From its opening pages, Anita Shreve's Sea Glass surrounds the reader in the surprisingly rich feeling of the New Hampshire coast in winter. Vividly evoking the life of the coastal community at the beginning of the Great Depression, Sea Glass shifts through the multiple points of view of six principal characters; it's a skillfully created story of braided lives that bounces easily (even inevitably) from character to character. We learn how these lives come together following the stock market crash of 1929 and about the struggles of mill workers on the starkly beautiful New Hampshire coast during the following year. At the novel's center is the story of Honora Beecher, a young newlywed who compulsively collects sea glass along the beach as she collects unexpected friendship in her new beachside community, and Francis, a boy who discovers a father figure in the towering character of McDermott, an Irish mill worker, at a time when he most needs direction. Each character finds unexpected new purpose beyond the struggle to survive during that turbulent year among the dunes. First their lives barely touch, then they intersect, and finally they become inextricably bound. By the powerful and unexpected final scenes of the story, every point of view, every brilliant shard of life depends deeply on all the others. It is a very satisfying read--confidently told and deeply felt--with as many subtle colors and reflections as the sea glass that permeates the narrative. --Paul Ford
From Publishers Weekly
In addition to spinning one of her most absorbing narratives, Shreve here rewards readers with the third volume in a trilogy set in the large house on the New Hampshire coast that figured in The Pilot's Wife and Fortune's Rocks. This time the inhabitants are a newly married couple, Sexton and Honora Beecher, both of humble origins, who rent the now derelict house. In a burst of overconfidence, slick typewriter salesman Sexton lies about his finances and arranges a loan to buy the property. When the 1929 stock market crash occurs soon afterward, Sexton loses his job and finds menial work in the nearby mills. There, he joins a group of desperate mill hands who have endured draconian working conditions for years, and now, facing extortionate production quotas and reduced pay, want to form a union. The lives of the Beechers become entwined with the strikers, particularly a principled 20-year-old loom fixer named McDermott and Francis, the 11-year-old fatherless boy he takes under his wing. A fifth major character is spoiled, dissolute socialite Vivian Burton, who is transformed by her friendship with Honora. As Honora becomes aware that Sexton is untrustworthy, she is drawn to McDermott, who tries to hide his love for her. The plot moves forward via kaleidoscopic vignettes from each character's point of view, building emotional tension until the violent, rather melodramatic climax when the mill owners' minions confront the strikers. Shreve is skilled at interpolating historical background, and her descriptions of the different social strata the millworkers, the lower-middle-class Sextons, the idle rich enhance a touching story about loyalty and betrayal, responsibility and dishonor. This is one of Shreve's best, likely to win her a wider audience. 6-city author tour. (Apr. 9) Forecast: Expectations of brisk sales, indicated by the one-day laydown, will likely be achieved. Readers should find timely resonance in the setting of 1920s economic turbulence.Copyright 2002 Cahners Business Information, Inc.
From Library Journal
Newlyweds Sexton and Honora Beecher have plenty of dreams, but they didn't plan on the stock market crash of 1929. Copyright 2001 Reed Business Information, Inc.
