Book Description
The Wadsworth Atheneum's remarkable collection of twentieth-century art is due to a succession of adventurous directors and curators. This beautiful book showcases the museum's holdings and provides fascinating details about their acquisition. In 1931, the famed Chick Austin, director of the Atheneum from 1929 to 1944, purchased works by Dal', Calder, Picasso, Ernst, and others. Austin's successor, Charles Cunningham, added works by Stanley Spencer, Henry Moore, Maillol, and Marini. In more recent years, examples of American modernists and expressionists such as Georgia O'Keeffe, Arthur Dove, Willem de Kooning, and Jackson Pollock have also been acquired.
From the Publisher
This book serves as the catalogue of an exhibition that opens at the Phillips Collection, Washington, D.C. in October 2003 and travels to Newport Beach, Fort Worth, and Sarasota.
About the Author
Eric Zafran, curator of European art at the Wadsworth Atheneum, Hartford, Connecticut, is also the editor of Gauguin's "Nirvana": Painters at Le Pouldu, 1889-90, published by Yale University Press.
Surrealism and Modernism: From the Collection of the Wadsworth Atheneum Museum of Art FROM THE PUBLISHER
Many of the works - in particular the museum's Surrealist paintings - were bought directly from the artists or from their very first exhibitions. The famed Chick Austin, director of the Atheneum from 1929 to 1944, mounted the first Surrealist exhibition in America in 1931 and proceeded to buy a work by the then relatively little known Salvador Dali. Examples by de Chirco, Cornell, Matta, Calder, and Ernst soon followed. Later, when painters such as Tanguy and his wife, Kay Sage, settled in Connecticut, they became friends with Austin, and works by them and owned by them, such as an admirable painting by Magritte, eventually came to the Atheneum. In 1934 the museum presented the first great American retrospective of Picasso, and Austin was able to buy one small neo-classical example, which over the years has been supplemented by four other Picasso paintings. Austin's successor purchased works by Stanley Spencer, Henry Moore, Maillol, and Marini. In More recent years, examples of American modernists and expressionists such as Georgia O'Keeffe, Arthur Dove, Willem de Kooning, and Jackson Pollock have entered the collection to provide a broad overview of artistic trends of the last century.
FROM THE CRITICS
The New York Times
Many great museum collections have been assembled by one man with a plan. At the Wadsworth Atheneum in Hartford, Conn., that man was A. Everett Austin Jr. He served as director of the Wadsworth, the country's oldest art museum, from 1927 to 1944, but it was a series of acquisitions in the early 1930's that made his reputation. As recounted in Surrealism and Modernism, it was a fairly radical undertaking.
Ted Loos