Author Jeff Shaara rounds out the Civil War trilogy started by his late father Michael Shaara, whose book The Killer Angels describes the Battle of Gettysburg. Just as Jeff Shaara's Gods and Generals covers action prior to Gettysburg, The Last Full Measure picks up with Confederate General Robert E. Lee's retreat from Pennsylvania and continues through the end of the war. Shaara focuses on the characters of Lee and Union commander Joshua Lawrence Chamberlain, both of whom play prominent roles in the earlier books. He also introduces a new one: Ulysses S. Grant, the Union general who would finally defeat the South--something no soldier before him could manage. The Last Full Measure is often exciting and poignant, and fans of The Killer Angels and Gods and Generals won't be disappointed.


From Publishers Weekly
Concluding the Civil War trilogy that began with his father Michael's Pulitzer-winning The Killer Angels, Shaara (Gods and Generals) chronicles Lee's retreat from Gettysburg and his valiant efforts to defend northern Virginia from Grant's superior, better-supplied forces. Seen alternately through the eyes of Lee, Grant and Maine abolitionist Colonel Joshua Lawrence Chamberlain, the narrative begins with the successful Union ambush at Bristoe Station in October 1863. It then details Lee's 18-month cat-and-mouse game as he outmaneuvers Grant, despite overwhelming odds and terrible deprivation, concludes with Lee's surrender at Appomattox. Impressively researched, this deeply affecting work can't be faulted for inaccuracy or lack of detail. But the occasionally coarse grain of Shaara's characterizations is a problem. Haunted by Stonewall Jackson's ghost, 56-year-old Lee frequently appears to be a semisenile neurotic. Grant, more concerned about his supply of cigars than battle losses, comes across as a dolt. This tendency toward caricature notwithstanding, Shaara has produced a stirring epigraph to his father's remarkable novel. Major ad/promo; first serial to Civil War Times Illustrated; BOMC and QPB alternates; author tour. Copyright 1998 Reed Business Information, Inc.


From Library Journal
The late Michael Shaara's The Killer Angels (LJ 9/1/74), about the Battle of Gettysburg, is a classic Civil War novel. His son Jeff has written two novels that bracket it and complete a trilogy about the Civil War in the East. In his Gods and Generals (LJ 3/15/95), Shaara followed the fortunes of several men destined to fight one another in the great battles of Antietam and Chancellorsville, and in this book he writes about the course of the war in Virginia from Lee's retreat from Gettysburg to his surrender at Appomattox Court House. Ulysses S. Grant has come East to assume command of all Federal forces and to confront Lee, and the war they make is marked by such horrendous battles as The Wilderness and Spotsylvania. As characters, Grant and Lee dominate this book, overshadowing such other historical figures as Joshua Lawrence Chamberlain and John Gordon. Civil War buffs will find Shaara nodding on some small details, but they generally will be delighted with this book. More general readers, however, may find it lacks the dramatic intensity of his father's riveting novel. While not ranking with the very best Civil War fiction, it does take its place along side such fine ones as William Safire's Freedom (Doubleday, 1987).-ACharles Michaud, Turner Free Lib., Randolph, MACopyright 1998 Reed Business Information, Inc.


The Washington Post Book World, Mark A. Bradley
If the true test of a work on the Civil War is to add something new to the established canon, Jeff Shaara's The Last Full Measure is a failure.... Although it is billed as a novel written by a storyteller and not a historian, it straddles that hazy no man's land between fact and fiction--a dangerous zone for any author who insists on using real characters and actual events already much written about and enshrined in some very good biographies and histories.


