Home | Best Seller | FAQ | Contact Us
Browse
Art & Photography
Biographies & Autobiography
Body,Mind & Health
Business & Economics
Children's Book
Computers & Internet
Cooking
Crafts,Hobbies & Gardening
Entertainment
Family & Parenting
History
Horror
Literature & Fiction
Mystery & Detective
Nonfiction
Professional & Technology
Reference
Religion
Romance
Science
Science Fiction & Fantasy
Sports & Outdoors
Travel & Geography
   Book Info

enlarge picture

Remembering and the Sound of Words: Mallarme, Proust, Joyce, Beckett  
Author: Adam Pieette
ISBN: 0198182686
Format: Handover
Publish Date: June, 2005
 
     
     
   Book Review


Book Description
In this book Adam Piette establishes fascinating new links between sound effects and the representation of memory in literary texts. He sets out a workable taxonomy of sound-repetitions in prose and formulates, through a theory of alerting-devices, the ways in which the reader's attention is drawn to the acoustic surface of the text. Piette scrutinizes Mallarme's prose-poetry, Proust's musical syntax, Joyce's memory-rhymes (from the Portrait of the Artist through Ulysses to Finnegans Wake), and Beckett's prose and drama, demonstrating that sound effects act as intricate reminders of memory-traces in the text. Despite how widely the four writers diverge in their representations of memory, Piette shows that the use of this memory-rhyme technique is common to them all.




Remembering and the Sound of Words: Mallarme, Proust, Joyce, Beckett

FROM THE PUBLISHER

Remembering and the Sound of Words is a major new study of four of modern literature's most important writers - and the first serious attempt to account for complex sound effects in prose. Adam Piette establishes fascinating new links between such sound effects and the representation of memory in literary texts. He sets out a workable taxonomy of sound-repetitions in prose and formulates, through a theory of alerting-devices, the ways in which the reader's attention is drawn to the acoustic surface of the text. Through close analysis of Mallarme's prose-poetry, Proust's musical syntax, Joyce's memory-rhymes (from Portrait of the Artist through Ulysses to Finnegans Wake), and Beckett's prose and drama, Piette demonstrates that sound effects act as intricate reminders of memory-traces in the text. Despite wide divergence in these four writers' representations of memory, the book shows that the use of this memory-rhyme technique is common to them all, and is employed in particular to express the textual migration of past key-words, self-centred comic tyranny, and the fitful unification of body and memory within the narrative voice. Mimesis is redefined in terms of textual rhymes - facsimiles of the complex resemblances, fusions, and reenactments of the mind's verbal memory.

     



Home | Private Policy | Contact Us
@copyright 2001-2005 ReadingBee.com