From Publishers Weekly
Cannell's second novel in six months (after Hollywood Tough) is a cop thriller with a futuristic, sci-fi twist. Hollywood Tough's heroes, LAPD officers Shane Scully and his wife, Alexa Hamilton, take a backseat to a new protagonist, fledgling PI Jack Wirta, a hard-nosed ex-cop (former partner of Scully) who left the force on disability. Irascible and jaded, Wirta has been hooked on Percocet since taking a bullet in the spine during a bank robbery shootout. He is called in to help the eccentric, crusading attorney Herman Strockmeyer, founder of the Institute for Planetary Justice. Strockmeyer has dedicated his professional life to pursuing corrupt corporations and various wings of the government. A houseguest of Barbra Streisand's in L.A., Strockmeyer is suing the USDA, EPA, FDA and others to get an injunction against planting genetically engineered corn, which threatens the Monarch butterfly population. When Strockmeyer's assistant hacks into the computer bank of Gen-A-Tech, a prime contractor in the genetic engineering of agricultural products, he uncovers something much more horrifying than dead butterflies: the Feds are creating a vicious manlike creature to replace human soldiers in combat. And when the assistant is murdered, Strockmeyer and his daughter look to Wirta to save the day. Cannell has a genius for creating memorable characters and quirky, gripping plots. Despite overwriting and jerky pacing, this is a fun read.Copyright 2003 Reed Business Information, Inc.


From AudioFile
Justice fighters take many shapes but none as overweight, rumpled, or disorganized as lawyer Herman J. Stockmire. Whether battling the courts on behalf of the monarch butterfly or clashing with government dark-ops, Herman is a hero with a heart problem. Help comes from Private Investigator Jack Wirta, a good guy straight out of film noir--hard-boiled and a little shady. Nick Sullivan narrates with enthusiasm. His character voices change to reflect mood, menace, and mayhem. His men are vital. His women don't simper. Stockmire's daughter, Susan, sounds every bit as capable as her male counterparts. RUNAWAY HEART leaves no doubt why Steven J. Cannell is a bestselling author and one of television's most successful producers. S.J.H. © AudioFile 2003, Portland, Maine-- Copyright © AudioFile, Portland, Maine


From Booklist
Herman J. Strockmire is a lawyer with the heart of Don Quixote. His caseload might be better characterized as a lost-cause load. Here he's battling for the survival of the monarch butterfly, which is on the verge of extinction thanks to a reaction to genetically altered foods. Assisting him in the case are his daughter, Susan, and computer hacker Roland Minton. When Minton is brutally murdered after a surreptitious assault on the data systems of Gen-a-Tec, a firm specializing in genetic research for the government, Herman hires private eye Jack Wirta to dig deeper. Armed with little more than determination to see justice done, Herman, Susan, and Jack find themselves squared off against the worst elements of American industry and the U.S. military. Cannell, one of the most successful television producers of all time as well as the best-selling author of the Shane Scully thrillers, creates memorably endearing characters and places them in harrowing situations with clearly defined moral choices. Strockmire is one of his best. Between battling the military-industrial forces of evil, he copes with an irregular heartbeat, kvetches over Susan and Jack's blossoming relationship, and summons the wherewithal to help Jack with his drug addiction. Too many thriller heroes carry Glocks and boast six-pack abs and dangerously high testosterone levels. Herman has a conscience and a disorganized briefcase. Wes Lukowsky
Copyright © American Library Association. All rights reserved


Review
"Galvanizing, nonstop action."-Tulsa World

"Cannell has a genius for creating memorable characters and gripping plots...a fun read."
-Publishers Weekly

"A pro at the top of his game." -Stephen Coonts

"Mr. Cannell's brand of thriller is served straight up...and he knows how to cut to the chase."
-The New York Times



Book Description
As an Emmy Award winning writer, Stephen Cannell has created over 40 TV series, including The A-Team, The Greatest American Hero, and 21 Jump Street. He is also a New York Times Bestselling author. In Runaway Heart, Cannell combines cutting edge biotechnology and action-packed suspense in a new and stunningly original thriller set on the outer fringes of medical science . . .