From AudioFile
The vision of Michael Shaara's trilogy about the Civil War is completed here by his son. After the Battle of Gettysburg, detailed in The Killer Angels, the generals on both sides still had many bloody battles to fight before the surrender at Appomattox. Following the style of the earlier volumes, the scenes alternate between the Northern and Southern camps, often recounting overlapping time periods. The abridgment has no ordering elements, such as chapter breaks, and it is occasionally unclear which side he's discussing. Stephen Lang presents a very grand view of the action and the characters. The intensity in his portrayal best suits the narrative when he's describing a battle. The subtle reflections of the characters are overshadowed as they are all swept up in the grandeur and pathos. R.F.W. (c)AudioFile, Portland, Maine


From Booklist
Shaara capitalized on his father Michael's hugely popular Civil War novel The Killer Angels (1974) by writing a prequel (Gods and Generals, 1996). A sequel was natural since Gods was a best-seller for a few months. It resumes with Lee's retreat from Gettysburg and continues to his surrender at Appomattox. Perhaps the feature that makes the Shaaras so popular is their credible re-creation of the interior dialogue and attitudes of the Civil War's famous military figures; here, they are Lee, James Longstreet, Grant, and Joshua Chamberlain. The point is exemplified in Shaara's characterizations of the pressures in his leaders' lives: Lee expresses his frustrations about the course and length of the war within a fatalistic, thy-will-be-done religiosity, and Grant expresses his by bemoaning the incompetence of his officers. This aspect of the novel is supported by the texture of his battle scenes, rendered loudly, muddily, and bloodily. That's a captivating combination even for (especially for?) those Civil War^-roundtable types who can talk an ear off about every regiment and all their equipage used at the Battles of the Wilderness, Spotsylvania, Cold Harbor, Crater, Five Forks . . . With massive publicity in store, biblio-quartermasters should stockpile accordingly. Gilbert Taylor


From Kirkus Reviews
Concluding volume of the Shaara family's lightly fictionalized chronicle of the Civil War, one of the more unusual (and successful) recent projects in publishing. Michael Shaara (who died in 1998) wrote the Pulitzer-winning The Killer Angels (1974), a novel that dealt with the pivotal three-day battle of Gettysburg, and matched a shrewd reading of character to careful research. In 1996, Shaara's son issued Gods and Generals, a fictional treatment of the war's early years. This new story traces the war's sad progress from a few days after Lee's retreat from Gettysburg until his surrender, in 1865, at Appomattox Courthouse. While The Killer Angels used the war to probe basic issues of human nature, the more recent works in the series are more focused on catching the war's day-to-day reality, which they do quite successfully. Both focus largely on the experiences and reflections of a group of officers, Union and Confederate, at the center of the fighting. This time out, Ulysses S. Grant and Robert E. Lee are principal characters, and Shaara is careful to hew closely to the historical record in describing their moods, thoughts, and actions. Through their eyes, and the eyes of a half a dozen other figures, we follow the bloody campaigns in the Wilderness, the siege of Petersburg, the collapse of Southern resistance, and the surrender of Lee's army, in a scene rendered with great precision and vigor. Shaara's battle episodes nicely balance an admirable grasp of strategy with an understanding of the war's horror and cost. While it's hard to see how the younger Shaara's books offer anything new as either fiction or history on the subject, their swift pace and great accuracy do make for a vivid--and sometimes moving -- review of a defining moment in American history. (First serial to Civil War Times Illustrated; Book-of-the-Month Club/Quality Paperback Book Club alternate selection; author tour) -- Copyright ©1998, Kirkus Associates, LP. All rights reserved.


Review
"Riveting . . . Vivid . . . Brilliantly depicted. . . . THE LAST FULL MEASURE IS MORE THAN ANOTHER HISTORICAL NOVEL. It is rooted in history, but its strength is the element of humanity flowing through its characters. . . . The book is compelling, easy to read, well researched and written, and thought-provoking. . . . In short, it is everything that a reader could ask for."
--Chicago Tribune

