The crowning achievement of any professional writer is to get paid twice for the same material: write a piece for one publisher and then tweak it just enough that you can turn around and sell it to someone else. While it's specious to accuse Stephen Baxter and Arthur C. Clarke of this, fans of both authors will definitely notice some striking similarities between Light of Other Days and other recent works by the two, specifically Baxter's Manifold: Time and Clarke's The Trigger.

The Light of Other Days follows a soulless tech billionaire (sort of an older, more crotchety Bill Gates), a soulful muckraking journalist, and the billionaire's two (separated since birth) sons. It's 2035, and all four hold ringside seats at the birth of a new paradigm-destroying technology, a system of "WormCams," harnessing the power of wormholes to see absolutely anyone or anything, anywhere, at any distance (even light years away). As if that weren't enough, the sons eventually figure out how to exploit a time-dilation effect, allowing them to use the holes to peer back in time.

For Baxter's part, the Light of Other Days develops another aspect of Manifold's notion that humanity might have to master the flow of time itself to avert a comparatively mundane disaster (yet another yawn-inducing big rock threatening to hit the earth); Clarke, just as he did with Trigger's anti-gun ray, speculates on how a revolutionary technology can change the world forever. --Paul Hughes


From Publishers Weekly
HTwo titans of hard SF--multiple award-winning British authors Clarke (Rendezvous with Rama, etc.) and Baxter (The Time Ships, etc.)--team up for a story of grand scientific and philosophical scope. Ruthless Hiram Patterson, the self-styled "Bill Gates of the twenty-first century," brings about a communication revolution by using quantum wormholes to link distant points around Earth. Not content with his monopoly on the telecommunications industry, Patterson convinces his estranged son, David, a brilliant young physicist, to work for him. While humanity absorbs the depressing news that an enormous asteroid will hit Earth in 500 years, David develops the WormCam, which allows remote viewers to spy on anyone, anytime. The government steps in to direct WormCam use--but before long, privacy becomes a distant memory. Then David and his half-brother, Bobby, discover a way to use the WormCam to view the past, and the search for truth leads to disillusionment as well as knowledge. Only by growing beyond the mores of the present can humanity hope to survive and to deal with the threats of the future, including that asteroid. The exciting extrapolation flows with only a few missteps, and the large-scale implications addressed are impressive indeed. For both authors the novel's conclusion takes place in familiar thematic territory, offering a final, hopeful transcendence for humanity. With Clarke's and Baxter's names behind its potent story, this one could sell big--and to the movies as well as to the reading public. $250,000 ad/promo. (Feb.) Copyright 2000 Reed Business Information, Inc.


Review
"Arthur C. Clarke, Isaac Asimov and Robert Heinlein succeeded. . . and now Stephen Baxter joins their exclusive ranks, writing science fiction in which the science is right. A sheer pleasure to read."--New Scientist

"Extraordinarily rich in ideas."--Los Angeles Times

"A sweeping, mind-boggling read!"--Booklist

FROM OUR EDITORS

Big Brothers Are Watching

Legendary science fiction icon Arthur C. Clarke, who in recent years has cowritten The Trigger with Michael Kube-McDowell and several Rama novels with Gentry Lee (Rama II, Garden of Rama, Rama Revealed) collaborates here for the first time with British author Stephen Baxter (Moonseed, Voyage, Titan, and Manifold Time) on a powerful, near-future speculative story of our world on the brink of radical change. The authors envision what the social consciousness and culture shock of life would be like when all privacy is irrevocably gone. Driven by Clarke's vision and fleshed out by Baxter's easygoing narrative, The Light of Other Days is intriguing conjecture supported by deep-seated principles in a time when total indifference has taken root.

In the early 21st century, industrialist Hiram Patterson isn't content with his multimedia conglomerate called OurWorld and dedicates himself to further innovation. While attending an OurWorld event, journalist Kate Manzoni prepares to break a major story on Hiram's latest invention, which is shrouded in secrecy. Her previous cutting-edge bit of news was the disclosure of the Wormwood, a comet which is set on a collision course with Earth and destined to destroy all life on the planet in 500 years. Drug use, suicide, and apathy are at an all-time high across the globe.