What would modern war be like if the front-line foot soldiers were not our sons and daughters, but genetically engineered animals with superhuman strength and speed, and just enough intelligence to understand commands and follow them blindly?

This is exactly the weapon being developed at a base in the desert by a top-secret government agency.

Attorney Herman Strockmire, a rumpled man with a very big but defective heart, champion of lost legal causes and the infuriating nemesis of giant corporate polluters, becomes involved when one of his employees is literally torn limb from limb by one of the experimental prototypes.

At great personal risk, Herman , his beautiful daughter and law partner, Susan, and ex-LAPD detective, Jack Wirta, ignore all threats and plunge headlong into harm's way, finding themselves involved in a nightmare beyond anyone's wildest imagination...

This science exists today. The future is now.



From the Inside Flap
Praise for Hollywood Tough: "Cannell, creator of such TV shows as The A-Team, clearly knows the ins and outs of the entertainment industry, and the detective story, with its wry, subtle humor, doubles as Hollywood satire. Most of the cops-and-robbers sequences hit the mark as well, and the well-drawn characters and keen observations on the similarities between Hollywood and the mafia make this a winner." -Publishers Weekly "Scully has ample opportunity to prove how "Hollywood tough" he is . . . veteran writer/TV producer Cannell has concocted his special brand of reader candy." -Kirkus Reviews Praise for The Viking Funeral: "Stephen J. Cannell's The Viking Funeral is the sort of fast and furious read you might expect from one of television's most successful and innovative writer-producers." -Los Angeles Times "Solid plotting with nail-biting suspense and multiple surprises keep the reader guessing and sweating right up to the cinematic ending . . . Cannell has a knack for characterization and a bent for drama that will satisfy even the most jaded thrill lover." -Publishers Weekly "Stephen Cannell is . . . an accomplished novelist. . . . Is a Viking Funeral screenplay in the works? If so, don't be surprised to see Cannell's name on it." -New York Daily News Praise for The Tin Collectors: "I've been a Stephen Cannell fan since his remarkable King Con, and he keeps getting better. The Tin Collectors is an LAPD story that possesses both heart and soul, a fresh and different look at the men and women who, even more than the NYPD, are the most media covered police force in the world. Stephen Cannell has the screenwriter's fine ear for dialogue and great sense of timing and pacing as well as the novelist's gift of substance and subtlety. Cannell likes to write, and it shows." - Nelson DeMille "If you like cop novels, you're going to love this one. Cannell is a pro at the top of his game." - Stephen Coonts


From the Back Cover
Praise for Hollywood Tough:
"Cannell, creator of such TV shows as The A-Team, clearly knows the ins and outs of the entertainment industry, and the detective story, with its wry, subtle humor, doubles as Hollywood satire. Most of the cops-and-robbers sequences hit the mark as well, and the well-drawn characters and keen observations on the similarities between Hollywood and the mafia make this a winner." -Publishers Weekly

"Scully has ample opportunity to prove how "Hollywood tough" he is . . . veteran writer/TV producer Cannell has concocted his special brand of reader candy." -Kirkus Reviews

Praise for The Viking Funeral:
"Stephen J. Cannell's The Viking Funeral is the sort of fast and furious read you might expect from one of television's most successful and innovative writer-producers."
-Los Angeles Times

"Solid plotting with nail-biting suspense and multiple surprises keep the reader guessing and sweating right up to the cinematic ending . . . Cannell has a knack for characterization and a bent for drama that will satisfy even the most jaded thrill lover." -Publishers Weekly

"Stephen Cannell is . . . an accomplished novelist. . . . Is a Viking Funeral screenplay in the works? If so, don't be surprised to see Cannell's name on it."
-New York Daily News

Praise for The Tin Collectors:
"I've been a Stephen Cannell fan since his remarkable King Con, and he keeps getting better. The Tin Collectors is an LAPD story that possesses both heart and soul, a fresh and different look at the men and women who, even more than the NYPD, are the most media covered police force in the world. Stephen Cannell has the screenwriter's fine ear for dialogue and great sense of timing and pacing as well as the novelist's gift of substance and subtlety. Cannell likes to write, and it shows." - Nelson DeMille

i0"If you like cop novels, you're going to love this one. Cannell is a pro at the top of his game." - Stephen Coonts