"A WORTHY COMPANION TO ITS TWO PREDECESSORS . . . These characters come alive as complex, heroic, and flawed men. . . . You are with [Robert E.] Lee, a deeply religious man, as he first begins to wonder if the Confederate cause will prevail. . . . You ride with [Ulysses S.] Grant to see the mounds of Union dead at Cold Harbor, and you share his sickening realization that thousands are dead because of his miscalculation. . . . You are at [Joshua] Chamberlain's bedside as he fights to recover from nearly mortal wounds. . . . Each book is masterful in its own way and taken together, they are unmatched in the body of Civil War literature."
--The Baltimore Sun

"AN AMBITIOUS WORK . . . [Shaara] writes with considerable sensitivity and skill, setting vivid scenes and adding drama and suspense to a familiar tale."
--The Seattle Times

"Exhaustively researched, infused with a profound understanding of the great issues of a nation and the small quirks of the human heart and ego, The Last Full Measure is fiction that brings history brilliantly to life."
--Newsday


From the Paperback edition.


Review
"Riveting . . . Vivid . . . Brilliantly depicted. . . . THE LAST FULL MEASURE IS MORE THAN ANOTHER HISTORICAL NOVEL. It is rooted in history, but its strength is the element of humanity flowing through its characters. . . . The book is compelling, easy to read, well researched and written, and thought-provoking. . . . In short, it is everything that a reader could ask for."
--Chicago Tribune

"A WORTHY COMPANION TO ITS TWO PREDECESSORS . . . These characters come alive as complex, heroic, and flawed men. . . . You are with [Robert E.] Lee, a deeply religious man, as he first begins to wonder if the Confederate cause will prevail. . . . You ride with [Ulysses S.] Grant to see the mounds of Union dead at Cold Harbor, and you share his sickening realization that thousands are dead because of his miscalculation. . . . You are at [Joshua] Chamberlain's bedside as he fights to recover from nearly mortal wounds. . . . Each book is masterful in its own way and taken together, they are unmatched in the body of Civil War literature."
--The Baltimore Sun

"AN AMBITIOUS WORK . . . [Shaara] writes with considerable sensitivity and skill, setting vivid scenes and adding drama and suspense to a familiar tale."
--The Seattle Times

"Exhaustively researched, infused with a profound understanding of the great issues of a nation and the small quirks of the human heart and ego, The Last Full Measure is fiction that brings history brilliantly to life."
--Newsday


From the Paperback edition.


Book Description
In the Pulitzer prize-winning classic The Killer Angels, Michael Shaara created the finest Civil War novel of our time, an enduring bestseller that has sold more than two million copies. In the bestselling Gods and Generals, Shaara's son, Jeff, brilliantly sustained his father's vision, telling the epic story of the events culminating in the Battle of Gettysburg. Now, Jeff Shaara brings this legendary father-son trilogy to its stunning conclusion in a novel that brings to life the final two years of the Civil War.

As The Last Full Measure opens, Gettysburg is past and the war advances to its third brutal year. On the Union side, the gulf between the politicians in Washington and the generals in the field yawns ever wider. Never has the cumbersome Union Army so desperately needed a decisive, hard-nosed leader. It is at this critical moment that Lincoln places Ulysses S. Grant in command--and turns the tide of war.

For Robert E. Lee, Gettysburg was an unspeakable disaster--compounded by the shattering loss of the fiery Stonewall Jackson two months before. Lee knows better than anyone that the South cannot survive a war of attrition. But with the total devotion of his generals--Longstreet, Hill, Stuart--and his unswerving faith in God, Lee is determined to fight to the bitter end.

Here too is Joshua Chamberlain, the college professor who emerged as the Union hero of Gettysburg--and who will rise to become one of the greatest figures of the Civil War.

Battle by staggering battle, Shaara dramatizes the escalating confrontation between Lee and Grant--complicated, heroic, deeply troubled men. From the costly Battle of the Wilderness to the agonizing siege of Petersburg to Lee's epoch-making surrender at Appomattox, Shaara portrays the riveting conclusion of the Civil War through the minds and hearts of the individuals who gave their last full measure.

