From AudioFile
Ellen Gilchrist's short stories have been loved and followed by warmly partisan readers for almost twenty years. Both newcomers and those who know her work well will be delighted by the richness and impact of this collection. Chosen by the author herself, the stories follow recurring characters like parallel threads in the warp of a fabric; the weft is provided by Gilchrist's distinctive voice, humor, and talent. Except for her distracting habit of attaching the final consonant of one word to the beginning of the next one ("Lisa an' Di? Lisa an' die?" Oh, "Lisa and I."), Mary Peiffer's reading is sympathetic and thoroughly likable. B.G. © AudioFile 2001, Portland, Maine-- Copyright © AudioFile, Portland, Maine


From Booklist
Gilchrist's celebrated writing life began with a book of short stories, In the Land of the Dreamy Dreams (1984), and her second collection, Vic tory over Japan, won the 1985 National Book Award. She has switched back and forth between novels and short stories ever since, and her dulcet yet tensile voice has become an integral part of American literature. Gilchrist has now selected 34 of her favorite stories from seven collections to create a potent and pleasingly cohesive volume that showcases her deep sense of place and, the most salient feature of her work, her lusty, unpredictable, and unapologetic heroines. Gilchrist's women have refused to be contained within single stories. No matter how often she finds someone new to write about, and how far away she moves from the settings she knows best, and which she so affectionately yet critically portrays, such as Fayetteville, Arkansas, and New Orleans, her feisty and outspoken heroines track her down and insist on continuing their lives. Here, readers first meet the fearless and competitive Rhoda Katherine Manning as an ambitious third-grader and follow her through an elegant adulthood of extravagant gestures and determined independence. Nora Jane Whittington, a self-declared anarchist, leaves New Orleans for San Francisco, where she wins the adoration of the heroic Freddy Harwood, learns all about earthquakes, and becomes the mother of twin girls. And then there's Miss Crystal and her sharp-eyed maid, Traceleen. In each intriguing tale, Gilchrist brilliantly illuminates some quirky aspect of human nature, whether it's the territorial instinct at work in a snooty tennis club, the need for poetry and music, marital friction, the complexities of race, or the mysteries of love, all the while granting readers the boon of her humor, wisdom, and beautifully crafted prose. Donna Seaman
Copyright © American Library Association. All rights reserved

FROM THE PUBLISHER

For the first time, a compilation of Ellen Gilchrist's best and best-loved short stories, selected by the author herself from her fifteen previous works of fiction.

With the publication of 1983's The Annunciation, Ellen Gilchrist established herself as a teller of charming, bittersweet tales of the modern South. Since then, her works of fiction - sixteen in all - have built up a solid base of dedicated fans. With her uncanny insights into human character and the bittersweet complications of love, Ellen Gilchrist occupies a unique place in American fiction.

FROM THE CRITICS

Book Magazine

In one of Gilchrist's sublimely mellow short stories, a resourceful housemaid describes meeting the teen-aged son of her employer, a wealthy woman just married for the second time: "￯﾿ﾽI'm Traceleen,' I said. ￯﾿ﾽI'm going to be the maid.' ￯﾿ﾽI'm King,' he said. ￯﾿ﾽI'm going to be the stepchild.'" This brief exchange, wryly funny and straightforward, is absolutely typical of Gilchrist's characters, who, whatever their shortcomings, always have a keen sense of who they are. One story even centers on a resourceful young woman named Nora Jean who, desperate to join her no-good boyfriend, robs a bar in New Orleans and escapes dressed as a nun. Wealthy or dirt poor, these characters share an invigorating sense of finding something to savor in their circumstances. Gilchrist makes harmony and generosity inherently suspenseful, because once such blessings appear we become anxious for them to continue. We read, too, for the pleasure of recognition, for the rapid, easy perfection with which Gilchrist establishes a scene. With thirty-four stories weighing in at over 500 pages, no one could call this a slim volume, and yet the recollection of other wonderful stories necessarily omitted bring to mind the words of Jane Austen: "If a book is well written, I always find it too short." By that measure this collection is short indeed. —Penelope Mesic

Library Journal

Gilchrist's characters are real to her, as is evidenced by the selections she has made from seven previous works (e.g., The Courts of Love) to include in this collection. She has imagined entire lives, and her stories visit and revisit them at various points from childhood to late middle age. These characters have networks of relatives and friends, some of whom pop up unexpectedly in other stories. Readers will enjoy getting to know the irrepressible Rhoda Manning and her brother and cousins, Nora Jane and her twins, Miss Crystal and her chatty maid Traceleen. Gilchrist is an important voice in contemporary Southern fiction, and this book belongs in every library. Highly recommended.--Christine DeZelar-Tiedman, New Brighton, MN Copyright 2000 Cahners Business Information.

Katherine Dieckmann - New York Times Book Review

Few writers are as adept at spinning funny, slyly insightful tales that radiate outward like tiny satellites, orbiting a fictional universe that mirrors the more unpredictable and tellingly human moments in our own.

Kirkus Reviews

A selection of short stories, chosen by Gilchrist (Sarah Conley, 1997, etc.) herself from every period of her career: one of those authoritative "big books" meant to be a compilation of the best that has gone before rather than something new. Anyone who's familiar with Gilchrist will find her usual themes—southern bonhomie, wistful middle-aged lust, and lyric humor—in abundance from the very earliest pieces (The Land of Dreamy Dreams, 1985) to the most recent (Flights of Angels, 1998). Since this is obviously a volume aimed at fans, most of the quibbles it arouses will be over what's left out rather than what's included. Where, for example, is "A Man Who Looked Like Me" (the lost-love lament from The Courts of Love, 1996) or "Paris" (Rhoda goes abroad in The Age of Miracles, 1995)? Still, the 34 stories that do make the cut have enough familiar faces to satisfy most loyal followers. Prime cuts of choice prose.Krabbé, Tim THE CAVE Trans. by Sam Garrett Farrar, Straus & Giroux (160 pp.) Oct. 2000