myriad fairy tales--princesses are forever being captured by dragons. The difference here is that Cimorene goes willingly. She would rather keep house for the dragon Kazul than be bored in her parents' castle. With her quick wit and her stubborn courage, Cimorene saves the mostly kind dragons from a wicked plot hatched by the local wizards, and worms her way into the hearts of young girls everywhere.
While the characters are sometimes simplistically drawn, adults and children will have fun tracing the sources of the various fairy tales Wrede plunders for her story. Dealing with Dragons is the first book in the Enchanted Forest Chronicles, and most young readers will want to devour the entire series. (Ages 10 and older) --Claire Dederer
From School Library Journal
Grade 5-9. This is a spirited reading of Patricia Wrede's novel (Harcourt, 1990). The story is acted out by a full cast, including Bruce Coville as two characters. This is a nice departure from the single narrator format used by most books on tape. Princess Cimorene, played by Johanna Elliott, is a strong-willed teenager who resents the dull, prissy life of a princess. She leaves home to avoid marrying a dim-witted prince and becomes the willing captive of Kazul, a cranky but good-hearted dragon. All the fairy tale cliches are here?dragons, wizards, magic spells?and Wrede makes gentle fun of them while spinning out a delightful adventure. The deliberately anachronistic dialogue flows well, especially the parts of Cimorene and Alianora (played by Lana M. Quintal), who sound like typical 90's teenage girls. This combination of medieval fairy tale themes and modern teenage sarcasm will appeal to listeners of many ages. The wit and flow of the text make Dealing with Dragons a truly entertaining listen.Peggy J. Latkovich, Cleveland Heights-University Heights Public Library, OHCopyright 1997 Reed Business Information, Inc.
From AudioFile
Princess Cimorene wants more out of life than to be the wife of a boring, proper prince. Tired of her sedate existence, she takes up fencing, cooking, Latin, even magic. But each endeavor is ended with the admonition that "princesses just don't do that." Faced with marriage, she decides it's time to find some adventures of her own and runs away, ending up as the dragon Kazul's "princess," and finding adventure, danger, and challenges galore. The Words Take Wing cast starts off with stilted, clipped speech--enunciating each and every word--which is good for those reading along but which loses the fluidity of the text for listeners. Gradually, most of the characters relax into their roles and the dialogue flows more smoothly, allowing the listener to get involved in the story. W.L.S. © AudioFile 2002, Portland, Maine-- Copyright © AudioFile, Portland, Maine
Review
"A decidedly diverting novel with plenty of action and many slightly skewed
fairy-tale conventions that add to the laugh-out-loud pleasure."-Booklist
"--a truly entertaining listen." -School Library Journal
Book Description
Cimorene is everything a princess is not supposed to be: headstrong, tomboyish, smart. . . .
And bored. So bored that she runs away to live with a dragon . . . and finds the family and excitement she's been looking for.
Dealing with Dragons: The Enchanted Forest Chronicles, Book One FROM THE PUBLISHER
Cimorene is everything a princess is not supposed to be: headstrong, tomboyish, smart. . . .And bored. So bored that she runs away to live with a dragon . . . and finds the family and excitement she's been looking for.
FROM THE CRITICS
School Library Journal
Gr 5-9This is a spirited reading of Patricia Wrede's novel (Harcourt, 1990). The story is acted out by a full cast, including Bruce Coville as two characters. This is a nice departure from the single narrator format used by most books on tape. Princess Cimorene, played by Johanna Elliott, is a strong-willed teenager who resents the dull, prissy life of a princess. She leaves home to avoid marrying a dim-witted prince and becomes the willing captive of Kazul, a cranky but good-hearted dragon. All the fairy tale cliches are heredragons, wizards, magic spellsand Wrede makes gentle fun of them while spinning out a delightful adventure. The deliberately anachronistic dialogue flows well, especially the parts of Cimorene and Alianora (played by Lana M. Quintal), who sound like typical 90's teenage girls. This combination of medieval fairy tale themes and modern teenage sarcasm will appeal to listeners of many ages. The wit and flow of the text make Dealing with Dragons a truly entertaining listen.-Peggy J. Latkovich, Cleveland Heights-University Heights Public Library, OH
School Library Journal
Gr 5-9-A feisty princess with a mind of her own shuns regal training and protocol, preferring to volunteer herself as a dragon's servant and companion. It's a spirited, rollicking story with clever fairy tale references subtly tied to elements of magic, wizardry, and the satisfying triumph of good over evil. (Dec. 1990)
AudioFile
Princess Cimorene wants more out of life than to be the wife of a boring, proper prince. Tired of her sedate existence, she takes up fencing, cooking, Latin, even magic. But each endeavor is ended with the admonition that "princesses just don't do that." Faced with marriage, she decides it's time to find some adventures of her own and runs away, ending up as the dragon Kazul's "princess," and finding adventure, danger, and challenges galore. The Words Take Wing cast starts off with stilted, clipped speech--enunciating each and every word--which is good for those reading along but which loses the fluidity of the text for listeners. Gradually, most of the characters relax into their roles and the dialogue flows more smoothly, allowing the listener to get involved in the story. W.L.S. (c) AudioFile 2002, Portland, Maine