Yann Martel's imaginative and unforgettable Life of Pi is a magical reading experience, an endless blue expanse of storytelling about adventure, survival, and ultimately, faith. The precocious son of a zookeeper, 16-year-old Pi Patel is raised in Pondicherry, India, where he tries on various faiths for size, attracting "religions the way a dog attracts fleas." Planning a move to Canada, his father packs up the family and their menagerie and they hitch a ride on an enormous freighter. After a harrowing shipwreck, Pi finds himself adrift in the Pacific Ocean, trapped on a 26-foot lifeboat with a wounded zebra, a spotted hyena, a seasick orangutan, and a 450-pound Bengal tiger named Richard Parker ("His head was the size and color of the lifebuoy, with teeth"). It sounds like a colorful setup, but these wild beasts don't burst into song as if co-starring in an anthropomorphized Disney feature. After much gore and infighting, Pi and Richard Parker remain the boat's sole passengers, drifting for 227 days through shark-infested waters while fighting hunger, the elements, and an overactive imagination. In rich, hallucinatory passages, Pi recounts the harrowing journey as the days blur together, elegantly cataloging the endless passage of time and his struggles to survive: "It is pointless to say that this or that night was the worst of my life. I have so many bad nights to choose from that I've made none the champion."

An award winner in Canada (and winner of the 2002 Man Booker Prize), Life of Pi, Yann Martel's second novel, should prove to be a breakout book in the U.S. At one point in his journey, Pi recounts, "My greatest wish--other than salvation--was to have a book. A long book with a never-ending story. One that I could read again and again, with new eyes and fresh understanding each time." It's safe to say that the fabulous, fablelike Life of Pi is such a book. --Brad Thomas Parsons


From Publishers Weekly
A fabulous romp through an imagination by turns ecstatic, cunning, despairing and resilient, this novel is an impressive achievement "a story that will make you believe in God," as one character says. The peripatetic Pi (ne the much-taunted Piscine) Patel spends a beguiling boyhood in Pondicherry, India, as the son of a zookeeper. Growing up beside the wild beasts, Pi gathers an encyclopedic knowledge of the animal world. His curious mind also makes the leap from his native Hinduism to Christianity and Islam, all three of which he practices with joyous abandon. In his 16th year, Pi sets sail with his family and some of their menagerie to start a new life in Canada. Halfway to Midway Island, the ship sinks into the Pacific, leaving Pi stranded on a life raft with a hyena, an orangutan, an injured zebra and a 450-pound Bengal tiger named Richard Parker. After the beast dispatches the others, Pi is left to survive for 227 days with his large feline companion on the 26-foot-long raft, using all his knowledge, wits and faith to keep himself alive. The scenes flow together effortlessly, and the sharp observations of the young narrator keep the tale brisk and engaging. Martel's potentially unbelievable plot line soon demolishes the reader's defenses, cleverly set up by events of young Pi's life that almost naturally lead to his biggest ordeal. This richly patterned work, Martel's second novel, won Canada's 2001 Hugh MacLennan Prize for Fiction. In it, Martel displays the clever voice and tremendous storytelling skills of an emerging master. Copyright 2002 Cahners Business Information, Inc.


From Library Journal
Named for a swimming pool in Paris the Piscine Molitor "Pi" Patel begins this extraordinary tale as a teenager in India, where his father is a zoo keeper. Deciding to immigrate to Canada, his father sells off most of the zoo animals, electing to bring a few along with the family on their voyage to their new home. But after only a few days out at sea, their rickety vessel encounters a storm. After crew members toss Pi overboard into one of the lifeboats, the ship capsizes. Not long after, to his horror, Pi is joined by Richard Parker, an acquaintance who manages to hoist himself onto the lifeboat from the roiling sea. You would think anyone in Pi's dire straits would welcome the company, but Richard Parker happens to be a 450-pound Bengal tiger. It is hard to imagine a fate more desperate than Pi's: "I was alone and orphaned, in the middle of the Pacific, hanging on to an oar, an adult tiger in front of me, sharks beneath me, a storm raging about me." At first Pi plots to kill Richard Parker. Then he becomes convinced that the tiger's survival is absolutely essential to his own. In this harrowing yet inspiring tale, Martel demonstrates skills so well honed that the story appears to tell itself without drawing attention to the writing. This second novel by the Spanish-born, award-winning author of Self, who now lives in Canada, is highly recommended for all fiction as well as animal and adventure collections. Edward Cone, New YorkCopyright 2002 Cahners Business Information, Inc.


