From Booklist
An American western with a most unusual twist, this is an imaginative fictional account of the participation of May Dodd and others in the controversial "Brides for Indians" program, a clandestine U.S. government^-sponsored program intended to instruct "savages" in the ways of civilization and to assimilate the Indians into white culture through the offspring of these unions. May's personal journals, loaded with humor and intelligent reflection, describe the adventures of some very colorful white brides (including one black one), their marriages to Cheyenne warriors, and the natural abundance of life on the prairie before the final press of the white man's civilization. Fergus is gifted in his ability to portray the perceptions and emotions of women. He writes with tremendous insight and sensitivity about the individual community and the political and religious issues of the time, many of which are still relevant today. This book is artistically rendered with meticulous attention to small details that bring to life the daily concerns of a group of hardy souls at a pivotal time in U.S. history. Grace Fill


From Kirkus Reviews
Long, brisk, charming first novel about an 1875 treaty between Ulysses S. Grant and Little Wolf, chief of the Cheyenne nation, by the sports reporter and author of the memoir A Hunter's Road (1992). Little Wolf comes to Washington and suggests to President Grant that peace between the Whites and Cheyenne could be established if the Cheyenne were given white women as wives, and that the tribe would agree to raise the children from such unions. The thought of miscegenation naturally enough astounds Grant, but he sees a certain wisdom in trading 1,000 white women for 1,000 horses, and he secretly approves the Brides For Indians treaty. He recruits women from jails, penitentiaries, debtors' prisons, and mental institutionsoffering full pardons or unconditional release. May Dodd, born to wealth in Chicago in 1850, had left home in her teens and become the mistress of her father's grain-elevator foreman. Her outraged father had her kidnaped, imprisoning her in a monstrous lunatic asylum. When Grant's offer arrives, she leaps at it and soon finds herself traveling west with hundreds of white and black would-be brides. All are indentured to the Cheyenne for two years, must produce children, and then will have the option of leaving. May, who keeps the journal we read, marries Little Wolf and lives in a crowded tipi with his two other wives, their children, and an old crone who enforces the rules. Reading about life among the Cheyenne is spellbinding, especially when the women show up the braves at arm-wrestling, foot-racing, bow-shooting, and gambling. Liquor raises its evil head, as it will, and reduces the braves to savagery. But the women recover, go out on the winter kill with their husbands, and accompany them to a trading post where they drive hard bargains and stop the usual cheating of the braves. Eventually, when the cavalry attacks the Cheyenne, mistakenly thinking they're Crazy Horse's Sioux, May is killed. An impressive historical, terse, convincing, and affecting. -- Copyright ©1998, Kirkus Associates, LP. All rights reserved.


Review
"A most impressive novel that melds the physical world to the spiritual. One Thousand White Women is engaging, entertaining, well-written, and well-told. It will be widely read for a long time, as will the rest of Jim Fergus's work." --Rick Bass, author of Where the Sea Used to Be

"Jim Fergus knows his country in a way that's evocative Dee Brown and all the other great writers of the American West and its native peoples. But One Thousand White Women is more than a chronicle of the Old West. It's a superb tale of sorrow, suspense, exultation, and triumph that leaves the reader waiting to turn the page and wonderfully wrung out at the end." --Winston Groom, author of Forrest Gump

"The best writing transports readers to another time and place, so that when they reluctantly close the book, they are astonished to find themselves returned to their everyday lives. One Thousand White Women is such a book. Jim Fergus so skillfully envelops us in the heart and mind of his main character, May Dodd, that we weep when she mourns, we shake our fist at anyone who tries to sway her course, and our hearts pound when she is in danger." --Colorado Springs Gazette

"An impressive historical...terse, convincing, and affecting." --Kirkus Reviews



Review
"A most impressive novel that melds the physical world to the spiritual. One Thousand White Women is engaging, entertaining, well-written, and well-told. It will be widely read for a long time, as will the rest of Jim Fergus's work." --Rick Bass, author of Where the Sea Used to Be

"Jim Fergus knows his country in a way that's evocative Dee Brown and all the other great writers of the American West and its native peoples. But One Thousand White Women is more than a chronicle of the Old West. It's a superb tale of sorrow, suspense, exultation, and triumph that leaves the reader waiting to turn the page and wonderfully wrung out at the end." --Winston Groom, author of Forrest Gump

"The best writing transports readers to another time and place, so that when they reluctantly close the book, they are astonished to find themselves returned to their everyday lives. One Thousand White Women is such a book. Jim Fergus so skillfully envelops us in the heart and mind of his main character, May Dodd, that we weep when she mourns, we shake our fist at anyone who tries to sway her course, and our hearts pound when she is in danger." --Colorado Springs Gazette

"An impressive historical...terse, convincing, and affecting." --Kirkus Reviews



Review
"A most impressive novel that melds the physical world to the spiritual. One Thousand White Women is engaging, entertaining, well-written, and well-told. It will be widely read for a long time, as will the rest of Jim Fergus's work." --Rick Bass, author of Where the Sea Used to Be

