From Library Journal
Comparatively sparse visually, Udall's work explores many different facets of Kahlo, Emily Carr, and Georgia O'Keeffe. In the opening essay, independent historian Udall assigns Kahlo the role of the woman artist exploring her heritage and identity through art. This essay sets the tone for the rest of the book. By grouping Kahlo, Carr, and O'Keeffe, Udall is able to show how traditional, native values influenced the work of each artist and how being a woman altered the subject and tone of each piece she created. It is interesting to note the way men are presented in these two books. For example, Diego Rivera, credited with being a supportive husband by the male essayists in Lozano's work, is seen as a selfish, cheating manipulator by Udall, who chooses to delve into the complexity of Rivera and Kahlo's relationship instead of presenting the glossed over, one-sided view found in Lozano's book. Overall, however, both books are strong. Frida Kahlo is a visually breathtaking and exciting read. Places of Their Own offers small, if lovely and useful, reproductions of some paintings, but the rich analysis of the lives of these three artists is what matters here. Jointly, these two works offer the most comprehensive visual and academic study of Kahlo available yet. Recommended for all serious art collections. Rachel Collins, "Library Journal" Copyright 2001 Reed Business Information, Inc.


Antiques Journal
"Lavishly illustrated and clearly written, this book sheds new light upon the lives of these celebrated artists."


Library Journal
. . . [R]ich analysis of the [artists'] lives. . . The most comprehensive. . . academic study of Kahlo. . . yet. Recommended for all serious art collections.


Book Description
This groundbreaking book compares the art, lives, and achievements of three great artists of the Americas: Emily Carr of Canada, Georgia O'Keeffe of the United States, and Frida Kahlo of Mexico. Each became her country's preeminent woman painter in the twentieth century, and all explored similar issues in their painting. Sharyn Udall shows how each artist searched for an authentic, personal identity and analyzes in detail the issues these women faced in relation to nationality, nature, gender, and the creation of a personal mythology. Although their work is visually disparate, certain interesting themes connect Carr, O'Keeffe, and Kahlo, and Udall draws on rich archives and uses specific works of art to illustrate the differences and similarities among the three. By viewing their work collectively, she shows how we can illuminate in new ways the art of a continent.


From the Publisher
This book will serve as the catalogue for "Carr, O'Keeffe, Kahlo: Places of Their Own," an exhibition on view at the McMichael Canadian Art Collection from June 30 to September 9, 2001. The show then travels to the Museum of Fine Arts, Santa Fe; the National Museum of Women in the Arts, Washington, D.C.; and the Vancouver Art Gallery.

FROM THE PUBLISHER

This original and thought-provoking book compares the art, lives, and achievements of three great artists of the Americas: Emily Carr (1871-1945) of Canada, Georgia O'Keeffe (1887-1986) of the United States, and Frida Kahlo (1907-1954) of Mexico. Each became her country's preeminent woman painter in the twentieth century, and all explored similar issues in their painting. Sharyn Udall shows how each artist searched for an authentic, personal identity and analyzes in detail the issues these women faced in relation to nationality, nature, gender, and the creation of a personal mythology.

Although their work is visually disparate, certain interesting themes connect Carr, O'Keeffe, and Kahlo. Udall draws on rich archives and uses specific works of art to illustrate the differences and similarities among the three. She demonstrates how a profound identification with nature led each artist to a lifelong exploration of its forms and symbolism. Further, each painter felt a special connectedness to the earth and to nature in her region. Udall also looks at the different ways each artist entwined her private—and in all three cases, deeply spiritual—self in her artistic identity and the unique ways each established a public identity. By viewing the work of Carr, O'Keeffe, and Kahlo collectively, Udall shows, we illuminate in new ways the art of a continent.

This book is the catalogue of an exhibition organized by the McMichael Canadian Art Collection that will open in April 2001 and will travel in 2001 and 2002 to the Santa Fe Museum of Fine Arts; the National Museum of Women in Art, Washington, D.C.; and the Vancouver Art Gallery.

About the Author: Sharyn Rohlfsen Udall is an independent art historian in Santa Fe.

SYNOPSIS

This original and thought-provoking book compares the art, lives, and achievements of three artists, each of whom became the preeminent twentieth-century female painter of her country: Emily Carr of Canada, Georgia O'Keeffe of the United States, and Frida Kahlo of Mexico. Important themes tie these artists' visually disparate work together, the book shows, and viewing their work collectively sheds new light on the art of the continent.

FROM THE CRITICS

Antiques Journal

Lavishly illustrated and clearly written, this book sheds new light upon the lives of these celebrated artists.

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