The 14th volume of the critically acclaimed Year's Best Fantasy and Horror anthology series is a 556-page behemoth combining 44 of the best stories and eight of the best poems from 2000. Editors Ellen Datlow and Terri Windling provide long, thorough, and insightful summaries of their fields, horror and fantasy, respectively. If that isn't enough, the anthology includes Edward Bryant's detailed and evenhanded "Fantasy and Horror in the Media: 2000," Seth Johnson's concise and knowledgeable "Comics: 2000," and James Frenkel's "Obituaries: 2000."

The stories and poems in this volume are as strong as the title claims; a few are very good, and most are excellent. The contributors include literary greats like John Crowley, Harlan Ellison, and Louise Erdrich; genre giants like Ramsey Campbell, Charles de Lint, and Tanith Lee; acclaimed young-adult authors like Francesca Lia Block and Jane Yolen; excellent foreign authors better known in their native countries, like Australia's Terry Dowling and Bolivia's Claudia Adria'zola; and terrific new talents like Susanna Clarke, Andy Duncan, and Kelly Link.

With a volume this massive, it is difficult to describe all the stories, or even representative examples of the many different subgenres. Here are summaries of two selections from each editor:

In Louise Erdrich's tragicomic tall tale "Le Mooz," a prideful Ojibwa woman wrecks her marriage after a moose hunt goes awry. In Kathe Koja's chilling and startling "At Eventide," a serial killer tracks down the woman artist who escaped him and sent him to prison. "The Man on the Ceiling," a metafiction by Steve Rasnic Tem and Melanie Tem, is a brilliant, moving, autobiographical exploration of the physical, emotional, and creative lives of two writers. In Susanna Clarke's witty, beautifully written fantasy of manners, "Mr. Simonelli or the Fairy Widower," a poor, handsome young priest learns his new parish overlaps Faerie, discovers a shocking ancestral secret, and makes covert marriage proposals to five beautiful sisters.

The Year's Best Fantasy and Horror is a great and generous collection, perfect for most, but not all, horror and/or fantasy fans. It includes both supernatural and nonsupernatural horror, but it doesn't have anything for the "splatterpunk" fan. Also, while the horror selections are drawn from both genre and nongenre publications, most of the fantasy selections are taken from nongenre magazines, anthologies, and other sources. If you want fantasy drawn largely or exclusively from genre sources, and particularly if you want only heroic/adventure/sword-and-sorcery fantasy, then you should skip the entire Year's Best Fantasy and Horror series. Those subgenres make no appearance in this volume, and have never had much of a presence in this series; it's as if only magic realism, fairy tales, and mythic/folkloric fantasy of a rather sensitive, measured, and grown-up sort need apply (even when it's young adult fiction). Also, extreme, graphic horror may be out of fashion, but its raw, adolescent energy will doubtless reappear in future volumes of The Year's Best Fantasy and Horror whenever great graphic-horror stories are published. --Cynthia Ward

From Publishers Weekly
This volume, the sixth in this series, is made up of a wide array of international voices--including a welcome contingent of stories by and about women--and combines traditional horror and fairy stories with magical realism and other uses of the supernatural and spiritual. The more than 50 contributions defy generalization, but are highlighted by Craig Curtis's contemporary story of Moby Dick 's heathen Queequeg as a wheeling, dealing, harpoon-carrying Madison Avenue ad executive; Cristina Peri Rossi's telling of a visitation by the Virgin Mary in a land where many mothers' sons have been killed; M.R. Scofidio's piece about a party game/seance gone bad; Grania Davis's tale blending magic and Jewish folk traditions; and Sara Gallardo's imagistic ancient kingdom tale. Datlow and Windling allow the boundaries around the genres to be fluid and open (for instance, several poems are included), producing a provocative volume that works at times as a commentary on itself, expanding the definition of the fantasy/horror anthology. Helpful introductions to individual pieces and their authors and other resources make this volume accessible to new readers of the genre. Copyright 1993 Reed Business Information, Inc.

From Library Journal
Myths and legends, fairytales and folklore, nightmares and dreams imbue the mundane with touches of magic while illustrating essential aspects of human nature. This annual anthology, the 13th in the series, explores those enchanting influences and gracefully demonstrates how the terms fantasy and horror encompass a range of creative writing from the "high" literary to the underrated comic. (Neil Gaiman's Sandman comics are more thought-provoking than most best sellers.) As usual, the editors begin with summaries of the past year in fantasy and horror in publishing, movies, and other media. Stressing the understanding of "interstitial" literatureDworks that cannot be pigeonholed to a single genre and that consists of much of imaginative writingDthe editors then present a variety of short stories and poems portraying wonders that are funny, subtle, lyric, and dreadful. Many are written by such accomplished and well-known authors as Ursula K. Le Guin, Gaiman, Charles de Lint, and Steve Resnic Tem. This volume of all-around high-quality storytelling is highly recommended to imaginations of all shapes and sizes.DAnn Kim, "Library Journal" Copyright 2000 Reed Business Information, Inc.