About the Author
Stephen J. Cannell enjoys one of the most phenomenally successful careers in today's Entertainment Industry. After struggling for recognition as a television writer, Cannell's career took off in 1966 when he became head writer for the series, Adam 12. Thirteen years later, he'd form his own production company; today his studio's annual production outlays amount to more than a billion dollars. In his 35-year career, the Emmy-award winning writer has created over 40 TV series, including such hits as The Rockford Files, The Greatest American Hero, The A-Team, 21 Jump Street, Wiseguy and The Commish. He penned bestsellers The Plan, Final Victim, King Con, Riding the Snake, Devil's Workshop, The Tin Collectors, The Viking Funeral, and Hollywood Tough. A spokesperson on dyslexia, Stephen J. Cannell lives in Los Angeles with his wife and their children.



Excerpt. © Reprinted by permission. All rights reserved.
Chapter One

Herman Strockmire Jr., attorney at law, got his fourth severe ventricular arrhythmia at 7:45 Tuesday morning while riding up to his borrowed office on the thirtieth floor of the Century City high-rise. It was the day before he was scheduled to appear in federal court to argue his case to protect the monarch butterfly. He was in the plush-pile elevator, rocketing upwards at blast-off speeds, his ears popping every ten floors, his short, bulging body feeling as if it were pulling at least two Gs. His heart arrhythmias always started with the same curious sensation: first a mild loss of energy, followed by a sinking feeling as if a hundred extra pounds had just been strapped onto his five-foot-eight-inch, lunchbox-shaped frame. This heavy sluggishness was immediately accompanied by a sensation of light-headedness that quickly left him-short of breath, dizzy, and slightly woozy. Fifty-five-year-old Herman didn't have to take his pulse to know that the old ticker had just gone into severe arterial flutter. He didn't have to, but he did anyway-force of habit.

He set his faded briefcase down, grabbed his fat, furry left wrist, and wrapped his stubby fingers around it, finding his pulse.

"Jesus," he muttered into the elevator Muzak. "It's doing a damn fandango." He didn't want to count beats; didn't have to, really. He knew from past episodes that it was up over 150, maybe as high as 185.

I don't need this now, he thought.

On the thirtieth floor the elevator doors hissed open revealing the art deco foyer of Lipman, Castle & Stein, Entertainment Law. They had thoughtfully placed a marbleized mirror on the opposing wall (actors love mirrors) and Herman Strockmire Jr. was forced to take a depressing personal inventory as he stepped off the elevator into his own sagging, bulging reflection. He looked like shit.

In the last ten years his Bavarian gene map had veered. The decade had turned him into a stocky carbon copy of his dead father.

Herman Strockmire Sr. had been a foundry worker-a metal press operator-banging out steel sheets in the humid heat of a Pittsburgh mill, each thudding, hammering stroke of the metal press pounding the poor, elder Herman shorter and lower, until the old German immigrant seemed like a fun-house distortion of a human being.

Now, as Herman Jr. studied himself in the law firm's marbleized mirror, he saw his dead father: short, Teutonic, absurd. The hand of gravity was reaching out with gnarled fingers and pulling him down toward the grave, while his runaway heart spun wildly out of control.

Herman's borrowed office at Lipman, Castle & Stein was an accommodation that his dear friend, Barbra Streisand, had arranged for him. These power brokers were her show business lawyers and they constantly reminded him of their huge respect for her star power. $tar was spelled with a dollar sign at Lipman, Castle & Stein. The partners, two Jerrys and a Marty, had acceded to Barbra's "request" and loaned him a small, one-window office that overlooked Century City and the Fox movie studios across the street. For some reason that defied natural selection Herman had learned that most agents and entertainment lawyers were named Jerry or Marty, with a liberal sprinkling of Sids. Herman had spent the last two weeks in this slick retreat, doing pretrial deps and federal court writs.

Because the trial started tomorrow, Herman had driven in from Barbra and Jim's beach house early that morning, via Malibu Canyon Drive, just before sun-up.

Dear, sweet, politically conscious Barbra had not only prevailed upon her show biz attorneys to loan Herman the office while he was in L.A., but she had lent him the use of the ocean front pool house at her Malibu estate while she and her husband James Brolin were on vacation in Corsica.