"Jim Fergus knows his country in a way that's evocative Dee Brown and all the other great writers of the American West and its native peoples. But One Thousand White Women is more than a chronicle of the Old West. It's a superb tale of sorrow, suspense, exultation, and triumph that leaves the reader waiting to turn the page and wonderfully wrung out at the end." --Winston Groom, author of Forrest Gump

"The best writing transports readers to another time and place, so that when they reluctantly close the book, they are astonished to find themselves returned to their everyday lives. One Thousand White Women is such a book. Jim Fergus so skillfully envelops us in the heart and mind of his main character, May Dodd, that we weep when she mourns, we shake our fist at anyone who tries to sway her course, and our hearts pound when she is in danger." --Colorado Springs Gazette

"An impressive historical...terse, convincing, and affecting." --Kirkus Reviews



Book Description
One Thousand White Women is the story of May Dodd and a colorful assembly of pioneer women who, under the auspices of the U.S. government, travel to the western prairies in 1875 to intermarry among the Cheyenne Indians. The covert and controversial "Brides for Indians" program, launched by the administration of Ulysses S. Grant, is intended to help assimilate the Indians into the white man's world. Toward that end May and her friends embark upon the adventure of their lifetime. Jim Fergus has so vividly depicted the American West that it is as if these diaries are a capsule in time.



From the Publisher
WINNER OF THE MOUNTAINS AND PLAINS BOOKSELLERS AWARD "Jim Fergus's One Thousand White Women is a splendid, fresh, and engaging novel. Strikingly original." --Jim Harrison, author of Legends of the Fall "A most impressive novel that melds the physical world to the spiritual. One Thousand White Women is engaging, entertaining, well-written, and well-told. It will be widely read for a long time, as will the rest of Jim Fergus's work." --Rick Bass, author of Where the Sea Used to Be "Jim Fergus knows his country in a way that's evocative of Dee Brown and all the other great writers of the American West and its native peoples. But One Thousand White Women is more than a chronicle of the Old West. It's a superb tale of sorrow, suspense, exultation, and triumph that leaves the reader waiting to turn the page and wonderfully wrung out at the end." --Winston Groom, author of Forrest Gump "The best writing transports readers to another time and place, so that when they reluctantly close the book, they are astonished to find themselves returned to their everyday lives. One Thousand White Women is such a book. Jim Fergus so skillfully envelopes us in the heart and mind of the main character, May Dodd, that we weep when she mourns, we shake our fist at anyone who tries to sway her course, and our hearts pound when she is in danger." --Colorado Springs Gazette "An impressive historical...terse, convincing, and affecting." --Kirkus Reviews

FROM THE PUBLISHER

One Thousand White Women is the story of May Dodd and a colorful assembly of pioneer women who, under the auspices of the U.S. government, travel to the western prairies in 1875 to intermarry among the Cheyenne Indians. The covert and controversial "Brides for Indians" program, launched by the administration of Ulysses S. Grant, is intended to help assimilate the Indians into the white man's world. Toward that end May and her friends embark upon the adventure of their lifetime. Jim Fergus has so vividly depicted the American West that it is as if these diaries are a capsule in time.

FROM THE CRITICS

Kirkus Reviews

Long, brisk, charming first novel about an 1875 treaty between Ulysses S. Grant and Little Wolf, chief of the Cheyenne nation, by the sports reporter and author of the memoir A Hunter's Road (1992). Little Wolf comes to Washington and suggests to President Grant that peace between the Whites and Cheyenne could be established if the Cheyenne were given white women as wives, and that the tribe would agree to raise the children from such unions. The thought of miscegenation naturally enough astounds Grant, but he sees a certain wisdom in trading 1,000 white women for 1,000 horses, and he secretly approves the Brides For Indians treaty. He recruits women from jails, penitentiaries, debtors' prisons, and mental institutions—offering full pardons or unconditional release. May Dodd, born to wealth in Chicago in 1850, had left home in her teens and become the mistress of her father's grain-elevator foreman. Her outraged father had her kidnaped, imprisoning her in a monstrous lunatic asylum. When Grant's offer arrives, she leaps at it and soon finds herself traveling west with hundreds of white and black would-be brides. All are indentured to the Cheyenne for two years, must produce children, and then will have the option of leaving. May, who keeps the journal we read, marries Little Wolf and lives in a crowded tipi with his two other wives, their children, and an old crone who enforces the rules. Reading about life among the Cheyenne is spellbinding, especially when the women show up the braves at arm-wrestling, foot-racing, bow-shooting, and gambling. Liquor raises its evil head, as it will, and reduces the braves to savagery. But the women recover, go out on the winter kill withtheir husbands, and accompany them to a trading post where they drive hard bargains and stop the usual cheating of the braves. Eventually, when the cavalry attacks the Cheyenne, mistakenly thinking they're Crazy Horse's Sioux, May is killed. An impressive historical, terse, convincing, and affecting.