Book Description
Ellsworth Kelly is one of this generation’s most important artists. Over the course of his career, Kelly has developed a special relationship with the city of Dallas and its art community, and major holdings of his work in all media can be found there. This handsomely designed book brings together works from the Dallas Museum of Art and private collections to present a select overview of his career, ranging from a youthful 1947 self-portrait drawing to a towering wood sculpture from the mid-1990s.
Ellsworth Kelly in Dallas offers a succinct survey of Kelly’s achievements in translating the visual world of the everyday into commanding paintings, sculpture, and works on paper--all of which demonstrate the artist’s groundbreaking use of form, line, color, and volume. Included are an introduction and essays on key works by Charles Wylie, Yve-Alain Bois, Robert Storr, and Wood Roberdeau. Together the images and text document one of the most consistently inventive and sustained careers of any American artist.
This book is the catalogue for an exhibition at the Dallas Museum of Art (May 15 to August 22, 2004).
About the Author
Charles Wylie is the Lupe Murchison Curator of Contemporary Art, Dallas Museum of Art; John R. Lane is the director of the Dallas Museum of Art; Yve-Alain Bois is Joseph Pulitzer Professor Modern Art and Chair, Department of History of Art and Architecture, Harvard University; Robert Storr is Rosalee Solow Professor of Modern Art, Institute of Fine Arts, New York University; and Wood Roberdeau is on staff in the contemporary art department at the Dallas Museum of Art.
Ellsworth Kelly in Dallas FROM THE PUBLISHER
Ellsworth Kelly in Dallas documents the extraordinary relationship between this American artist and the Dallas art community, which has resulted in a major concentration of Kelly's work in all media, including the imposing abstractions he completed for two buildings within blocks of each other: Edward Larrabee Barnes's Dallas Museum of Art (opened in 1984) and I. M. Pei's Meyerson Symphony Center (opened in 1989). Dallas's private collections and the Dallas Museum of Art's holdings collectively offer a refined overview of Kelly's career from a youthful 1947 self-portrait drawing to masterful single-panel paintings from the 1980s. Brought together with select loans relating to work in Dallas, the exhibition consists of approximately forty works, from study drawings to major paintings and sculpture, and has been devised by Kelly in consultation with the DMA's staff.