Full of human passion and the spellbinding truth of history, The Last Full Measure is the fitting capstone to a magnificent literary trilogy.


From the Publisher
THE LAST FULL MEASURE is a very different book from GODS AND GENERALS and THE KILLER ANGELS. Like GODS AND GENERALS, the book does take place over a span of years, taking up with Lee's retreat from Gettysburg in July, 1863, to the end of the war almost two years later. But unlike the first two books in the father-and-son Civil War trilogy, most of the connections between the North and South have been torn asunder. Stonewall Jackson is dead. Lewis Armistead is dead. Longstreet is wounded. Hancock is wounded. Chamberlain is wounded. And the biggest change is that the Confederacy now begins to lose the war. They may be able to fight battles to a draw, or even to win them, but they no longer advance, they no longer can invade the North to threated Washington. Every battle is a costly one--they cannot replace their soldier as the more populous North can. They are ill-equipped, ill-fed, ill-clad. But they are well led.

Then that advantage disappears, with the appointment of Ulysses Grant as Lieutenant General of the U.S. Army. Unlike Meade, he doesn't retreat after a battle--he pushed forward. He doesn't fight to win Richmond, he goes after Lee. He is called a butcher, but he is a pragmatist. The only way to win the war is to press his advantage--he can replace his men, he can feed them, and he can clothe and supply them. After chasing Lee's army across the Virginia countryside, then bottling Lee up in the Seige of Petersburg, Grant knows it is only a matter of time.

The toughest job I had as an editor was to make sure the connections--whatever remained--between the North and South were prominent. I had Jeff write in a Hancock chapter during the battle of the Wilderness. Hancock is such a large part of G&G and KA that he had to make an appearance in LFM. His farewell to Grant, when he must leave the army due to his injuries is a very good little scene. I also had Jeff add more about Grant when Longstreet discusses him with Lee. Longstreet was the best man at Grant's wedding, and they served together in the 1850s. One moment is when Longstreet muses about the Army productions of Shakespeare--performed by all men--and laughs at the thought of Grant as Desdemona or Ophelia because he was the only one small enough to fit into the dresses!

THE LAST FULL MEASURE is a much sadder book, of course. The South is broken, and Lee simply cannot make a fight by the end. However, it is the remarkable Chamberlain who begins the healing process, reconnecting the North with the South by order his men to present arms when the Army of Northern Virginia marches by to stack their muskets and furl their battle flags for the last time.

Doug Grad, Editor


From the Inside Flap
In the Pulitzer prize-winning classic The Killer Angels, Michael Shaara created the finest Civil War novel of our time, an enduring bestseller that has sold more than two million copies. In the bestselling Gods and Generals, Shaara's son, Jeff, brilliantly sustained his father's vision, telling the epic story of the events culminating in the Battle of Gettysburg. Now, Jeff Shaara brings this legendary father-son trilogy to its stunning conclusion in a novel that brings to life the final two years of the Civil War.

As The Last Full Measure opens, Gettysburg is past and the war advances to its third brutal year. On the Union side, the gulf between the politicians in Washington and the generals in the field yawns ever wider. Never has the cumbersome Union Army so desperately needed a decisive, hard-nosed leader. It is at this critical moment that Lincoln places Ulysses S. Grant in command--and turns the tide of war.

For Robert E. Lee, Gettysburg was an unspeakable disaster--compounded by the shattering loss of the fiery Stonewall Jackson two months before. Lee knows better than anyone that the South cannot survive a war of attrition. But with the total devotion of his generals--Longstreet, Hill, Stuart--and his unswerving faith in God, Lee is determined to fight to the bitter end.

Here too is Joshua Chamberlain, the college professor who emerged as the Union hero of Gettysburg--and who will rise to become one of the greatest figures of the Civil War.