Still, that doesn't stop Hiram from doing what he does best: making money off scientific breakthroughs. His latest invention, as Kate learns, is a "WormCam": a stabilized wormhole of atomic size that is only large enough to send a radio signal through. His next call of order is to enlarge the wormhole until it is big enough to allow for visual images. Hiram's long-abandoned son, David, a top physics scientist and devout Catholic, is called back to OurWorld in order to oversee the WormCam project.

The debonair Bobby Patterson, Hiram's younger son, is soon wooing Kate even while she uses him to get closer to Hiram's secrets. Bobby learns that the brain implant he had embedded as a child was actually designed to make him lack emotion and religious faith, as well as allow him to be easily coerced by his father. When Kate helps him to shut down the implant, Bobby is opened to a whole new world of exquisite love, anger, and pain. Eventually his brother David enlarges the WormCam until visual imagery is capable of traveling back and forth. David also determines that the WormCam is not only capable of bending space, but also time.

As Kate uses the WormCam in an attempt to take down a notorious religious leader who uses a deadly form of virtual reality on his followers despite its ill effects, she begins to make herself powerful enemies, among them Hiram. Bobby and Kate set out on personal missions intended to keep the wormholes out of the wrong hands and put them to use for mankind's benefit. However, that's easier said than done, as government agencies and corporate competitors learn of the invention and a chain reaction is started -- everyone spying on everyone else across the globe and across time.

Stephen Baxter deserves all the praise he's received in recent years for his thought-provoking and evocative novels. As a winner of the John W. Campbell Award, Baxter again proves he has what it takes to hold his own with such a visionary as Arthur C. Clarke. The authors are at ease fusing their ideas and techniques, moving between the hard-science elements and the credible, emotionally dense circumstances propelling the characters forward. The constant tension between Hiram, Kate, and Bobby is put to wonderful use, as Bobby sees life for the first time with an open soul. Possibly the strongest scene comes when Hiram realizes the WormCams can look backward into time. He turns a challenging gaze to the heavens for all the future watchers staring at him to see.

As the world undergoes extreme change and privacy is done away with, our protagonists are forced to take personal stands for their beliefs despite all the conflict taking place around them. This is made even more difficult for them by the ever-present threat of the Wormwood comet that will eventually decimate all life. The theme is a strong one: How hard will you strive for your ideals when the world is going to end in the not-so-distant future? How strong is your faith? Clarke and Baxter have given us a moving and believable story, bringing together various scientific threads and philosophical ideology. They not only grab the reader's interest but also fire one's imagination on how technology leads to radical social and political change.

The Light of Other Days doesn't sink under the inertia of the secular debates in the novel: Clarke and Baxter's unraveling of the intense subplots of faith and fear is impeccable. It's rare to find authors so cognizant of cultural transformation, who understand the ethical dilemmas that influence a world on the edge of upheaval in the name of progress. This is an enthralling inquiry into the effects of a major scientific breakthrough on values and belief systems; it will draw the reader into the brilliant light of powerful storytelling.

—Tom Piccirilli

FROM THE PUBLISHER

The new novel from the most famous science fiction writer alive -- writing with one of the hottest young SF authors of the decade.

Author of 2001: A Space Odyssey, A Childhood's End, The City and the Stars, and the Hugo and Nebula-winning Rendezvous with Rama, Arthur C. Clarke is, quite simply, one of the greatest science fiction writers of the century. He is -- with H. G. Wells, Isaac Asimov, and Robert A. Heinlein -- one of the writers who define science fiction in our time.

Now he joins forces with Stephen Baxter -- the John W. Campbell Award-winning author of The Time Ships and Voyage, called by Time Out "the most credible heir to the hard SF tradition previously monopolized by Clarke and Asimov" -- for a spectacular novel about nothing less than the transformation of humanity itself.

The Light of Other Days tells the tale of what happens when a brilliant, driven industrialist harnesses the cutting edge of quantum physics to enable people everywhere, at trivial cost, to see one another at all times: around every corner, through every wall, into everyone's most private, hidden, and even intimate moments. It amounts to the sudden and complete abolition of human privacy -- forever. Then, as society reels, the same technology proves able to look backwards in time as well. Nothing can prepare us for what this means. It is a fundamental change in the terms of the human condition. The Light of Days is the science-fiction event of the season...and a worthy addition to the shelf of Clarke's best work.

FROM THE CRITICS

Science Fiction Weekly

...a fascinating and engaging novel.

Publishers Weekly