Book Description
Acclaimed USC screenwriting teacher David Howard has guided hundreds of students to careers in writing for film and television. Drawing on decades of practical experience and savvy, How to Build a Great Screenplay deconstructs the craft of screenwriting and carefully reveals how to build a good story from the ground up. Howard eschews the "system" offered by other books, emphasizing that a great screenplay requires dozens of unique decisions by the author. He offers in-depth considerations of:
* characterization
* story arc
* plotting and subplotting
* dealing with coincidence in story plotting
* classical vs. revolutionary screenplay structure
* tone, style, and atmosphere
* the use of time on screen
* the creation of drama and tension
* crucial moments in storytelling
Throughout the book, Howard clarifies his lessons through examples from some of the most successful Hollywood and international script-oriented films, including Pulp Fiction, American Beauty, Trainspotting, North by Northwest, Chinatown, and others. The end result is what could very well become the classic text in the field---a bible for the burgeoning screenwriter.
About the Author
David Howard is the founding director of the graduate screenwriting program at USC, where he teaches various courses in screenwriting. His students have scripted such successful films as The Hand That Rocks the Cradle, Air Force One, Permanent Midnight, and Natural Born Killers. The coauthor (with Edward Mabley) of The Tools of Screenwriting, he lives in Los Angeles, California.
How to Build a Great Screenplay: A Master Class in Storytelling for Film FROM THE PUBLISHER
"In How to Build a Great Screenplay Howard deconstructs the craft of screenwriting and carefully reveals how to build a good story from the ground up. He eschews the "system" offered by other books, emphasizing that a great screenplay requires dozens of unique decisions by the author." Throughout the book, Howard clarifies his lessons through examples from some of the most successful Hollywood and international script-oriented films, including Pulp Fiction, American Beauty, Trainspotting, North by Northwest, Chinatown, and others.
FROM THE CRITICS
Library Journal
In this companion to The Tools of Screenwriting, Howard, founding director of the graduate screenwriting program at the University of Southern California, deals specifically with story structure, focusing on elements like connecting with an audience, creating drama and tension, and building subplots. This book is less interactive and more textbookish, making it appropriate for screenwriting students; Howard's have gone on to pen the screenplays for successful films like Natural Born Killers and Permanent Midnight. Copyright 2004 Reed Business Information.
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