Herman and his thirty-year-old daughter, Susan, had been residing there, using the cars and eating the food, and had permission to do so until Herman's current federal case was adjudicated-which, he figured, would be in about two weeks-if he didn't die of a coronary first.

He shuffled down the hall to the men's room thinking it looked more like a sultan's harem than a shitter. Black marble floors, brown Doric columns, and decorator washbasins wit arched dolphin faucets profiled under directional pin lights. The little, gilded, flippered critters spit water delicately into hammered artificial gold sinks. Herman hefted his briefcase full of writs, pretrial motions, and law books onto the marble counter and popped the latch. It wheezed open like a broken accordion. He rummage around inside for his pill bottles and, finding the Warfarin first, shook two of the little capsules into his palm. They were blood thinners to prevent strokes during an arrhythmia. He dug out the bottle of Digoxin that was supposed to control his heart rate, then grabbed a paper cup from the built-in dispenser. He had never before been in a corporate men's room that supplied Dixie cups. Herman tossed the pills into his mouth and washed them down. That was when he got a second look at himself in the well-lit bathroom mirror. He was used up and tired. He'd seen raccoons with subtler eye markings.

But he had no choice; he had to go on. He was on a mission, maybe the most important of his life. An entire species of butterfly was about to be wiped out by biologically enhanced foods. It wasn't just any butterfly he was fighting for, but the heart-stoppingly-beautiful monarch, the majestic creature that had introduced Herman to the wonders of nature as a child. He had studied the beautiful orange-and-black-winged treasures for hours as a boy, lying on his stomach in the grass behind his parents' tiny row house, marveling at their delicate markings, seeing in them God's divine artistry.

The monarch butterfly, once the most common in North America, was now in danger of going onto the endangered species list. Unless Herman blocked the FDA, EPA, USDA, and all the other federal letter agencies that controlled bio-enhanced foods, these priceless treasures of nature might disappear forever, unintended victims of the new gene-spliced Frankenfoods. Specifically corn.

His federal lawsuit was for injunctive relief and damages on behalf of two organizations chartered to protect the monarch. It had been filed and fast-tracked to beat the spring planting season. If successful, it would stop this year's trans-genetic corn crop from going into the ground in May and would pay out damages to his two client organizations. However, the real reason for the suit was to force the government to reexamine the long-term, downstream effects of bio-enhanced food.

Herman felt a surge of anger as he had these thoughts, and with it adrenaline coursed through his tired, sluggish body, doing god-knows-what to his already jackhammering heart. He fumed about his lawsuit and the arrogant disinterest of the government watchdog agencies and private labs he was suing. The biologically enhanced corn was engineered to kill off mites and pests that ate the cornstalks, but because of inadequate or sloppy testing, it was killing the monarch butterfly as well, and no one else seemed to give a damn.

Herman stood in front of the men's room mirror and glowered at his sagging jowls and shaggy, curly hair that always seemed unkempt. It was then, he noted with mild consternation, that he had "mixed his numbers" again. Herman was colorblind and used a number scheme to stay in one color zone or another. He had the clothing taste of a mill worker, which, like his poor dead father, he'd once been. He never paid attention to trends, always bought cheap, and wore it until the stitches broke. After all, he reasoned, it was hard to dress for success when you were built like a steamer trunk.

His lovely daughter, Susan, light of his life, friend, colleague, and paralegal, carefully chose his court attire, sewing little numbers on the labels of matching outfits. Unfortunately, he had dressed in the dark this morning, not wanting to wake her. She'd been up all night, typing pretrial motions. He had decided this would be a number-3 day, but standing in the dark closet, squinting at the numbers, he had mixed some 8s in with the 3s. He now realized he had on his gray-and-black-checked jacket, a blue-and-green-striped shirt, and a bright yellow tie. He thought he must look like the host of a Saturday-morning cartoon show.