From Booklist
The fourteenth in this annual series is, compared with some of its predecessors and its editors' other collaborations, uninspired. Among its 150,000 words of fiction are good Harlan Ellison, Ramsey Campbell, Charles de Lint, and Esther Friesner stories and some respectable efforts by lesser-known writers, but the rest is notably less good. This last may be the result of too many stories focused on a particular situation: the odd person or place amid the mundane urban environment, whose oddness and identity normal folk come to realize too late. De Lint is, if not the inventor, a master of that setup in psychological fantasy, as his story demonstrates. But there aren't enough of his peers to fill a volume this big without turning it into more of a theme anthology than it already is or, given that it is ostensibly an annual overview of fantasy and horror, should be. It is still recommendable, but look out for other anthologies covering other corners of its field. Roland Green
Copyright © American Library Association. All rights reserved

Review
"a richly inventive collection...not to be missed" --Kirkus Reviews


Review
"a richly inventive collection...not to be missed" --Kirkus Reviews


Review
"a richly inventive collection...not to be missed" --Kirkus Reviews


Book Description
For more than a decade, readers have turned to The Year's Best Fantasy and Horror to find the most rewarding fantastic short stories. The critically acclaimed and award-winning tradition continues with another stunning collection, including stories by Jack Cady, Ramsey Campbell, Susanna Clarke, Jack Dann, Terry Dowling, Dennis Etchison, Greer Gilman, Nalo Hopkinson, Kelly Link, Kathe Koja, Paul J. McAuley, Delia Sherman. Rounding out the volume are the editors' invaluable overviews of the year in fantasy and horror, and a long list of Honorable Mentions, making this an indispensable reference as well as the best reading available in fantasy and horror.


About the Author
Ellen Datlow is the acclaimed editor of such anthologies as Sirens and other Daemon Lovers (with Terri Windling), Lethal Kisses, Off Limits, and Endangered Species, and has won the World Fantasy Award six times. She lives in New York City and currently edits fiction for SCIFI.COM.

Terri Windling won the Mythopoeic Award for her first adult novel, The Wood Wife. She has edited numerous books and anthologies, including The Essential Bordertown and Silver Birch, Blood Moon, the most recent in a series of contemporary fairy tale anthologies, edited with Ellen Datlow. Honored six times with the World Fantasy Award, she divides her time between Devon, England, and Tucson, Arizona.

FROM OUR EDITORS

This bible of fantastic literature begins with a wonderful old-fashioned tale from Harlan Ellison, "Incognita, Inc." -- which concerns the fate of the sole person responsible for all maps of the fantastic. The incredibly high level of fiction we've come to expect from this anthology series is sustained in this collection with stories by Stewart O'Nan, John Crowley, Francesca Lia Block, Louise Erdrich, Charles De Lint, Nalo Hopkinson, Jonathan Carroll, and so many more. It is a must-read for anyone who is a fan of fantastical literature.

ANNOTATION

The annual excellence that has garnered this series two consecutive World Fantasy Awards and a windfall of critical acclaim continues in an impressive new anthology. Comprehensive in its coverage of the year in horror and fantasy, this collection features works by Ellen Kushner, Pat Cadigan, Jane Yolen, and dozens of others.

FROM THE PUBLISHER

For more than a decade, readers have turned to The Year's Best Fantasy and Horror to find the most rewarding fantastic short stories. Ellen Datlow and Terri Windling continue their critically acclaimed and award-winning tradition with another stunning collection of stories. The fiction and poetry here is culled from an exhaustive survey of the field -- nearly four dozen stories, ranging from fairy tales to gothic horror, from magical realism to dark tales in the Grand Guignol-style. Rounding out the volume are the editors' invaluable overviews of the year in fantasy and horror, two new Year's Best sections -- on comics, by Charles Vess, and on anime and managa, by Joan D. Vinge -- and a long list of Honorable Mentions, making this an indispensable reference as well as the best reading available in fantasy and horror.

