From Publishers Weekly
If a copy (often unread) of The Name of the Rose on the coffee table was a badge of intellectual superiority in 1983, Eco's second novel--also an intellectual blockbuster--should prove more accessible. This complex psychological thriller chronicles the development of a literary joke that plunges its perpetrators into deadly peril. The narrator, Casaubon, an expert on the medieval Knights Templars, and two editors working in a branch of a vanity press publishing house in Milan, are told about a purported coded message revealing a secret plan set in motion by the Knights Templars centuries ago when the society was forced underground. As a lark, the three decide to invent a history of the occult tying a variety of phenomena to the mysterious machinations of the Order. Feeding their inspirations into a computer, they become obsessed with their story, dreaming up links between the Templars and just about every occult manifestation throughout history, and predicting that culmination of the Templars' scheme to take over the world is close at hand. The plan becomes real to them--and eventually to the mysterious They, who want the information the trio has "discovered." Dense, packed with meaning, often startlingly provocative, the novel is a mixture of metaphysical meditation, detective story, computer handbook, introduction to physics and philosophy, historical survey, mathematical puzzle, compendium of religious and cultural mythology, guide to the Torah (Hebrew, rather than Latin contributes to the puzzle here, but is restricted mainly to chapter headings), reference manual to the occult, the hermetic mysteries, the Rosicrucians, the Jesuits, the Freemasons-- ad infinitum . The narrative eventually becomes heavy with the accumulated weight of data and supposition, and overwrought with implication, and its climax may leave readers underwhelmed. Until that point, however, this is an intriguing cerebral exercise in which Eco slyly suggests that intellectual arrogance can come to no good end. Copyright 1989 Reed Business Information, Inc.


From Library Journal
Student of philology in 1970s Milan, Casaubon is completing a thesis on the Templars, a monastic knighthood disbanded in the 1300s for questionable practices. At Pilades Bar, he meets up with Jacopo Belbo, an editor of obscure texts at Garamond Press. Together with Belbo's colleague Diotallevi, they scrutinize the fantastic theories of a prospective author, Colonel Ardenti, who claims that for seven centuries the Templars have been carrying out a complex scheme of revenge. When Ardenti disappears mysteriously, the three begin using their detailed knowledge of the occult sciences to construct a Plan for the Templars--only to discover too late that the Plan they have invented is in fact real. In his compulsively readable new novel, Eco plays with "the notion that everything might be mysteriously related to everything else," suggesting that we ourselves create the connections that make up reality. As in his best-selling The Name of the Rose, he relies on abstruse reasoning without losing the reader, for he knows how to use "the polyphony of ideas" as much for effect as for content. Indeed, with its investigation of the ever-popular occult, this highly entertaining novel should be every bit as successful as its predecessor. Previewed in Prepub Alert, LJ 6/1/89. -- Barbara Hoffert, "Library Journal"Copyright 1989 Reed Business Information, Inc.


Book Description
"As brilliant and quirky as THE NAME OF THE ROSE, as mischievous and wide-raning....A virtuoso performance."
THE SAN FRANCISCO CHRONICLE
Three clever book editors, inspired by an extraordinary fable they heard years befoe, decide to have a little fun. Randomly feeding esoteric bits of knowledge into an incredible computer capable of inventing connections between all their entires, they think they are creating a long lazy game--until the game starts taking over....
Here is an incredible journey of thought and history, memory and fantasy, a tour de force as enthralling as anything Umberto Eco--or indeed anyone--has ever devised.




