From Library Journal
In a meandering, allusive text, Caws (comparative literature, CUNY) combines anecdotes from Motherwell's life with a wide variety of literary and artistic references to locate his place in the art movements of this century. This discussion is interspersed with Caws's responses to specific works or series by Motherwell. A chronology of the artist's life, photographs of him in his last years, transcripts of several interviews with him, and a generous selection of reproductions of his paintings and collages complete the volume. Some readers will find Caws's idiosyncratic prose puzzling, though others may find it quite compatible with Motherwell's abstract expressionistic spirit. Suitable for informed lay readers as well as scholars, this work is best suited to academic and special libraries.?Kathryn Wekselman, Univ. of CincinnatiCopyright 1996 Reed Business Information, Inc.


From Book News, Inc.
Caws (English, French, and comparative literature, City U. of New York Graduate School) has written what she calls a "personal criticism," in which she profiles one of the most renowned and prolific of the abstract expressionists, discussing his life, his work, and the man she knew personally. She discusses his paintings, drawings, and collages in relation to the variety of American and European literature and philosophy Motherwell saw as central to his art, and looks closely at some of his works in a series of critical meditations. Includes color plates, as well as numerous black-and- white reproductions. Annotation c. by Book News, Inc., Portland, Or.


Book Description
Caws discusses the artist's paintings, drawings, and collages in relation to the wide variety of American and European literature, philosophy, and art which influenced Motherwell.


Language Notes
Text: Italian, English

FROM THE PUBLISHER

An eloquent personal exploration by a close friend, Robert Motherwell: What Art Holds is an essential addition to the literature on the artist and his work. Richly illustrated with pieces spanning his career - including twenty-one color platesthe book also includes never-before-published photographs of the artist himself. Mary Ann Caws discusses the artist's paintings, drawings, and collages in relation to the wide variety of American and European literature and philosophy Motherwell saw as central to his art. In a progression of critical meditations, Caws looks closely at series of his works, such as In Plato's Cave and Night Music, and at such great individual pieces as Gift, her inquiry gracefully encompassing the writings of Frost, Baudelaire, Mallarme, Kierkegaard, Stevens, and Garcia Lorca. Her reflections are grounded in an essential agreement with Motherwell that his work was a continuum: that his life and art were a matter of process, journey, and becoming, shaped by a willingness to experiment and to start over. Always returning to the uniquely American themes of openness and possibility in the artist's work, Caws explores Motherwell's use of series, his bold color combinations representing such complex issues as solitude and death, and the idea of giving and receiving seen in his technique of collage. The book concludes with five thoughtful interviews between Caws and Motherwell, published here for the first time, featuring discussions of the artist's relationship to surrealism, to Joseph Cornell, and to Mallarme. Infused with the special knowledge derived from a personal communion with Robert Motherwell's art, Mary Ann Caw's work will be an immeasurable source of discovery for lovers of both art and literature.

SYNOPSIS

Caws discusses the artist's paintings, drawings, and collages in relation to the wide variety of American and European literature, philosophy, and art which influenced Motherwell.

FROM THE CRITICS

Library Journal

In a meandering, allusive text, Caws (comparative literature, CUNY) combines anecdotes from Motherwell's life with a wide variety of literary and artistic references to locate his place in the art movements of this century. This discussion is interspersed with Caws's responses to specific works or series by Motherwell. A chronology of the artist's life, photographs of him in his last years, transcripts of several interviews with him, and a generous selection of reproductions of his paintings and collages complete the volume. Some readers will find Caws's idiosyncratic prose puzzling, though others may find it quite compatible with Motherwell's abstract expressionistic spirit. Suitable for informed lay readers as well as scholars, this work is best suited to academic and special libraries.-Kathryn Wekselman, Univ. of Cincinnati

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