FROM THE CRITICS

Publishers Weekly

This collection is short on fantasy and long on horror--with special emphasis on sadomasochism, which, in the hands of an author like Kathe Koja, can result in a darkly illuminating story about sexual fantasies sometimes better left unrealized. Not all writers are so gifted, however. Grant Morrison gives us an offensive story about a blind heroine who is urinated upon and slashed with a razor before being clamped to a ``Chair of Final Submission.'' But Datlow and Windling, who edited the earlier volumes in this series, offer entertaining fare as well, including several appearances by good old-fashioned vampires. K. W. Jeter's aged monster has needs that promise to make his daughter's life a horror for all eternity, while Jane Yolen pens a touching tale of a young girl whose love allows her undead mother to go to her eternal rest. Also included are some enjoyable new turns on famous characters, including Peter Pan, Robin Hood and Santa Claus. Deserving of special mention are Nancy Willard's magically real tale of a man who returns from the dead to retrieve his pets and Robert Holdstock and Garry Kilworth's suspenseful, literate tale of an archeologist on the trail of immortality. (Aug.)

Publishers Weekly

"Best" is a subjective judgment, but there's no question that for each of the past 15 years Datlow and Windling have assembled an excellent anthology of richly rewarding imaginative literature. Their harvest of horror and fantasy for 2001 is a bumper crop of 49 stories and poems, many from sources that won't be familiar to the average reader and some from newcomers whose promise bodes well for the future of both genres. As in years past, certain themes cut across genre boundaries and explode notions of horror and fantasy as separate literary forms. Shapeshifters are present in Charles de Lint's upbeat "Trading Hearts at the Half Kaffe Cafe," where they teach a lesson about trust in a romantic relationship, and in Susan Palwick's haunting "Gestella," where they crystallize the sense of estrangement in a deteriorating marriage. Ursula K. LeGuin's "The Bones of the Earth," written in the classic high-fantasy style, and S.P. Somtow's "The Bird Catcher," which features a legendary serial killer, are both moving coming-of-age parables. Intimations of realities beyond comprehension dominate Anthony Doerr's "The Hunter's Wife," a transcendent meditation on the consolations of mortality, and Caitl!n Kiernan's "Onion," which brilliantly suggests a universe of chaotic cosmic horrors through the dysfunctional lives of people who have seen but not understood them. Enhancing the mix are top-flight tales by Steve Rasnic Tem, Kelly Link, Elizabeth Hand and Gregory Maguire, and Michael Chabon's "The Dark God of Laughter," a metaphysical mystery that ranks as one of the year's most refreshingly uncategorizable stories. Without question, this book is mandatory reading for lovers of weird and fanciful fiction. (Aug. 21) Copyright 2002 Cahners Business Information.

Publishers Weekly

You can't improve on the "best," but as the editors of this landmark anthology series show in its most recent volume, you can find fresh new angles from which to present it. For the first time ever, they have selected an essay, Douglas Winter's "The Pathos of Genre," and this incisive critique of the limits of genre branding subtly calls attention to how Datlow and Windling's fiction and poetry selections usually resist simple categorizing. Many of their best picks from 1999 willfully bend, blend and move beyond expected genre materials: Tim Lebbon's "White," a horror and SF cross-stitch, uses B-movie imagery to explore the behavior of people confronted with ecological apocalypse. Kim Newman, in "You Don't Have to Be Mad," grounds a caustic horror satire of modern business mores in set pieces appropriated from television espionage programs of the 1960s. Michael Marshall Smith, in "Welcome," and Charles de Lint, in "Pixel Pixies," conjure alternate fantasy worlds with the most unlikely of talismans--a computer. Neil Gaiman, one of six authors represented by more than one contribution, places both a horror and a fantasy tale: "Keepsakes and Treasures: A Love Story," a nasty bit on the death of romance, and "Harlequin Valentine," a darkly funny fantasy. There are more than a few modern fairy tale variants, but even these show a refreshing range of styles and approaches, notably Patricia McKillip's "Toad," a delightful deflation of the frog prince's tale. The usual generous survey essays by Datlow, Windling, Ed Bryant and Seth Johnson only enhance the volume's reputation as indispensable reading for the year. (Sept.) Copyright 2000 Cahners Business Information.|

Library Journal

Myths and legends, fairytales and folklore, nightmares and dreams imbue the mundane with touches of magic while illustrating essential aspects of human nature. This annual anthology, the 13th in the series, explores those enchanting influences and gracefully demonstrates how the terms fantasy and horror encompass a range of creative writing from the "high" literary to the underrated comic. (Neil Gaiman's Sandman comics are more thought-provoking than most best sellers.) As usual, the editors begin with summaries of the past year in fantasy and horror in publishing, movies, and other media. Stressing the understanding of "interstitial" literature--works that cannot be pigeonholed to a single genre and that consists of much of imaginative writing--the editors then present a variety of short stories and poems portraying wonders that are funny, subtle, lyric, and dreadful. Many are written by such accomplished and well-known authors as Ursula K. Le Guin, Gaiman, Charles de Lint, and Steve Resnic Tem. This volume of all-around high-quality storytelling is highly recommended to imaginations of all shapes and sizes.--Ann Kim, "Library Journal" Copyright 2000 Cahners Business Information.\

Library Journal