From Publishers Weekly
Psychiatrist Feder (Charles Ives: My Father’s Song) proves himself adept at delineating the emotional themes of Mahler’s life and compositions in this psychoanalytic biography. Central to the project is a four-hour session that Mahler had with Sigmund Freud ("He had strong obsessions," Freud later wrote) in 1910, after the composer learned of wife Alma’s affair with the architect Walter Gropius. But Feder looks at Mahler’s life and works through the prism of psychoanalysis throughout the volume ("Mahler coveted gifted Gentile goddesses, but he had a strong need to hold them at bay"), suggesting that "autobiographical sources were symbolized in Mahler’s music rather than blatantly represented." Feder connects what he identifies as crises in Mahler’s life, such as the youthful deaths of several of his siblings and his troubled marriage to the beautiful, depressed Alma, to particular musical themes and works. Leder gives short shrift to Mahler’s professional triumphs and their influence on his music, and lay readers may find his prose too full of psychoanalytic jargon. Nevertheless, this is an interesting and idiosyncratic look at a man who once wrote, "My whole life is contained in my first two symphonies.... To anyone who knows how to listen my whole life will become clear."Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
The crises in Mahler's life concerned death and relationships. Several siblings died very young. At 19, Mahler (1860-1911) lost his parents and thereafter cared for two brothers (one of whom later committed suicide) and a sister. His oldest daughter died early as well. No wonder death and fate figure in his compositions, including Kindertotenlieder and movements of his symphonies (hope and redemption are also in them).Further, Mahler prohibited Alma, his 20-years-younger wife, from composing and performing as a condition of marriage, and when he withdrew from her sexually to pursue conducting in Europe and New York as well as his own composing during summers, she turned to architect Walter Gropius. The stresses of conducting, composing, and marriage led Mahler to consultation with Freud in 1910 and ultimately to his death. Though psychiatrist Feder concentrates on Mahler's relationships and mental states, he also covers Alma after Mahler, Freud, Mahler's daughter, and his other doctors to reveal the psyche that governed the composer's life and influenced his music. A good addition to Mahler biography. Alan Hirsch
Copyright © American Library Association. All rights reserved

Review
"Of all the psychoanalysts who have written about Gustav Mahler, Stuart Feder is to my mind the most lucid and the most convincing. It is impossible today to write about Mahler without taking his earlier writings into account. Thus I eagerly await his new book about Mahler's last and crucial moments, when the famous meeting with Sigmund Freud took place.”—Henry-Louis de La Grange, author of Gustav Mahler [four-volume biography from OUP]


Book Description
Crises in the life of Gustav Mahler inspired some of his greatest works--but eventually led to an early death

The life of the brilliant composer and conductor Gustav Mahler was punctuated by crisis. His parents both died in 1889, leaving him the reluctant head of a household of siblings. He himself endured a nearly fatal medical ordeal in 1901. A beloved daughter died in 1907 and that same year, under pressure, Mahler resigned from the directorship of the Vienna Opera. In each case Mahler more than mastered the trauma; he triumphed in the creation of new major musical works.

The final crisis of Mahler’s career occurred in 1910, when he learned that his wife, Alma, was having an affair with the architect Walter Gropius. The revelation precipitated a breakdown while Mahler was working on his Tenth Symphony. The anguished, suicidal notes Mahler scrawled across the manuscript of the unfinished symphony revealed his troubled state. A four-hour consultation with Sigmund Freud in Leiden, Holland, restored the composer’s equilibrium. Although Mahler left little record of what transpired in Leiden, Stuart Feder has reconstructed the encounter on the basis of surviving evidence. The cumulative stresses of the crises in Mahler’s life, in particular Alma’s betrayal, left him physically and emotionally vulnerable. He became ill and died soon after in 1911.

At once a sophisticated consideration of Mahler’s work and a psychologically acute portrait of the life events that shaped it, this book extends our thinking about one of the great masters of modern music.


About the Author
Stuart Feder is clinical associate professor of psychiatry at Albert Einstein College of Medicine and attending psychiatrist at Beth Israel Hospital in New York. He is also on the faculties of The New York Psychoanalytic Institute and The Juilliard School in New York.

FROM THE PUBLISHER

"The life of the brilliant composer and conductor Gustav Mahler was punctuated by crisis. His parents both died in 1889, leaving him the reluctant head of a household of siblings. He himself endured a nearly fatal medical ordeal in 1901. A beloved daughter died in 1907 and that same year, under pressure, Mahler resigned from the directorship of the Vienna Opera. In each case Mahler more than mastered the trauma; he triumphed in the creation of new major musical works." The final crisis of Mahler's career occurred in 1910, when he learned that his wife, Alma, was having an affair with the architect Walter Gropius. The revelation precipitated a breakdown while Mahler was working on his Tenth Symphony. The anguished, suicidal notes Mahler scrawled across the manuscript of the unfinished symphony reveal his troubled state. It was a four-hour consultation with Sigmund Freud in Leiden, Holland, that restored the composer's equilibrium. Although Mahler left little record of what transpired in Leiden, Stuart Feder has reconstructed the encounter on the basis of surviving evidence. The cumulative stresses of the crises in Mahler's life, in particular Alma's betrayal, left him physically and emotionally vulnerable. He became ill and died soon after in 1911.

FROM THE CRITICS

Patrick J. Smith - The Washington Post