Language Notes
Text: English, Italian (translation)


From the Publisher
If you love mind gaems, intricate puzzles, the curiousities of history, and strange imaginings, you'll be fascinated by FOUCAULT'S PENDULUM, an elaborate maze of a book by the author of the huge bestseller THE NAME OF THE ROSE.
There are demonstraton models of Foucault's Pendulum in science museums across the United States and in Europe - my favorite is at the Musee des Arts et Metiers in Paris - a museum of technology and human endeavor lodged in an ancient clerical building - it's a fabulous combination of the practical and the metaphysical.
Teri Henry, Director, Subsidiary Rights


From the Inside Flap
"As brilliant and quirky as THE NAME OF THE ROSE, as mischievous and wide-raning....A virtuoso performance."
THE SAN FRANCISCO CHRONICLE
Three clever book editors, inspired by an extraordinary fable they heard years befoe, decide to have a little fun. Randomly feeding esoteric bits of knowledge into an incredible computer capable of inventing connections between all their entires, they think they are creating a long lazy game--until the game starts taking over....
Here is an incredible journey of thought and history, memory and fantasy, a tour de force as enthralling as anything Umberto Eco--or indeed anyone--has ever devised.

ANNOTATION

Three clever editors have spent too much time reviewing crackpot manuscripts. On a lark, the editors begin randomly feeding bits of knowledge into an incredible computer capable of inventing connections between all their entries. What they believe they are creating is a lazy game--until the game takes over.

FROM THE PUBLISHER

A superb cerebral entertainment about three editors who cook up a hoax-involving the Templar Knights, Stonehenge, the Cabala, and Brazilian voodoo, among other things-that suddenly becomes all too real.

FROM THE CRITICS

Publishers Weekly

If a copy (often unread) of The Name of the Rose on the coffee table was a badge of intellectual superiority in 1983, Eco's second novel--also an intellectual blockbuster--should prove more accessible. This complex psychological thriller chronicles the development of a literary joke that plunges its perpetrators into deadly peril. The narrator, Casaubon, an expert on the medieval Knights Templars, and two editors working in a branch of a vanity press publishing house in Milan, are told about a purported coded message revealing a secret plan set in motion by the Knights Templars centuries ago when the society was forced underground. As a lark, the three decide to invent a history of the occult tying a variety of phenomena to the mysterious machinations of the Order. Feeding their inspirations into a computer, they become obsessed with their story, dreaming up links between the Templars and just about every occult manifestation throughout history, and predicting that culmination of the Templars' scheme to take over the world is close at hand. The plan becomes real to them--and eventually to the mysterious They, who want the information the trio has ``discovered.'' Dense, packed with meaning, often startlingly provocative, the novel is a mixture of metaphysical meditation, detective story, computer handbook, introduction to physics and philosophy, historical survey, mathematical puzzle, compendium of religious and cultural mythology, guide to the Torah (Hebrew, rather than Latin contributes to the puzzle here, but is restricted mainly to chapter headings), reference manual to the occult, the hermetic mysteries, the Rosicrucians, the Jesuits, the Freemasons-- ad infinitum . The narrative eventually becomes heavy with the accumulated weight of data and supposition, and overwrought with implication, and its climax may leave readers underwhelmed. Until that point, however, this is an intriguing cerebral exercise in which Eco slyly suggests that intellectual arrogance can come to no good end.

Library Journal

Eco, an Italian philosopher and bestselling novelist, is a great polymathic fabulist in the tradition of Swift, Voltaire, Joyce, and Borges. The Name of the Rose, which sold 50 million copies worldwide, is an experimental medieval whodunit set in a monastic library. In 1327, Brother William of Baskerville arrives to investigate heresy among the monks in an Italian abbey; a series of bizarre murders overshadows the mission. Within the mystery is a tale of books, librarians, patrons, censorship, and the search for truth in a period of tension between the Papacy and the Holy Roman Empire. The book became a hit despite some obscure passages and allusions. This deftly abridged version, ably performed by Theodore Bikel, retains the genius of the original but is far more accessible.

Foucault's Pendulum, Eco's second novel, is a bit irritating. The plot consists of three Milan editors who concoct a series on the occult for an unscrupulous publishing house that Eco ridicules mercilessly. The work details medieval phenomena including the Knights Templar, an ancient order with a scheme to dominate the world. Unfortunately, few listeners will make sense of this failed thriller. -- James Dudley, Copiague, New York

San Francisco Chronicle

As brilliant and quirky as The Name of the Rose, as mischievous and wide-raning....A virtuoso performance.

New York Times Books of the Century