From Publishers Weekly
Toward the end of his interview here, David Leavitt abruptly states that asking if "gay literature" exists is the wrong question: "[T]o me the important question is: 'Is there such a thing as a gay reader?' That's infinitely more relevant. What's important is whether there are people who seek out books with gay content." This shift in focus gives much of this volume a fresh sense of purpose and meaning. Canning, who teaches American and English literature at Britain's Sheffield University, has produced in-depth interviews with 12 noted gay American and British novelists (John Rechy, Dennis Cooper, Patrick Gale, James Purdy, Edmund White among them). Aside from placing themselves within a social and historical tradition of "gay writing," the featured authors offer little evidence of an innate "sensibility." The pleasure of the interviews comes from Canning's ability to prompt quirky and ingenious responses from his subjects. Often, these include bluntly negative assessments of the works of others, though more commonly they are supportive and incisive, as when Dennis Cooper graciously underplays his enormous influence on other writers, or when Alan Gurganus discusses the place of homosexuality in the tradition of the Southern gothic. Each of the pieces clearly conveys the voice of the writer (James Purdy's idiosyncratic speech is captured beautifully), while as a whole, the book illustrates how these serious artists negotiate the cultural minefields of literary and identity politics in a marketplace that both values and devalues them as "gay." (Feb.) Copyright 2000 Reed Business Information, Inc.

From Library Journal
Canning (English and American literature, Sheffield Univ., UK) conducted interviews with 12 of the English language's best-known gay fiction writers. Presented in a delightfully rambling, conversational style, the interviews include Edmund White on the writer's voice, Armistead Maupin on gay identity, David Leavitt on the tradition defined by a gay readership, and John Rechy on the long, often unrecorded history of gay culture. The authors address such topics as AIDS, art, and activism and discuss their own literary influences and writing habits. From time to time, they engage in a little literary gossip. Reminiscent of the Dick Cavett interviews of the 1960s and 1970s, the pieces here offer an intelligent, witty, and thoroughly entertaining look into the creative souls of some of the masters of contemporary gay fiction. Recommended for most larger collections. Jeff Ingram, Newport P.L., OR Copyright 2001 Reed Business Information, Inc.

Review
"The pleasure of the interviews comes from Canning's ability to prompt quirky and ingenious responses from his subjects... as a whole, the book illustrates how these serious artists negotiate the cultural minefields of literary and identity politics in a marketplace that both values and devalues them as 'gay.'" -- Publishers Weekly

Review
"Since Canning's reading and his sympathies are so deep, his book passes beyond the issue of 'straight vs. gay'into the universals of how people interact with the world even as the world impacts on them. This book will be necessary reading for anyone interested in the fiction of our time." -- Patrick Merla, editor of Boys Like Us: Gay Writers Tell Their Coming Out Stories

Book Description
A collection of in-depth analytical interviews with twelve of the best-known gay novelists writing in English today, including Armistead Maupin, David Leavitt, Alan Garganus, and others.

About the Author
Richard Canning is lecturer in English and American literature at Sheffield University. He has written for The Guardian, The New Statesman, The Independent, and Attitude.

FROM THE PUBLISHER

Today´s most celebrated, prominent, and promising authors of gay fiction in English explore the literary influences and themes of their work in these revealing interviews with Richard Canning. Though the interviews touch upon a wide range of issues -including gay culture, AIDS, politics, art, and activism -what truly distinguishes them is the extent to which Canning encourages the authors to reflect on their writing practices, published work, literary forebears, and their writing peers -gay and straight.· Edmund White talks about narrative style and the story behind the cover of A Boy´s Own Story.· Armistead Maupin discusses his method of writing and how his work has adapted to television. · Dennis Cooper thinks about L.A., AIDS, Try, and pop music.· Alan Hollinghurst considers structure and point of view in The Folding Star, and why The Swimming-Pool Library is exactly 366 pages long.· David Leavitt muses on the identity of the gay reader -and the extent to which that readership defined a tradition. · Andrew Holleran wonders how he might have made The Beauty of Men "more forlorn, romantic, lost" by writing in the first person.

SYNOPSIS

A collection of in-depth analytical interviews with twelve of the best-known gay novelists writing in English today, including Armistead Maupin, David Leavitt, Alan Garganus, and others.

FROM THE CRITICS

Publishers Weekly

Toward the end of his interview here, David Leavitt abruptly states that asking if "gay literature" exists is the wrong question: "[T]o me the important question is: `Is there such a thing as a gay reader?' That's infinitely more relevant. What's important is whether there are people who seek out books with gay content." This shift in focus gives much of this volume a fresh sense of purpose and meaning. Canning, who teaches American and English literature at Britain's Sheffield University, has produced in-depth interviews with 12 noted gay American and British novelists (John Rechy, Dennis Cooper, Patrick Gale, James Purdy, Edmund White among them). Aside from placing themselves within a social and historical tradition of "gay writing," the featured authors offer little evidence of an innate "sensibility." The pleasure of the interviews comes from Canning's ability to prompt quirky and ingenious responses from his subjects. Often, these include bluntly negative assessments of the works of others, though more commonly they are supportive and incisive, as when Dennis Cooper graciously underplays his enormous influence on other writers, or when Alan Gurganus discusses the place of homosexuality in the tradition of the Southern gothic. Each of the pieces clearly conveys the voice of the writer (James Purdy's idiosyncratic speech is captured beautifully), while as a whole, the book illustrates how these serious artists negotiate the cultural minefields of literary and identity politics in a marketplace that both values and devalues them as "gay." (Feb.) Copyright 2000 Cahners Business Information.

Library Journal

Canning (English and American literature, Sheffield Univ., UK) conducted interviews with 12 of the English language's best-known gay fiction writers. Presented in a delightfully rambling, conversational style, the interviews include Edmund White on the writer's voice, Armistead Maupin on gay identity, David Leavitt on the tradition defined by a gay readership, and John Rechy on the long, often unrecorded history of gay culture. The authors address such topics as AIDS, art, and activism and discuss their own literary influences and writing habits. From time to time, they engage in a little literary gossip. Reminiscent of the Dick Cavett interviews of the 1960s and 1970s, the pieces here offer an intelligent, witty, and thoroughly entertaining look into the creative souls of some of the masters of contemporary gay fiction. Recommended for most larger collections. Jeff Ingram, Newport P.L., OR Copyright 2001 Cahners Business Information.

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