Battle by staggering battle, Shaara dramatizes the escalating confrontation between Lee and Grant--complicated, heroic, deeply troubled men. From the costly Battle of the Wilderness to the agonizing siege of Petersburg to Lee's epoch-making surrender at Appomattox, Shaara portrays the riveting conclusion of the Civil War through the minds and hearts of the individuals who gave their last full measure.

Full of human passion and the spellbinding truth of history, The Last Full Measure is the fitting capstone to a magnificent literary trilogy.


From the Back Cover
Praise for Jeff Shaara's New York Times bestseller, Gods and Generals:

"Brilliant does not even begin to describe the Shaara gift. Thank Gods and Generals that it was passed from father to son."
--Atlanta Journal-Constitution

"Shaara's beautifully sensitive novel delves deeply into the empathetic realm of psycho-history, where enemies do not exist--just mortal men forced to make crucial decisions and survive on the same battlefield. . . . [He] succeeds with his historical novel through fully realized characters who were forced to decide their loyalties amid the horrors of their divided nation."
--San Francisco Chronicle


About the Author
Jeff Shaara was born in 1952 in New Brunswick, New Jersey. He grew up in Tallahassee, Florida, and graduated from Florida State University in 1974. For many years he was a dealer in rare coins, but sold his Tampa, Florida, business in 1988 upon the death of his father, Michael Shaara.

As manager of his father's estate, Jeff developed a friendship with film director Ron Maxwell, whose film Gettysburg was based on The Killer Angels. It was Maxwell who suggested that Jeff continue the story Michael Shaara had begun.

He and his wife, Lynne, divide their time between Tampa, Florida, and Missoula, Montana.


Excerpt. © Reprinted by permission. All rights reserved.
By July 1863 the Civil War has been fought over the farmlands and
seacoasts of the South for better than two years, and is already one of
the bloodiest wars in human history. It is a war that most believed would
be decided by one quick fight, one great show of strength by the power of
the North. The first major battle, called Bull Run in the North, Manassas
in the South, is witnessed by a carefree audience of Washington's elite.
Their brightly decorated carriages carry men in fine suits and society
matrons in colorful dresses. They perch on a hillside, enjoying their
picnics, anticipating a great show with bands playing merrily while the
young men in blue march in glorious parade and sweep aside the ragged band
of rebels. What they see is the first great horror, the stunning reality
that this is in fact a war, and that men will die. What they
still cannot understand is how far this will go, and how
many men will die.

In the North, President Lincoln maintains a fragile grip on forces pulling
the government in all directions. On one extreme is the pacifist movement,
those who believe that the South has made its point, and so, to avoid
bloodshed, Washington must simply let them go, that nothing so
inconsequential as the Constitution is as important as the loss of life.
On the other extreme are the radical abolitionists, who demand the South
be brought down entirely, punished for its way of life, its culture, and
that anyone who supports the southern cause should be purged from the
land. There is also a great middle ground, men of reason and intellect,
who now understand that there is more to this war than the inflammatory
issue of slavery, or the argument over the sovereign rights of the
individual states. As men continue to volunteer, larger and larger numbers
of troops take to the fields, and other causes emerge, each man fighting
for his own reason. Some fight for honor and duty, some for money and
glory, but nearly all are driven by an amazing courage, and will carry
their muskets across the deadly space because they feel it is the right
thing to do.

From the North come farmers and fishermen, lumberjacks and shopkeepers,
old veterans and young idealists. Some are barely Americans at all,
expatriates and immigrants from Europe, led by officers who do not speak
English. Some are freedmen, Negroes who volunteer to fight for the
preservation of the limited freedoms they have been given, and to spread
that freedom into the South.

