Review
"[Illouz] definitely accomplishes what she sets out to do, and does it with grace and eloquence. The topic is developed clearly and logically, and with a richness of detail and appreciation for the subject that makes it stand out among studies of Oprah, and of television in general." -- Elizabeth Long, Rice University
Book Description
Oprah Winfrey is an unprecedented and important cultural phenomenon. This book aims to understand the reasons for her spectacular success and visibility. Based on nearly one hundred show transcripts; a year and a half of watching the show regularly; and analysis of magazine articles, several biographies, O Magazine, Oprah Book Club novels, self-help manuals promoted on the show, and hundreds of messages on the Oprah Winfrey Web site, it takes the Oprah industry seriously in order to ask fundamental questions about how culture works today.
About the Author
Eva Illouz is a professor at the Hebrew University of Jerusalem. She is the author of Consuming the Romantic Utopia: Love and the Cultural Contradictions of Capitalism (University of California Press) and The Culture of Capitalism (in Hebrew).
Oprah Winfrey and the Glamour of Misery: An Essay on Popular Culture FROM THE PUBLISHER
"Oprah Winfrey is the protagonist of the story to be told here, but this book has broader intentions," begins Eva Illouz in this original examination of how and why this talk show host has become a pervasive symbol in American culture. Unlike studies of talk shows that decry debased cultural standards and impoverished political consciousness, Oprah Winfrey and the Glamour of Misery asks us to rethink our perceptions of culture in general and popular culture in particular.At a time when crises of morality, beliefs, value systems, and personal worth dominate both public and private spheres, Oprah's emergence as a cultural form -the Oprah persona -becomes clearer, as she successfully reiterates some of our most pressing moral questions. Drawing on nearly one hundred show transcripts; a year and a half of watching the show regularly; and analysis of magazine articles, several biographies, O Magazine, Oprah Book Club novels, self-help manuals promoted on the show, and hundreds of discussions on the Oprah Winfrey Web site, Illouz takes the Oprah industry seriously, revealing it to be a multilayered "textual structure" that initiates, stages, and performs narratives of suffering and self-improvement that resonate with a wide audience and challenge traditional models of cultural analysis. This book looks closely at Oprah's method and her message, and in the process reconsiders popular culture and the tools we use to understand it.
SYNOPSIS
Mixing textual and audience studies, the author presents a sociological examination of the "tentacular cultural structure" of The Oprah Winfrey Show. She seeks to clarify the historical and cultural meanings that the show stages as well as explain and critique her moral and therapeutic enterprise that Oprah Winfrey has assumed. Her analysis rests on a tripartite view of cultural meaning as a way of constructing ethical purpose, as the arena in which different groups struggle to define legitimacy, and as the outcome of social and institutional forces. Annotation ©2004 Book News, Inc., Portland, OR