Herman turned away from the mirror, unable to stomach any further self-examination, grabbed his heavy briefcase, then lugged it down the hall to the borrowed office, turned on the lights, and sat behind his desk. Across the Avenue of the Stars the sound stages of Twentieth Century Fox movie studio were already teeming with activity. The productions started very early, almost at the crack of dawn. At 8 A.M. trucks, cars, and actors were already bustling between sound stages, well into their morning labors. Lipman, Castle & Stein took a more gentlemanly approach to the morning. He'd learned that agents and lawyers in show business started at around nine-thirty with a leisurely power breakfast, usually at the Polo Lounge in Beverly Hills, or Jerry's Deli in the Valley. Most of the hip Lipman crowd came sharking in at 10:30 or 11:00 toting their expensive wafer cases-young, lean, sculpted men and women with tanning-salon complexions and improbably perfect teeth. Herman was a rolling, lumbering walrus in this sleek, fast-moving school of piranhas.

He decided not to tell Susan about the tachycardia when she got in. She would just insist he go back to the hospital. The doctors at Cedars-Sinai had "converted" him once already last week, using medication. It had taken four hours on an IV bag.

His condition was called ventricular arrhythmia, which was more dangerous than the supraventricular kind. The first episode had hit him six months ago without warning. His second arrhythmia occurred four months later, and now this one made two in ten days. Not a good sign. The cardio docs at Cedars were urging that a "procedure" be performed. Procedure was their PR-friendly way of saying operation. But Herman couldn't take two weeks off now. He had just dragged three federal agencies and four private research labs kicking and screaming into court. This case finally had a hearing date set for tomorrow, and if he missed it he'd never get back in front of a judge before this year's planting season. Once the new crop of genetically engineered corn went into the ground, it guaranteed that millions more monarch butterflies would die. Herman was determined to prevent this from happening. He felt as if he was the only one left protecting one of God's great treasures. In the meantime he was popping more and more pills, which seemed to be doing him less and less good.

The morning dragged by like mud oozing downhill. It was eleven o'clock when Susan finally came through the door and dropped her briefcase on the chair opposite his desk. Every time he saw her he was overcome by her style and beauty. She had inherited all of her mother's physical perfection and mental activity but none of her shallowness. Okay, maybe that was harsh, but, damn it, that's the way he felt. His ex had a keen mind but no interest in using it.

Lillian was a wealthy country club brat who had rebelled against her waspish upbringing by choosing Herman Strockmire Jr. over a field of more acceptable, attractive suitors. He had always been puzzled by her choice, until he finally realized it was just her spoiled way of giving her domineering father the finger. Take that, Daddy, you controlling, overbearing shitheel!

Lillian had said she loved Herman's idealism, that she had never met anyone with thoughts as deep as his ... thoughts about the environment, or civil rights, or governmental abuse. She once complained that all her country club friends ever worried about was their golf scores.

She fascinated him like a delicate crystal treasure. He used to marvel at her classic, fine-boned beauty as she flitted around in their small, rundown Boston apartment, fluffing pillows and promising to do the dishes that were piling up in the sink.

Her allowance, given to her by her father each month, was more than Strockmire Sr. took home from his mill job, and it helped Herman through the last year of Harvard Law School. So, although he resented taking the money, it allowed him to quit his side jobs and concentrate on his studies full time. He had kept his mouth shut to get his diploma.

However, Lillian soon found out that a steady diet of idealism and heavy thoughts, like her membership in the Vegan Society, was boring. Bottom line: Herman was pretty much of a drag. "You're no fun," she'd pout. "No fun and always brooding. Would it kill you to smile, for Chrissake?"

But Herman, flesh out of law school, was already overwhelmed with the injustices he saw all around him. Injustices that nobody else seemed to care about because there was no money to be made in fixing them. He passed on an offer from an old-line Philadelphia law firm in order to pursue his passion for important legal redress, filing a rash of lawsuits: Miller v. USDA-a drug-testing case; Billingsley v. CIA-domestic espionage; Clark v. FBI-Fourth Amendment search and seizure. More and more, Herman found he had powerful federal agencies on the other side of the "v." His IRS tax audits became annual and punitive.

He loved Lillian, but it was hard not to brood when he was constantly fighting city hall, overmatched, and behind the eight ball. Like most members of spirited-but-pampered species, Lillian soon flitted away from him, as beautiful and carefree as the monarch butterfly he now defended, leaving behind one lasting treasure-his daughter, Susan.