In the South they are also farmers and fishermen, as well as ranchers,
laborers, aristocrats, and young men seeking adventure. They are inspired
first by the political rhetoric, the fire-breathing oratory of the radical
secessionists. They are told that Lincoln is in league with the devil, and
that his election ensures that the South will be held down, oppressed by
the powerful interests in the North, that their very way of life is under
siege. When the sound of the big guns echo across Charleston harbor, when
the first flashes of smoke and fire swallow Fort Sumter, Lincoln orders an
army to go south, to put down the rebellion by force. With the invasion
comes a new inspiration, and in the South, even men of reason are drawn
into the fight, men who were not seduced by mindless rhetoric, who have
shunned the self-serving motives of the politicians. There is outrage, and
no matter the issues or the politics, many take up arms in response to
what they see as the threat to their homes. Even the men who understand
and promote the inevitable failure of slavery cannot stand by while their
land is invaded. The issue is not to be decided after all by talk or
rhetoric, but by the gun.

On both sides are the career soldiers, West Pointers, men with experience
from the Mexican War, or the Indian wars of the 1850s. In the North the
officers are infected and abused by the disease of politics, and promotion
is not always granted by performance or ability. The Federal armies endure
a parade of inept or unlucky commanders who cannot fight the rebels until
they first master the fight with Washington. Few succeed.

In the South, Jefferson Davis maintains an iron hand, controlling even the
smallest details of governing the Confederacy. It is not an effective
system, and as in the North, men of political influence are awarded
positions of great authority, men who have no business leading soldiers
into combat. In mid-1862, through an act of fate, or as he would interpret
it, an act of God, Robert Edward Lee is given command of the Army of
Northern Virginia. What follows in the East is a clear pattern, a series
of great and bloody fights in which the South prevails and the North is
beaten back. If the pattern continues, the war will end and the
Confederacy will triumph. Many of the fights are won by Lee, or by his
generals--the Shenandoah Valley, Second Manassas. Many of the fights are
simply lost by the blunders of Federal commanders, the most horrifying
example at Fredericksburg. Most, like the catastrophic Federal defeat at
Chancellorsville or the tactical stalemate at Antietam, are a combination
of both.

By 1863 two monumental events provide an insight into what lies ahead. The
first is the success of the Federal blockade of southern seaports, which
prevents the South from receiving critical supplies from allies abroad,
and also prevents the export of raw materials, notably cotton and tobacco,
which provide the currency necessary to pay for the war effort. The result
is understood on both sides. Without outside help, the Confederacy will
slowly starve.

The second is the great bloody fight at Gettysburg. While a tragic defeat
for Lee's army, there is a greater significance to the way that defeat
occurs. Until now, the war has been fought mostly from the old traditions,
the Napoleonic method, the massed frontal assault against fortified
positions. It has been apparent from the beginning of the war that the new
weaponry has made such attacks dangerous and costly, but old ways die
slowly, and commanders on both sides have been reluctant to change. After
Gettysburg, the changes become a matter of survival. If the commanders do
not yet understand, the men in the field do, and the use of the shovels
becomes as important as the use of muskets. The new methods--strong
fortifications, trench warfare--are clear signs to all that the war has
changed, that there will be no quick and decisive fight to end all fights.

As the Civil War enters its third year, the bloody reports continue to
fill the newspapers, and the bodies of young men continue to fill the
cemeteries. To the eager patriots, the idealists and adventurers who
joined the fight at the beginning, there is a new reality, in which honor
and glory are becoming hollow words. The great causes are slowly pushed
aside, and men now fight with the grim determination to take this fight to
its end; after so much destruction and horrible loss, the senses are
dulled, the unspeakable sights no longer shock. All the energy is forward,
toward those men across that deadly space who have simply become the
enemy.




Robert Edward Lee

Born in 1807, he graduates West Point in 1829, second in his class. Though
he is the son of "Light-Horse" Harry Lee, a great hero of the American
Revolution, late in his father's life Lee must endure the burden of his
father's business and personal failures more than the aura of heroism. Lee
is devoutly religious, believing with absolute clarity that the events of
his life are determined by the will of God. On his return from West Point,
his mother dies in his arms. The haunting sadness of her death stays hard
inside him for the rest of his life, and places him more firmly than ever
into the hands of his God.