From AudioFile
Adrift on the wide Pacific in a 26-foot lifeboat should prove challenge enough, but to survive with a royal Bengal tiger for sole companion stretches belief. Nonetheless, 16-year-old Pi Patel, son of a zookeeper from Pondicherry, India, manages it for 227 days by taming not only the tiger, but his own wild imagination and whipping both into service. Martel uses two narrators for his mad tale: Pi reading his journal and what appears to be an objective neighbor some years later. The neighbor's narrative, read by Alexander Marshall, is brief and wooden, but necessary to contrast with Pi's wildly implausible adventure. Jeff Woodman reads Pi's journal and the bulk of the story. His range is astounding. He is at once the salty French cook, two oddly paired Japanese investigators, a Catholic priest, a Muslim imam, and of course the irrepressible Pi, each with his own distinctive accent. Woodman reads with an almost childlike delicacy and simplicity that lend credibility to the wisdom implicit in this fanciful tale. Both story and reading delight on every level. P.E.F. Winner of AudioFile Earphones Award © AudioFile 2003, Portland, Maine-- Copyright © AudioFile, Portland, Maine


From Booklist
Pi Patel, a young man from India, tells how he was shipwrecked and stranded in a lifeboat with a Bengal tiger for 227 days. This outlandish story is only the core of a deceptively complex three-part novel about, ultimately, memory as a narrative and about how we choose truths. Unlike other authors who use shifting chronologies and unreliable narrators, Martel frequently achieves something deeper than technical gimmickry. Pi, regardless of what actually happened to him, earns our trust as a narrator and a character, and makes good, in his way, on the promise in the last sentence of part one--that is, just before the tiger saga--"This story has a happy ending." If Martel's strange, touching novel seems a fable without quite a moral, or a parable without quite a metaphor, it still succeeds on its own terms. Oh, the promise in the entertaining "Author's Note" that this is a "story that will make you believe in God" is perhaps excessive, but there is much in it that verifies Martel's talent and humanist vision. Will Hickman
Copyright © American Library Association. All rights reserved

FROM OUR EDITORS

The Barnes & Noble Review from Discover Great New Writers
Though all of our volunteer readers weighed in with "two thumbs up," we knew this was a winner when our fiction buyer -- not given to hyperbole -- declared it "one of the best books I've ever read!" Yann Martel's Life of Pi deserves every word of that praise. Drawing parallels between zoology and theology, Martel's novel is by turns amusing, intellectually astute, and poignant. And his Kiplingesque adventure tale will cause readers to reexamine beliefs of all kinds.

Meet Pi Patel, a young man on the cusp of adulthood when fate steps in and hastens his lessons in maturity. En route with his family from their home in India to Canada, their cargo ship sinks, and Pi finds himself adrift in a lifeboat -- alone, save for a few surviving animals, some of the very same animals Pi's zookeeper father warned him would tear him to pieces if they got a chance. But Pi's seafaring journey is about much more than a struggle for survival. It becomes a test of everything he's learned -- about both man and beast, their creator, and the nature of truth itself.

With a brilliant combination of sensitivity and a precise economy of language, Martel develops a story some readers might find less than credible. But his capacity for the mysterious, and a true understanding of the depths of human resilience will compel even the most skeptical of readers to continue on the fantastic journey with Pi, and an unusual 450-pound Bengal tiger named Richard Parker. (Summer 2002 Selection)

ANNOTATION

Winner of the 2002 Man Booker Prize for Fiction.