Lillian had bestowed her physical genes on Susan as surely as the old mill worker had cursed Herman Jr. with his. But Susan also had Herman's single-mindedness and sense of social outrage. Unlike her mother, she never became bored with Herman's struggle. She often seemed more dismayed at the injustices they fought against than he did.

Sometimes Herman Strockmire Jr. wondered how he and Lillian had made such a remarkable creature. Both of them were so flawed: Herman-plodding, overinvolved, and physically unremarkable; Lillian-beautiful, pampered, and quick-tempered. In Susan, they had filtered out their worst traits without losing any of their best. Talk about miracles.

"You heard from Roland yet?" Susan asked, carrying a stack of pretrial motions across the office. She set them on the side table, kicked off her shoes, then sat and put her nyloned feet up on his desk.

"Nope. Guess he's still up in San Francisco looking for the lab where those pricks are hiding their research. Once I get the right data bank I'll spring a discovery motion on them, and hopefully they won't have time to digitally erase the evidence before I get ahold of it.

Copyright © 2003 Stephen J. Cannell

FROM THE PUBLISHER

"What would modern war be like if the front-line foot soldiers were not our sons and daughters, but genetically engineered animals with superhuman strength and speed, and just enough intelligence to understand commands and follow them blindly?" "This is exactly the weapon being developed at a base in the desert by a top-secret government agency." "Attorney Herman Strockmire, a rumpled man with a very big but defective heart, champion of lost legal causes and the infuriating nemesis of giant corporate polluters, becomes involved when one of his employees is literally torn limb from limb by one of the experimental prototypes." "At great personal risk, Herman, his beautiful daughter and law partner, Susan, and ex-LAPD detective Jack Wirta ignore all threats and plunge headlong into harm's way, finding themselves involved in a nightmare beyond anyone's wildest imagination." This science exists today. The future is now.

FROM THE CRITICS

Publishers Weekly

Cannell's second novel in six months (after Hollywood Tough) is a cop thriller with a futuristic, sci-fi twist. Hollywood Tough's heroes, LAPD officers Shane Scully and his wife, Alexa Hamilton, take a backseat to a new protagonist, fledgling PI Jack Wirta, a hard-nosed ex-cop (former partner of Scully) who left the force on disability. Irascible and jaded, Wirta has been hooked on Percocet since taking a bullet in the spine during a bank robbery shootout. He is called in to help the eccentric, crusading attorney Herman Strockmeyer, founder of the Institute for Planetary Justice. Strockmeyer has dedicated his professional life to pursuing corrupt corporations and various wings of the government. A houseguest of Barbra Streisand's in L.A., Strockmeyer is suing the USDA, EPA, FDA and others to get an injunction against planting genetically engineered corn, which threatens the Monarch butterfly population. When Strockmeyer's assistant hacks into the computer bank of Gen-A-Tech, a prime contractor in the genetic engineering of agricultural products, he uncovers something much more horrifying than dead butterflies: the Feds are creating a vicious manlike creature to replace human soldiers in combat. And when the assistant is murdered, Strockmeyer and his daughter look to Wirta to save the day. Cannell has a genius for creating memorable characters and quirky, gripping plots. Despite overwriting and jerky pacing, this is a fun read. National advertising. (July) Copyright 2003 Reed Business Information.

Library Journal

Barbra Streisand, a mutant monkey, alien DNA, Dred Scott, Donald Trump, hush-hush government shenanigans--somehow in the hands of veteran TV writer Cannell these all come together and actually work. With adjectives, metaphors, and similes jostling each other for equal time in a sentence, Cannell tells the tale of a liberal do-gooder lawyer with a bum heart who heads something called the Institute for Planetary Justice. The lawyer has just been laughed out of court for trying to protect monarch butterflies when he finds himself and his equally ambitious daughter in one heck of a military conspiracy that lands him smack in the middle of Area 51. Reader Nick Sullivan, who has voiced other Cannell novels, brings the right amount of humor to these characters and infuses them with personalities without resorting to over-the-top vocalizations. Despite the sappy title, this book will find a ready audience in all public libraries. Recommended.--Joseph L. Carlson, Allan Hancock Coll., Lompoc, CA Copyright 2004 Reed Business Information.

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