's Best of 2001
Even when a famous artist's critical reputation has fallen on bad times, it's rare that the negative side of the legend finds its way into an elegantly designed and copiously illustrated monograph like Henry Moore: Sculpting the 20th Century. Yet those who deride the "civic trophy" aspect of Moore's ubiquitous bronze figures may reconsider their verdict in light of the perceptive arguments presented here by eight art historians. The scrutiny of Moore begins with the question of known and possible sources for the early blocky seated figures of the '20s, inspired by his fascination with African, Oceanic, and pre-Columbian sculptures. After investigating Moore's experiments with surrealism in the '30s, the text discusses the poignant drawings of people huddled in Underground stations during World War II that brought his work to the attention of a wider public.

The criticisms of Moore's work began when he shifted from the "truth to materials" embodied in his stone, wood, and cast-concrete figures to working in bronze and marble. Beginning in the early '60s, a younger generation of artists questioned the validity of his metaphors and his team of assistants. Critics singled out his repetitive forms and his failure to create site-specific work. ("I think you should make something that is right anywhere," Moore responded.) Yet the inherent warmth and tactile quality of Moore's often curiously androgynous figures has proved irresistible to many. This book is the catalog for an exhibition organized by the Dallas Museum of Art. --Cathy Curtis


From Publishers Weekly
Making its case right from the title, Henry Moore: Sculpting the 20th Century argues for the popular English sculptor's continued primacy. Edited by Dallas Museum of Art curator Dorothy Kosinski, and serving as the catalogue for an exhibition currently touring the U.S., the book covers the artist's entire career, from his early primitivism to his 1930s surrealism to his post-war public art. Photos of over 120 of Moore's suggestively abstract plasters, carvings, bronzes and drawings grace the pages of the book, along with scholarly essays from Moore proponents. Copyright 2001 Cahners Business Information, Inc.


From Booklist
Critical fortunes notwithstanding, Moore is a major figure in twentieth-century sculpture. It is, in fact, his very popularity that has at times caused modernist critics to dismiss his work. A series of enlightening essays assess the mixed reception accorded his sculptures over his 60-year career and discuss how primitive art has influenced Moore, Moore's relationship with surrealism, and even the works that the artist collected. These essays provide a sound entry point into the study of Moore's work, and the outstanding illustrations provide the impetus. The volume begins with a series of photographs taken by Moore of his own work and ends with a photo-essay by Tom Jenkins. In between are reproductions of the monumental sculpture for which Moore is best known, as well as smaller works and drawings both from notebooks and finished portfolios. A detailed chronology that both documents Moore's life and places him within a larger cultural and aesthetic context rounds out the expert coverage. Regina Schroeder
Copyright © American Library Association. All rights reserved


Regina Schroeder, Booklist
"These essays provide a sound entry point into the study of Moore's work, and the outstanding illustrations provide the impetus."


Choice
Excellent texts complement the photographic essays with stimulating titles. . . Well produced and modestly priced. Highly recommended.


From the Publisher
This catalogue accompanies a major exhibition organized by the Dallas Museum of Art with the generous collaboration of the Henry Moore Foundation. The exhibition opens in Dallas on 25 February 2001 and then travels to the Fine Arts Museums of San Francisco and the National Gallery of Art in Washington, D.C. Published in association with the Dallas Museum of Art


About the Author
Dorothy Kosinski is the Barbara Thomas Lemmon Curator of European Art, Dallas Museum of Art. She and David Mitchinson, Head of Collections and Exhibitions at the Henry Moore Foundation, are co-curators of the exhibition. Contributors to the catalogue are Dorothy Kosinski, Steven Nash, Alan Wilkinson, Anita Feldman Bennet, Julian Andrews, Elizabeth Brown, David Cohen, and Harriet Senie.

ANNOTATION

This catalogue accompanies a major exhibition organized by the Dallas Museum of Art with the generous collaboration of the Henry Moore Foundation. The exhibition opens in Dallas on 25 February 2001 and then travels to the Fine Arts Museums of San Francisco and the National Gallery of Art in Washington, D.C.

Published in association with the Dallas Museum of Art

FROM THE PUBLISHER

Henry Moore (1898-1986) is arguably one of the most famous and beloved sculptors of the twentieth century, yet in recent decades his work has fallen out of favor in the world of contemporary art criticism. This handsome book examines this intriguing contradiction and seeks to reassess Moore's crucial contribution to art of the last century.

Looking at Moore's early engagements with primitivism, his 1930s dialogue with abstraction and surrealism, and his postwar interest in large-scale public sculpture, the authors show how the sculptor helped to define some of the most significant aspects of modernism.The authors also contextualize within the polemics of early modernism Moore's emphasis on direct carving instead of modeling and the necessary balance between abstraction and what he called the "psychological human element." Moore's early sculpture -- largely unfamiliar to the general public -- is given particular attention, enabling the reader to explore the evolution of thematic and formal elements in his work and his ongoing response to different materials. Photographs, some by Moore himself, of over 120 works, including plasters, maquettes, carvings, bronzes, and drawings, are featured, many of which are previously unpublished.

FROM THE CRITICS

Choice

Excellent texts complement the photographic essays with stimulating titles. . . Well produced and modestly priced. Highly recommended.

Virginia Quarterly Review

A lavish, beautifully illustrated, and impressive scholarly catalogue. . .will be of considerable interest to scholars and amateurs alike.

Blake Gopnik - Washington Post Book World

An impressively evenhanded take on Moore's career and reputation. Highly readable. . .

Publishers Weekly

Making its case right from the title, Henry Moore: Sculpting the 20th Century argues for the popular English sculptor's continued primacy. Edited by Dallas Museum of Art curator Dorothy Kosinski, and serving as the catalogue for an exhibition currently touring the U.S., the book covers the artist's entire career, from his early primitivism to his 1930s surrealism to his post-war public art. Photos of over 120 of Moore's suggestively abstract plasters, carvings, bronzes and drawings grace the pages of the book, along with scholarly essays from Moore proponents. ( June) Copyright 2001 Cahners Business Information.

Internet Book Watch

Moore is one of the most beloved sculptors of the 20th century, yet his work has fallen out of favor with the modern critics: this seeks to reassess Moore's crucial contribution to art of the last century, examining his early experiments with primitivism and his later probe into modernist pieces. The focus on his early works in particular provides Moore enthusiasts with a body of works and approaches not seen in many other considerations of his works.

ACCREDITATION