No book in modern times has matched the uproar sparked by Salman Rushdie's The Satanic Verses, which earned its author a death sentence. Furor aside, it is a marvelously erudite study of good and evil, a feast of language served up by a writer at the height of his powers, and a rollicking comic fable. The book begins with two Indians, Gibreel Farishta ("for fifteen years the biggest star in the history of the Indian movies") and Saladin Chamcha, a Bombay expatriate returning from his first visit to his homeland in 15 years, plummeting from the sky after the explosion of their jetliner, and proceeds through a series of metamorphoses, dreams and revelations. Rushdie's powers of invention are astonishing in this Whitbread Prize winner.


From Publishers Weekly
Banned in India before publication, this immense novel by Booker Prize-winner Rushdie ( Midnight's Children ) pits Good against Evil in a whimsical and fantastic tale. Two actors from India, "prancing" Gibreel Farishta and "buttony, pursed" Saladin Chamcha, are flying across the English Channel when the first of many implausible events occurs: the jet explodes. As the two men plummet to the earth, "like titbits of tobacco from a broken old cigar," they argue, sing and are transformed. When they are found on an English beach, the only survivors of the blast, Gibreel has sprouted a halo while Saladin has developed hooves, hairy legs and the beginnings of what seem like horns. What follows is a series of allegorical tales that challenges assumptions about both human and divine nature. Rushdie's fanciful language is as concentrated and overwhelming as a paisley pattern. Angels are demonic and demons are angelic as we are propelled through one illuminating episode after another. The narrative is somewhat burdened by self-consciousness that borders on preciosity, but for Rushdie fans this is a splendid feast. 50,000 first printing; $50,000 ad/promo; first serial to Harper's; BOMC alternate; QPBC alternate; author tour. Copyright 1988 Reed Business Information, Inc.


From Library Journal
When a terrorist's bomb destroys a jumbo jet high above the English Channel, two passengers fall safely to earth: Gibreel, an Indian movie actor, and Saladin, star of the controversial British television program, The Alien Show . The near-death experience changes them into living symbols of good and evilSaladin grows horns, Gibreel a halo. From this fantastic premise Rushdie spins a huge collection of loosely related subplots that combine mythology, folklore, and TV trivia in a tour de force of magic realism that investigates the postmodern immigrant experience. (Why does an Indian expatriate feel homesick watching reruns of Dallas ?) Like Rushdie's award-winning novel Midnight's Children ( LJ 2/15/81), this invites comparison with the miracle-laden narratives of Gabriel Garcia Marquez. Highly recommended. Edward B. St. John, Loyola Law Sch. Lib., Los AngelesCopyright 1988 Reed Business Information, Inc.


Review
"A masterpiece."--The Sunday Times

"A staggering achievement, brilliantly enjoyable."--Nadine Gordimer

"[A] torrent of endlessly inventive prose, by turns comic and enraged, embracing life in all its contradictions. In this spectacular novel, verbal pyrotechnics barely outshine its psychological truths."--Dan Cryer, Newsday

"Swift's Gulliver's Travels, Voltaire's Candide, Sterne's Tristram Shandy . . . Salman Rushdie, it seems to me, is very much a latter-day member of their company."--The New York Times Book Review

"An exhilarating, populous, loquacious, sometimes hilarious, extraordinary novel. A rollercoaster ride over a vast landscape of the imagination."--Angela Carter, The Guardian



Book Description
Just before dawn one winter's morning, a hijacked jetliner explodes above the English Channel. Through the falling debris, two figures, Gibreel Farishta, the biggest star in India, and Saladin Chamcha, an expatriate returning from his first visit to Bombay in fifteen years, plummet from the sky, washing up on the snow-covered sands of an English beach, and proceed through a series of metamorphoses, dreams, and revelations.

ANNOTATION

Just before dawn one winter's morning, a hijacked jumbo jet blows apart high above the English Channel. Two figures fall to the sea, later washing up, alive, on a beach. It was an ambiguous miracle, for both seem to have acquired curious changes. Both have been chosen as opponents in the eternal wrestling match between Good and Evil.

FROM THE PUBLISHER

Just before dawn one winter's morning, a hijacked jetliner explodes above the English Channel. Through the falling debris, two men-Gibreel Farishta, the biggest movie star in India, and Saladin Chamcha, an expatriate returning from his first visit to Bombay in fifteen years-plummet from the sky. Washing up on the snow-covered sands of an English beach, they proceed through a series of metamorphoses, dreams and revelations.

The Satanic Verses is a wonderfully erudite study of the evil and good entwined within the hearts of women and men, an epic journey of tears and laughter, served up by a writer at the height of his powers.

Author Biography: Salman Rushdie is the author of seven novels: Grimus, Midnight's Children, Shame, The Satanic Verses, Haroun and the Sea of Stories, The Moor's Last Sigh, and The Ground Beneath Her Feet. He has also published one work of short stories titled East, West and four works of nonfiction: The Jaguar Smile, Imaginary Homelands, The Wizard of Oz, and Mirrorwork (co-edited with Elizabeth West). His books have been published in thirty-seven languages.

FROM THE CRITICS

Michiko Katukani

The Satanic Verses is less concerned with history than with the broader questions of good and evil, identity and metamorphosis, race and culture. . . .There is a fine story somewhere in this volume — that of Saladin and his attempts to define a self that might embrace both the present and the past — but it doesn't take 500-plus pages to tell. — The New York Times

Publishers Weekly

Banned in India before publication, this immense novel by Booker Prize-winner Rushdie (Midnight's Children) pits Good against Evil in a whimsical and fantastic tale. Two actors from India, ``prancing'' Gibreel Farishta and ``buttony, pursed'' Saladin Chamcha, are flying across the English Channel when the first of many implausible events occurs: the jet explodes. As the two men plummet to the earth, ``like titbits of tobacco from a broken old cigar,'' they argue, sing and are transformed. When they are found on an English beach, the only survivors of the blast, Gibreel has sprouted a halo while Saladin has developed hooves, hairy legs and the beginnings of what seem like horns. What follows is a series of allegorical tales that challenges assumptions about both human and divine nature. Rushdie's fanciful language is as concentrated and overwhelming as a paisley pattern. Angels are demonic and demons are angelic as we are propelled through one illuminating episode after another.

Library Journal

When a terrorist's bomb destroys a jumbo jet high above the English Channel, two passengers fall safely to earth: Gibreel, an Indian movie actor, and Saladin, star of the controversial British television program, 'The Alien Show.' The near-death experience changes them into living symbols of good and evil -- Saladin grows horns, Gibreel a halo. From this fantastic premise Rushdie spins a huge collection of loosely related subplots that combine mythology, folklore, and TV trivia in a tour de force of magic realism that investigates the postmodern immigrant experience. (Why does an Indian expatriate feel homesick watching reruns of 'Dallas'?) Like Rushdie's award-winning novel Midnight's Children, this invites comparison with the miracle-laden narratives of Gabriel Garcia Marquez. -- Edward B. St. John, Loyola Law Sch. Lib., Los Angeles

Michiko Katukani

The Satanic Verses is less concerned with history than with the broader questions of good and evil, identity and metamorphosis, race and culture. . . .There is a fine story somewhere in this volume -- that of Saladin and his attempts to define a self that might embrace both the present and the past -- but it doesn't take 500-plus pages to tell. -- The New York Times

WHAT PEOPLE ARE SAYING