From Publishers Weekly
As she approaches midlife, Mantel applies her beautiful prose and expansive vocabulary to a somewhat meandering memoir. The English author of eight novels (The Giant, O'Brien; Eight Months on Ghazzah Street; etc.) is "writing in order to take charge of the story of my childhood and my childlessness; and in order to locate myself... between the lines where the ghosts of meaning are." Among the book's themes are ghosts and illness, both of which Mantel has much experience with. She expends many pages on her earliest years, and then on medical treatments in her 20s, but skips other decades almost entirely as she brings readers up to the present. At age seven she senses a horrifying creature in the garden, which as a Catholic she concludes is the devil; later, houses she lives in have "minor poltergeists." The first and foremost ghost, though, is the baby she will never have. By 20, Mantel is in constant pain from endometriosis, and at 27, after years of misdiagnosis and botched treatment, she has an operation that ends her fertility. Her pains come back, she has thyroid problems and drug treatments cause her body to balloon; she describes these ordeals with remarkably wry detachment. Fans of Mantel's critically acclaimed novels may enjoy the memoir as insight into her world. Often, though, all the fine detail that in another work would flesh out a plot-such as embroidery silk "the scarlet shade of the tip of butterflies' wings"-has nowhere to go.Copyright 2003 Reed Business Information, Inc.


From Booklist
With a harsh wit reminiscent of Mary McCarthy, prizewinning novelist Mantel writes about growing up Catholic in England, about her family secrets, school, work, and marriage, and about the chronic, excruciatingly painful illness that hit her at the age of 27. Without nostalgia, she remembers her childhood in a village community: "Every person oversaw the affairs of the next; and sniggered about them." Her self-mockery is just as entertaining, and she's honest about how hard it is to remember: "you can't make sense of childhood, only report it as it felt." She's enraged against the medical establishment that for years treated her physical symptoms as female neurosis caused by overambition. Yet with the fury and farce, she also writes with lyrical simplicity about loss. She remembers missing her dad after the family breakup: "He was never mentioned after we parted: except by me, to me. We never met again." Women's book groups will want this, and so will writers trying to tell their stories. Hazel Rochman
Copyright © American Library Association. All rights reserved


Review
"Dazzlingly written...a highly unorthodox account of what is essentially unsayable about the inward uncharted life."--Joyce Carol Oates, The New York Review of Books
"The matter is bitter, but Mantel's angular wit is as unquenchable as her anger; the reading experience is reliably exhilarating because of the sheer excellence of the writing."--New York Times Book Review
"Blazing insights [and] poetic discourses that rattle the soul...Mantel doesn't simply hit close to home, she knocks at our closets and opens our doors."--The Boston Globe
"Mantel's talents are stronger than her misfortunes...[this book comes] from the mind of a fine author, whose body has imposed its own terrible penances."--The Washington Post



Review
"Giving Up the Ghost combines the urgency and observation that steer a memoir into the heart of a reader's own experience. I have been touched and also enthralled by this fine book." -Carol Shields, author of The Stone Diaries and Unless

"A stunning evocation of an ill-fitting childhood and a womanhood blighted by medical ineptitude. Hilary Mantel's frank and beautiful memoir is impossible to put down and impossible to forget." -Clare Boylan, author of Beloved Stranger



Book Description
In postwar rural England, Hilary Mantel grew up convinced that the most improbable of accomplishments, including "chivalry, horsemanship, and swordplay," were within her grasp. Once married, however, she acquired a persistent pain that led to destructive drugs and patronizing psychiatry, ending in an ineffective but irrevocable surgery. There would be no children; in herself she found instead one novel, and then another.



About the Author
Hillary Mantel is the critically acclaimed author of eight novels, including A Change of Climate and Eight Months on Ghazzah Street. She lives in England.

FROM THE PUBLISHER