From AudioFile
SEA GLASS establishes a strong metaphor and keeps it going, with varying degrees of success. Newlywed Honora develops an interest in the colorful glass bits she finds on the beach, attracted by the color, depth and texture of what her husband Sexton calls "trash." But these thrown-away fragments have been made beautiful by the beatings they have taken and are too strong to break. Judith Ann Gantly gives a near perfect reading of a novel that is strongest when moving confidently forward as a piece of historical fiction and not languishing in the longings of romance. The tension of labor issues and the desperation brought about by the Depression make the story riveting, with the only flaws the lapses into melodrama as Sexton transforms into a neglectful husband and the upstart McDermott moves onto the scene. L.B.F. © AudioFile 2002, Portland, Maine-- Copyright © AudioFile, Portland, Maine
From Booklist
Shreve's latest is set during the 1920s in a New Hampshire house that has been featured in two of the author's previous novels, The Pilot's Wife (1998) and Fortune's Rocks (1999). After a three-month courtship, 20-year-old bank teller Honora marries 24-year-old typewriter salesman Sexton on a bright June day in 1929. They move into an abandoned house on the beach, which they have agreed to fix up in exchange for rent. Excited by the first heady days of their new marriage and their new life together, Honora and Sexton throw themselves into redecorating the house. When the owner of the house offers to sell it to them, they jump at the chance even though it will be a financial stretch. Their timing couldn't be worse. Within months, the stock market crashes, and their life changes completely when Sexton is forced to take a brutal, low-paying job in the local mill. In contrast to the riveting story lines of Shreve's previous titles, the plot is a bit thinner here. Yet the characters are compelling, especially the hard-living, smart-mouthed socialite Vivian and the reticent union activist McDermott. Even as Shreve stays resolutely on the surface of her story, readers will respond to her well-crafted prose. Fine entertainment. Joanne Wilkinson
Copyright © American Library Association. All rights reserved
Sea Glass FROM OUR EDITORS
The Barnes & Noble Review
Few writers are able to straddle the genres of popular and literary fiction. Although marriage, adversity, and resilience are conventional themes in both, much popular fiction relies on standardized plot twists or gimmicks to attract its readership. Novelists like Anita Shreve, however, don't require either of those contrivances to form a large and loyal following. Again and again, her touching stories defy classification and offer an incredible richness of emotional complexity.
In the textile-manufacturing region of New Hampshire in 1929, newlyweds Honora and Sexton Beecher wrestle with all the wonders and challenges that young couples have always faced. They've just purchased a house near the ocean that needs a lot of work, but the couple is dedicated to making it a home. When the economy fails and a single unscrupulous act perpetrated by Sexton is revealed, more than love will be required to keep the marriage from collapsing under the weight of this betrayal. Sexton -- formerly a traveling salesman -- is forced to take a job at the local mill alongside other men, women, and children whose very survival is being threatened by the harsh burden of their daily toil. Repeated pay cuts and inhumane conditions propel the workers closer to a potentially violent clash with management and union breakers. Alliances are formed, honor is challenged, and character flaws become fatal as the tinderbox explodes, leaving old bonds broken and new ones bolstered.
Momentum builds steadily in this beautifully developed story, unfettered by needless machinations. Shreve deftly weaves the lives of a diverse collection of characters into a tapestry that is rich with the complete range of human emotion and lush with tactile nuance. (Ann Kashickey)
FROM THE PUBLISHER
"It is a house on the beach. Honora doesn't mind renting - despite its age and all its flaws, the old house is the perfect place for a new marriage. She and Sexton throw themselves into fixing it up, just as they throw themselves into their new life together. Each morning, Honora collects sea glass washed up on the shore, each piece carrying a different story in its muted hues." "Sexton finds a way to buy the house, but his timing is perfectly wrong. The economy takes a sickening plunge, and as financial pressures mount, Honora begins to see how little she knows this man she has married - and to realize just how threatening the world outside her front door can be." Like those translucent shards that Honora finds on the beach, Sea Glass is layered with the textures, colors, and voices of another time. There is Vivian, an irreverent Boston socialite who becomes Honora's closest friend even as she rejects every form of convention. McDermott, a man who works in a nearby mill, presses Honora's deepest notions of trust - even as he embroils her in a dangerous dispute. And there's Alphonse, a boy whose openness becomes the bond that holds these people together as their world is flying apart.
SYNOPSIS
From the international bestselling author comes a moving new novel about marriage, memory, and troubled times.
