Book Description
The avant-garde movements of Dada and Surrealism continue to have a huge influence on cultural practice, especially in contemporary art, with its obsession with sexuality, fetishism, and shock tactics. In this new treatment of the subject, Hopkins focuses on the many debates surrounding these movements: the Marquis de Sade's Surrealist deification, issues of quality (How good is Dali?), the idea of the 'readymade', attitudes towards the city, the impact of Freud, attitudes to women, fetishism, and primitivism. The international nature of these movements is examined, covering the cities of Zurich, New York, Berlin, Cologne, Barcelona, Paris, London, and recenlty discovered examples in Eastern Europe. Hopkins explores the huge range of media employed by both Dada and Surrealism (collage, painting, found objects, performance art, photography, film) , whilst at the same time establishing the aesthetic differences between the movements. He also examines the Dadaist obsession with the body-as-mechanism in relation to the Surrealists' return to the fetishized/eroticized body.
Dada and Surrealism: A Very Short Introduction FROM THE PUBLISHER
"Dada and Surrealism are widely considered to be two of the most intriguing and influential art movements of the twentieth century. The art and poetry connected with these avante-garde movements - produced by major figures such as Andre Breton, Marcel Duchamp, Max Ernst, John Heartfield, Joan Miro and Salvador Dali - ranges from being hauntingly irrational to anarchically humorous and provocative. Dada is seen as iconoclastic and confrontational; Surrealism as similarly anti-bourgeois in spirit but more deeply immersed in the bizarre; both are known for their focus on sexuality, identity, fetishism, and shock tactics." This entertaining and concise history of Dada and Surrealism pinpoints what is distinctive about them, and reveals the enormous influence they have had on contemporary art.
Art & Photography
Book Info