He marries the aristocratic Mary Anne Randolph Custis, whose father is the
grandson of Martha Washington, and whose home is the grand mansion of
Arlington, overlooking the Potomac River. The Lees have seven children,
and Lee suffers the guilt of a career that rarely brings him home to watch
his children grow, a source of great regret for him, and simmering
bitterness in his wife Mary.

Lee is a brilliant engineer, and his army career moves him to a variety of
posts where his expertise and skill contribute much to the construction of
the military installations and forts along the Atlantic coast. He goes to
St. Louis and confronts a crisis for the port there by rerouting the flow
of the Mississippi River. In 1846 he is sent to Mexico,and his reputation
lands him on the staff of General-in-Chief Winfield Scott. Lee performs
with efficiency and heroism, both as an engineer, a scout, and a staff
officer, and leaves Mexico a lieutenant colonel.

He accepts command of the cadet corps at West Point in 1851, considered by
many as the great reward for good service, the respectable job in which to
spend the autumn of his career. But though his family is now close, he
misses the action of Mexico, finds himself stifled by administrative
duties. In 1855 he stuns all who know him by seizing an opportunity to
return to the field, volunteering to go to Texas, to command a new
regiment of cavalry. But even that command is mundane and frustrating, and
there is for him nothing in the duty that recalls the vitality and
adventure of the fighting in Mexico. Throughout the 1850s Lee settles into
a deep gloom, resigns himself that no duty will be as fulfilling as life
under fire and that his career will carry him into old age in bored
obscurity.

As the conflict over Lincoln's election boils over in the South, his
command in Texas begins to collapse, and he is recalled to Washington in
early 1861, where he receives the startling request to command Lincoln's
new volunteer army, with a promotion to Major General. He shocks
Washington and deeply disappoints Winfield Scott by declining the
appointment. Lee chooses the only course left to an officer and a man of
honor and resigns from his thirty-year career. He believes that even
though Virginia has not yet joined the secessionist states, by organizing
an army to invade the South, Lincoln has united his opponents and the
southern states, which must eventually include Virginia. Lee will not take
up arms against his home.

In late April 1861 he accepts the governor's invitation to command the
Virginia Militia, a defensive force assembled to defend the state. When
Jefferson Davis moves the Confederate government to Richmond, the Virginia
forces, as well as those of the other ten secessionist states, are
absorbed into the Confederate army. Lee is invited to serve as military
consultant to Davis, another stifling job with little actual authority. In
July 1861, during the first great battle of the war, Lee sits alone in his
office, while most of official Richmond travels to Manassas, to the
excitement of the front lines.

In June 1862, while accompanied by Davis near the fighting on the Virginia
peninsula, commander Joe Johnston is wounded in action and Davis offers
command of the Army of Northern Virginia to Lee. Lee accepts, understands
that he is, after all, a soldier, and justifies the decision with the fact
that his theater of war is still Virginia. Defending his home takes on a
more poignant significance when Lee's grand estate at Arlington is
occupied and ransacked by Federal troops.

Lee reorganizes the army, removes many of the inept political generals,
and begins to understand the enormous value of his two best commanders,
James Longstreet and Thomas Jackson, who at Manassas was given the
nickname "Stonewall." Using the greatest talents of both men, Lee leads
the Army of Northern Virginia through a series of momentous victories
against a Federal army that is weighed down by its own failures, and by
its continuing struggle to find an effective commander. Much of Lee's war
is fought in northern Virginia, and the land is suffering under the strain
of feeding the army. The burden of war and of the Federal blockade spreads
through the entire Confederacy and inspires Lee and Davis to consider a
bold and decisive strategy.