FROM THE PUBLISHER

Life of Pi is a masterful and utterly original novel that is at once the story of a young castaway who faces immeasurable hardships on the high seas, and a meditation on religion, faith, art and life that is as witty as it is profound. Using the threads of all of our best stories, Yann Martel has woven a glorious spiritual adventure that makes us question what it means to be alive, and to believe.
Growing up in Pondicherry, India, Piscine Molitor Patel -- known as Pi -- has a rich life. Bookish by nature, young Pi acquires a broad knowledge of not only the great religious texts but of all literature, and has a great curiosity about how the world works. His family runs the local zoo, and he spends many of his days among goats, hippos, swans, and bears, developing his own theories about the nature of animals and how human nature conforms to it. Pi’s family life is quite happy, even though his brother picks on him and his parents aren’t quite sure how to accept his decision to simultaneously embrace and practise three religions -- Christianity, Hinduism, and Islam.
But despite the lush and nurturing variety of Pi’s world, there are broad political changes afoot in India, and when Pi is sixteen his parents decide that the family needs to escape to a better life. Choosing to move to Canada, they close the zoo, pack their belongings, and board a Japanese cargo ship called the Tsimtsum. Travelling with them are many of their animals, bound for zoos in North America. However, they have only just begun their journey when the ship sinks, taking the dreams of the Patel family down with it. Only Pi survives, cast adrift in a lifeboat with the unlikeliest oftravelling companions: a zebra, an orang-utan, a hyena, and a 450-pound Royal Bengal tiger named Richard Parker.
Thus begins Pi Patel’s epic, 227-day voyage across the Pacific, and the powerful story of faith and survival at the heart of Life of Pi. Worn and scared, oscillating between hope and despair, Pi is witness to the playing out of the food chain, quite aware of his new position within it. When only the tiger is left of the seafaring menagerie, Pi realizes that his survival depends on his ability to assert his own will, and sets upon a grand and ordered scheme to keep from being Richard Parker’s next meal.
As the days pass, Pi fights both boredom and terror by throwing himself into the practical details of surviving on the open sea -- catching fish, collecting rain water, protecting himself from the sun -- all the while ensuring that the tiger is also kept alive, and knows that Pi is the key to his survival. The castaways face gruelling pain in their brushes with starvation, illness, and the storms that lash the small boat, but there is also the solace of beauty: the rainbow hues of a dorado’s death-throes, the peaceful eye of a looming whale, the shimmering blues of the ocean’s swells. Hope is fleeting, however, and despite adapting his religious practices to his daily routine, Pi feels the constant, pressing weight of despair. It is during the most hopeless and gruelling days of his voyage that Pi whittles to the core of his beliefs, casts off his own assumptions, and faces his underlying terrors head-on.
As Yann Martel has said in one interview, “The theme of this novel can be summarized in three lines. Life is a story. You can choose your story. And a story with an imaginative overlay is the better story.” And for Martel, the greatest imaginative overlay is religion. “God is a shorthand for anything that is beyond the material -- any greater pattern of meaning.” In Life of Pi, the question of stories, and of what stories to believe, is front and centre from the beginning, when the author tells us how he was led to Pi Patel and to this novel: in an Indian coffee house, a gentleman told him, “I have a story that will make you believe in God.” And as this novel comes to its brilliant conclusion, Pi shows us that the story with the imaginative overlay is also the story that contains the most truth.

Author Biography: Yann Martel was born in Spain in 1963 of peripatetic Canadian parents. He grew up in Alaska, British Columbia, Costa Rica, France, Ontario and Mexico, and has continued travelling as an adult, spending time in Iran, Turkey and India. Martel refers to his travels as, “seeing the same play on a whole lot of different stages.”
After studying philosophy at Trent University and while doing various odd jobs -- tree planting, dishwashing, working as a security guard -- he began to write. In addition to Life of Pi, Martel is the prize-winning author of The Facts Behind the Helsinki Roccamatios, a collection of short stories, and of Self, a novel, both published internationally. Yann has been living from his writing since the age of 27. He divides his time between yoga, writing and volunteering in a palliative care unit. Yann Martel lives in Montreal.

FROM THE CRITICS

L'Humanite

Let me tell you a secret: the name of the greatest living writer of the generation born in the sixties is Yann Martel.

Albterto Manguel

Those who would believe that the art of fiction is moribund-let them read Yann Martel with astonishment, delight, and gratitude.

Globe And Mail

Pi is Martel's triumph. He is understated and ironic, utterly believable and pure. The whole fantastic voyage carries hints of The Old Man And The Sea. The playfulness adds another layer to an already strong story.

The New Yorker

An impassioned defense of zoos, a death-defying trans-Pacific sea adventure à la "Kon-Tiki," and a hilarious shaggy-dog story starring a four-hundred-and-fifty-pound Bengal tiger named Richard Parker: this audacious novel manages to be all of these as it tells the improbable survivor's tale of Pi Patel, a young Indian fellow named for a swimming pool (his full first name is Piscine) who endures seven months in a lifeboat with only a hungry, outsized feline for company. This breezily aphoristic, unapologetically twee saga of man and cat is a convincing hands-on, how-to guide for dealing with what Pi calls, with typically understated brio, "major lifeboat pests."

Book Magazine - Paul Evans