From Publishers Weekly
Picking up where Henry and June (1986) left off, this portion of Nin's diary, which was cut from the expurgated editions published in her lifetime, records her steamy love affair with Henry Miller in Paris, but here her intense adoration gives way to disillusionment. She describes Miller as crude, egotistic, imitative, childishly irresponsible, "a madman." Her real focus, however, is her father, Joaquin Nin, a Spanish pianist and aristocratic Don Juan who seduced her after a 20-year absence. Her graphic account of their lovemaking and of her incestuous romantic feelings is fairly shocking. Nin sought absolution from her psychiatrist and lover, Otto Rank, who advised her to bed her father, then dump him as punishment for abandoning her when she was 10. Nin's ornate, hothouse prose is much rawer than the chiseled style of the expurgated diaries. She seethes with jealousy at Miller's wife June, swoons over poet and actor Antonin Artaud, neglects her protective husband, Hugh Guiler, and describes her traumatic delivery of a stillborn child. Her extraordinary, tangled self-analysis is a disarming record of her emotional and creative growth. Photos. Copyright 1992 Reed Business Information, Inc.
From Library Journal
This second volume of the unexpurgated version of Nin's diary spans the period from October 1932 to November 1934. It draws upon previously unpublished material from the period covered by the first volume of the diary as published in 1966. Incest follows Henry & June ( LJ 10/1/86), focusing not only on Nin's continued relationship with author Henry Miller but also on her physical and emotional attachments to four other men. Nin offers intimate details of disturbing events such as her intense incestuous affair with her father and her abortion during her sixth month of pregnancy. Her diary offers direct insight into a narcissistic, passionate, analytical, and complex mind, but the brief introduction does disappointingly little to explain the editorial process that created this version of Nin's diary, which differs dramatically in style and content from its expurgated counterpart. Nevertheless, this is an important supplement to the 1966 diary and is recommended for most literature collections.- Ellen Finnie Duranceau, MIT Lib.Copyright 1992 Reed Business Information, Inc.
Incest: From "a Journal of Love": The Unexpurgated Diary of Anais Nin, 1932-1934 ANNOTATION
Anais Nin is known for her erotic writings collected in Delta of Venus and Little Birds and her extensive diaries. When her diary for 1932 to 1934 was first published in 1966, explicit portions were deleted. Here now is that missing portion detailing Nin's relationship with her father and with writer Henry Miller and his wife June, first explored in the bestselling Henry and June, made into a motion picture. Photographs.
FROM THE PUBLISHER
Few writings explore a woman's love life in such detail, with such subtlety, insight, and pain, as does Anais Nin's original, uncensored diary. It is a life record that deals openly with the physical aspects of relationships and unsparingly with the full spectrum of psychological ramifications. Here was a woman who sought the freedom to act out her sexual and emotional desires with the same guiltless, "amoral" abandon that men have always claimed for themselves. When Nin began publishing sections of her diary in 1966, this aspect of her life was excised, though clearly there was more than could be told at the time concerning her relationships with Henry Miller and his wife, June, with the writer and actor Antonin Artaud, with her analysts Rene Allendy and Otto Rank, and - most important - with her father. Here now is the previously missing portion of Nin's life in the crucial years from 1932 to 1934, the shattering psychological drama that drove her to seek absolution from her psychoanalysts for the ultimate transgression. In its raw exposure of a woman's struggle to come to terms with herself, to find salvation in the very act of writing, Incest unveils an Anais Nin without masks and secrets, yet in the end still mysterious, perhaps inexplicable.
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