FROM THE CRITICS
Book Magazine
Shreve's latest novel concerns a hastily married young couple who set themselves up in a house on the New Hampshire coast on the eve of the 1929 stock market crash. Honora is virtuous, self-reliant, hardworking, thoroughly good; her husband, Sexton, is precisely none of these things. The relationship goes sour before there's been much of a honeymoon, and the story plays out at a deft pace, accumulating momentum one slight, sure-handed chapter at a time. Before long, Honora will befriend a bored Boston socialite named Vivian, feel a dangerous affection for a local mill worker named McDermott and find herself immersed in the planning of a strike. She'll also develop a habit of collecting sea glassthe random bits of broken glassware that wash up on the shore and serve, throughout the book, to inspire some heavy-handed metaphors. Shreve is at her best when describing the Depression years and depicting the history of Honora's ramshackle, vulnerable house. (The house is familiar Shreve territory, as it made an appearance in her earlier bestsellers, The Pilot's Wife and Fortune's Rocks.) Unfortunately, the characters themselves are not convincing or compelling; they are either all good or all bad, yet they tend to sound somewhat the same. Beth Kephart
Publishers Weekly
In addition to spinning one of her most absorbing narratives, Shreve here rewards readers with the third volume in a trilogy set in the large house on the New Hampshire coast that figured in The Pilot's Wife and Fortune's Rocks. This time the inhabitants are a newly married couple, Sexton and Honora Beecher, both of humble origins, who rent the now derelict house. In a burst of overconfidence, slick typewriter salesman Sexton lies about his finances and arranges a loan to buy the property. When the 1929 stock market crash occurs soon afterward, Sexton loses his job and finds menial work in the nearby mills. There, he joins a group of desperate mill hands who have endured draconian working conditions for years, and now, facing extortionate production quotas and reduced pay, want to form a union. The lives of the Beechers become entwined with the strikers, particularly a principled 20-year-old loom fixer named McDermott and Francis, the 11-year-old fatherless boy he takes under his wing. A fifth major character is spoiled, dissolute socialite Vivian Burton, who is transformed by her friendship with Honora. As Honora becomes aware that Sexton is untrustworthy, she is drawn to McDermott, who tries to hide his love for her. The plot moves forward via kaleidoscopic vignettes from each character's point of view, building emotional tension until the violent, rather melodramatic climax when the mill owners' minions confront the strikers. Shreve is skilled at interpolating historical background, and her descriptions of the different social strata the millworkers, the lower-middle-class Sextons, the idle rich enhance a touching story about loyalty and betrayal, responsibility and dishonor. This is one of Shreve's best, likely to win her a wider audience. 6-city author tour. (Apr. 9) Forecast: Expectations of brisk sales, indicated by the one-day laydown, will likely be achieved. Readers should find timely resonance in the setting of 1920s economic turbulence. Copyright 2001 Cahners Business Information.
KLIATT - Sherri Forgash Ginsberg
The author claims, rightly so, that old houses contain many interesting stories about their inhabitants. Shreve writes about the same house here that serves as a background for her novels The Pilot's Wife and Fortune's Rocks. The house, itself, does not play a big role in this tale, but nonetheless it is a character in its own way. Honora, McDermott, Vivian, Sexton, Alphonse and Alice are the main players, with each chapter concentrating on one of themᄑshort chapters with crisp dialogue. The story begins in 1929, an eventful year with the stock market crashing in October. Honora and Sexton are barely in their 20s, and after a brief courtship they are married. He's a salesman on the road but usually takes her with him. They enjoy a comfortable life and buy a house on the beach, where Honora begins collecting the glass that washes up on the sand with each smashing wave. The reader quickly becomes emerged in the idyllic setting and the passion of the characters, and enthralled with the hardships of the mill workers. The author conveys her story with just the right touches of drama. KLIATT Codes: SAᄑRecommended for senior high school students, advanced students, and adults. 2002, Little, Brown, Back Bay, 376p.,
Library Journal
Newlyweds Sexton and Honora Beecher have plenty of dreams, but they didn't plan on the stock market crash of 1929. Copyright 2001 Cahners Business Information.
AudioFile
It's 1929 in a beachside community in New Hampshire. Honora Beecher, newly wed, collects bits of ocean-tumbled glass as her marriage falters and she and her husband become involved in a nearby milltown strike. The tale is told in segments bearing the names of five people whose interaction pushes the plot to its tragic climax and ultimate resolution. Kyra Sedgwick reads with warmth and empathy; the developing relationships between Honora, a millworker activist, and a fatherless boy are well handled, as is her take on Vivian, the likable playgirl socialite. Shards of music pop up but don't add much. The recording includes an introduction by the author, explaining why she has set three novels in the same house. J.B.G. (c) AudioFile 2003, Portland, Maine
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