Home | Best Seller | FAQ | Contact Us
Browse
Art & Photography
Biographies & Autobiography
Body,Mind & Health
Business & Economics
Children's Book
Computers & Internet
Cooking
Crafts,Hobbies & Gardening
Entertainment
Family & Parenting
History
Horror
Literature & Fiction
Mystery & Detective
Nonfiction
Professional & Technology
Reference
Religion
Romance
Science
Science Fiction & Fantasy
Sports & Outdoors
Travel & Geography
   Book Info

enlarge picture

American Superrealism: Nathanael West and the Politics of Representation in the 1930s  
Author: Jonathan Veitch
ISBN: 0299157040
Format: Handover
Publish Date: June, 2005
 
     
     
   Book Review


Book Description
Nathanael West has been hailed as an apocalyptic writer, a writer on the left, and a precursor to postmodernism. But until now no critic has succeeded in fully engaging Wests distinctive method of negation. In American Superrealism, Jonathan Veitch examines Wests letters, short stories, screenplays and novelssome of which are discussed here for the first timeas well as Wests collaboration with William Carlos Williams during their tenure as the editors of Contact. Locating West in a lively, American avant-garde tradition that stretches from Marcel Duchamp to Andy Warhol, Veitch explores the possibilities and limitations of dada and surrealismthe use of readymades, scatalogical humor, human machines, exquisite corpsesas modes of social criticism. American Superrealism offers what is surely the definitive study of West, as well as a provocative analysis that reveals the issue of representation as the central concern of Depression-era America. A landmark in literary and cultural studies. Veitch considers the crucial decade of the 1930s in light of the work of Nathanael West; the result is a sweeping revision, not only of Wests achievement but of the broad social, aesthetic, and intellectual movements that shaped modern America. It is perhaps the best analysis from within of the Depression Decade, a comprehensive overview of the influence in this country of dada and surrealism, a compelling analysis of the dynamics of mass culture, and the best study we have of the achievement and significance of Nathanael West.Sacvan Bercovitch, Carswell Professor of American and English Literature, Harvard University

Sophisticated. Veitchs great virtue is his ability to place West within a complex web of issues relating to the production of social knowledge and the problem of representation. In doing so, he gives us a fresh view of West and of the period as a whole.Miles Orvell, author of After the Machine: Visual Arts & the Erasing of Cultural Boundaries

Abrilliant contribution to Nathanael West studies and American studies more generally.Dickran Tashjian, author of A Boatload of Madmen: Surrealism and the American Avant-Garde, 1920-1950


Card catalog description
Nathanael West has been hailed as "an apocalyptic writer," "a writer on the left," and "a precursor to postmodernism." But until now no critic has succeeded in fully engaging West's distinctive method of negation. In American Superrealism, Jonathan Veitch examines West's letters, short stories, screenplays and novels - some of which are discussed here for the first time - as well as West's collaboration with William Carlos Williams during their tenure as the editors of Contact. Locating West in a lively, American avant-garde tradition that sketches from Marcel Duchamp to Andy Warhol, Veitch explores the possibilities and limitations of dada and surrealism - the use of readymades, scatalogical humor, human machines, "exquisite corpses" - as modes of social criticism.


About the Author
Jonathan Veitch was until recently professor of English at the University of WisconsinMadison and is now chairman of humanities at the New School for Social Research in New York. This is his first book.




American Superrealism: Nathanael West and the Politics of Representation in the 1930s

FROM THE PUBLISHER

Nathanael West has been hailed as "an apocalyptic writer," "a writer on the left," and "a precursor to postmodernism." But until now no critic has succeeded in fully engaging West's distinctive method of negation. In American Superrealism, Jonathan Veitch examines West's letters, short stories, screenplays and novels - some of which are discussed here for the first time - as well as West's collaboration with William Carlos Williams during their tenure as the editors of Contact. Locating West in a lively, American avant-garde tradition that sketches from Marcel Duchamp to Andy Warhol, Veitch explores the possibilities and limitations of dada and surrealism - the use of readymades, scatalogical humor, human machines, "exquisite corpses" - as modes of social criticism.

     



Home | Private Policy | Contact Us
@copyright 2001-2005 ReadingBee.com