Mark Rothko, the painter famous for his luminous abstract canvases, spent several years in the late 1930s and early '40s writing a book about the meaning of art. Edited by his son Christopher, Rothko's uncompleted manuscript, The Artist's Reality: Philosophies of Art, reveals a man struggling to make a case for the highest ideals of Western culture at a time when crass popular taste and American regionalism were conspiring against the values he held dear. During these years, Rothko worked in a melancholy Expressionist style that was just beginning to be influenced by Surrealism. The hovering rectangles of color that would put him on the modern art map were still a decade away. While this book will no doubt be important to Rothko scholars, it is a period piece, relying on a form of rhetoric and a belief system that can be exasperating to modern readers. Windy chapters on such topics as "The Integrity of the Plastic Process," studded with references to Plato and Leonardo, "truth" and "unity," are Rothko's stock in trade. He never mentions his own paintings and refers to a few other living artists only in passing. And yet--as Christopher Rothko points out in his clear-eyed and useful introduction--the process of wrestling ideas onto the page may have helped the artist find a personal means of expressing the "tragic emotionality" that he believed to be the essence of all great art. Rothko longed to discover a new, post-Christian "myth" that could express a unified outlook on life by embodying "the world of ideals." Little did he realize at the time that the resolution of his dilemma would be based on a radically new approach to handling paint and using color. —Cathy Curtis

From Publishers Weekly
While major 20th-century abstract artist Rothko (1903-1980) left a record of his ideas about art and method in several essays and reviews, rumors circulated about the existence of a full-length monograph on the philosophy of art. Rothko himself never brought it forth, and it was not found at his death. Probably written in the early 1940s, the newly discovered manuscript provides Rothko’s considerable insights into topics ranging from art as a form of action to plasticity, naturalism and primitivism. For Rothko, "Art is not only a form of action, it is a form of social action. For art is a form of communication." Thus beauty resides less in objects than in "a certain type of emotional exaltation which is a result of stimulation by certain qualities common to all great works of art." An introduction by Rothko’s son, Christopher, provides the details of the discovery of the manuscript as well as a nice short biography of Rothko. The whole offers fascinating insights into the ways a major artist thought about his medium and its conceptual premises.Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Kenneth Baker, San Francisco Chronicle
The rediscovered book manuscript...adds an important document to the literature of modern American art.

Review
“The book is an enormously important art history document because, oddly, it is unsurprising. It confirms what the best critics have always seen in Rothko’s work: the desire to go beyond the historical moment, beyond the accidental detail, beyond nation or culture, even the self, to arrive at a transcendent and universal experience, to arrive at, as he puts it, the myth.”—Bryan Appleyard, Sunday Times Magazine (London)


Book Description
One of the most important artists of the twentieth century, Mark Rothko (1903–1970) created a new and impassioned form of abstract painting over the course of his career. Rothko also wrote a number of essays and critical reviews during his lifetime, adding his thoughtful, intelligent, and opinionated voice to the debates of the contemporary art world. Although the artist never published a book of his varied and complex views, his heirs indicate that he occasionally spoke of the existence of such a manuscript to friends and colleagues. Stored in a New York City warehouse since the artist’s death more than thirty years ago, this extraordinary manuscript, titled The Artist’s Reality, is now being published for the first time.

Probably written around 1940–41, this revelatory book discusses Rothko’s ideas on the modern art world, art history, myth, beauty, the challenges of being an artist in society, the true nature of “American art,” and much more. The Artist’s Reality also includes an introduction by Christopher Rothko, the artist’s son, who describes the discovery of the manuscript and the complicated and fascinating process of bringing the manuscript to publication. The introduction is illustrated with a small selection of relevant examples of the artist’s own work as well as with reproductions of pages from the actual manuscript.

The Artist’s Reality will be a classic text for years to come, offering insight into both the work and the artistic philosophies of this great painter.


About the Author
Mark Rothko was born in Russia and came to the United States with his family in 1913. A major figure in New York’s Abstract Expressionist movement, he has been the subject of retrospectives at the Museum of Modern Art, the National Gallery of Art, Washington, the Guggenheim Museum, and other major museums around the world. Christopher Rothko is a writer and psychologist and is actively involved in managing the Rothko legacy. He lives in New York City.

FROM THE PUBLISHER