From Booklist
Italian feminist Maraini, a novelist, poet, dramatist, and journalist, takes on literary criticism here, recalling the unease she felt, at age 16, in reaction to "the mocking, angry way the author had introduced me to" Emma Bovary, and revisiting this narrative--in which "Emma still seems to be a hostage . . . to her author, who pursues her with a ruthlessness and tenacity that verge on the grotesque, and with a bitter, mocking determination" --as a way to understand "the relationship between authors and their characters in general." Thus, Maraini retells the Bovary story, intertwined with selections from Flaubert's letters, drawing links between the novel and its author's relationships--with his mother, his mistress Louise Colet, various male friends, even himself. A graceful, nuanced examination of a classic novel, appropriate where Bovary and/or feminist criticism circulate. Mary Carroll


Book Description
Although many writers blend autobiography and fiction, few have been so forthright in admitting it as Gustave Flaubert. In reference to his legendary novel and protagonist, he wrote: "Madame Bovary, c'est moi." Madame Bovary has become an icon for casual readers and feminists alike, but, as Dacia Maraini argues, she is one of the most problematic, though fascinating, female protagonists in modern literature. In this lively, learned, and very personal study, Maraini explores the profound and contradictory relationship between the writer Flaubert and the character his readers have grown to love.

Maraini argues that in their desire to claim Emma Bovary as a standard-bearer of revolt, women have often overlooked the bitter, pitiless way in which Flaubert evokes Emma's insignificance and vulgarity. Searching for Emma guides the reader through Flaubert's novel and many of his letters, seeking out the sources of his obsessive cruelty toward Emma. Maraini relates Flaubert's contempt for Emma to his relationship with his mistress, Louise Colet, to his general terror of women, and to his own self-loathing. It was entirely in spite of himself, Maraini writes, that Flaubert created the female Don Quixote so admired for her restlessness and determination.

Searching for Emma offers a novelist's insight into the complex relationship between author and character, and into the deepest motivations of fiction.





Language Notes
Text: English
Original Language: Italian

FROM THE PUBLISHER

Although many writers blend autobiography and fiction, few have been so forthright in admitting it as Gustave Flaubert. Reflecting on his legendary novel and protagonist, he wrote: "Madame Bovary, c'est moi." Emma Bovary has become an icon for casual readers and feminists alike, but, as Dacia Maraini argues, she is one of the most problematic, though fascinating, female protagonists in modern literature. In this lively, learned, and very personal study, Maraini explores the profound and contradictory relationship between the writer Flaubert and the captivating heroine of his masterpiece. Maraini argues that in their desire to claim Emma Bovary as a standard-bearer of revolt against patriarchal society, women have often overlooked the bitter, pitiless way in which Flaubert evokes Emma's insignificance and vulgarity. Searching for Emma guides us through Flaubert's novel and many of his letters, seeking out the sources of his obsessive cruelty toward Emma. Maraini relates Flaubert's contempt for Emma to his relationship with his mistress, Louise Colet, to his general terror of women, and to his own self-loathing. It was entirely in spite of himself, Maraini writes, that Flaubert created the female Don Quixote so admired for her restless spirit and ambition.

FROM THE CRITICS

Booknews

Explores the profound and contradictory relationship between the writer Flaubert and the captivating heroine of his masterpiece. Argues that in their desire to claim Emma Bovary as a standard-bearer of revolt against patriarchal society, women have often overlooked the bitter, pitiless way in which Flaubert invokes Emma's insignificance and vulgarity, and relates Flaubert's contempt for Emma to his relationship with his mistress and to his own self-loathing. Annotation c. by Book News, Inc., Portland, Or.

Victor Brombert