In September 1862, Lee moves his army north, hoping to gather support and
new recruits from the neutral state of Maryland. The advance results in
the battle of Sharpsburg--known as Antietam in the North--and though Lee
does not admit defeat, the outrageous carnage and loss of life force him
to order a retreat back into Virginia. But his army is not pursued by the
Federal forces, and with new commanders now confronting him, Lee begins a
great tactical chess game, and accomplishes the greatest victories of the
war.

In December 1862, at Fredericksburg, Virginia, his army maintains the
defensive and completely crushes poorly planned Federal assaults. In May
1863, at Chancellorsville, Lee is outnumbered nearly three to one, and
only by the utter audacity of Stonewall Jackson does the huge Federal army
retire from the field with great loss. But the battle is costly for Lee as
well. Jackson is accidentally shot by his own men, and dies after a
weeklong struggle with pneumonia.

Lee and Davis continue to believe that a move northward is essential, that
with weakened confidence and inept commanders, the Federal army need only
be pushed into one great battle that will likely end the war. In June
1863, Lee's army marches into Pennsylvania. He believes that a great fight
might not even be necessary, that just the threat of spilling blood on
northern soil will put great pressure on Washington, and the war might be
brought to an end by the voice of the northern people. The invasion of the
North will serve another purpose: to take the fight into fertile farmlands
where Lee might feed his increasingly desperate army.

Some in Lee's army question the strategy, raising the moral question of
how to justify an invasion versus defending their homes. Others question
the military judgment of moving into unfamiliar territory, against an
enemy that has never been inspired by fighting on its own ground. There
are other factors that Lee must confront. Though he is personally
devastated by the death of Jackson, Jackson's loss means more to his army
than Lee fully understands.

As the invasion moves north, Lee is left blind by his cavalry, under the
flamboyant command of Jeb Stuart. Stuart fails to provide Lee with
critical information about the enemy and is cut off from Lee beyond the
march of the Federal army, an army that is moving to confront Lee with
uncharacteristic speed. The Federal Army of the Potomac has yet another
new commander, George Gordon Meade, and if Lee knows Meade to be a careful
man, cautious in his new command, he also knows that there are many other
Federal officers now rising to the top, men who are not political pawns
but in fact hard and effective fighters.



The two armies collide at a small crossroads called Gettysburg, a fight
for which Lee is not yet prepared, and the fight becomes the three
bloodiest days in American history. As costly as it is to both armies, it
is a clear defeat for Lee. He had believed his army could not be stopped,
and begins now to understand what Jackson's loss might mean--that as the
fight goes on, and the good men continue to fall away, the war will settle
heavily on his own shoulders.



Joshua Lawrence Chamberlain

Born in 1828 near Brewer, Maine, he is the oldest of five children. He
graduates Bowdoin College in 1852, and impresses all who know him with his
intellect, his gift for words and talent for languages. He is raised by a
deeply religious mother, whose greatest wish is that he become a man of
the cloth, and for a short while Chamberlain attends the Bangor
Theological Seminary, but it is not a commitment he can make. His father's
ancestry is military. Chamberlain's great-grandfather fought in the
Revolution, his grandfather in the War of 1812. His father serves during
peacetime years in the Maine Militia and never sees combat. It is family
tradition that his son will follow the military path, and he pressures
Chamberlain to apply to West Point. When Chamberlain returns to the
academic community, a career for which his father has little respect, the
disappointment becomes a hard barrier between them.

He marries Frances Caroline (Fannie) Adams, and they have four children,
two of whom survive infancy. Fannie pushes him toward the career in
academics, and his love for her is so complete and consuming that he
likely would have pursued any path she had chosen.

Considered the rising star in the academic community, Chamberlain accepts
a prestigious Chair at Bowdoin, formerly held by the renowned Calvin
Stowe, husband of Harriet Beecher Stowe. Her controversial book, Uncle
Tom's Cabin, inspires Chamberlain, and the issues that explode in
the South, so far removed from the classrooms in Maine, reach him deeply.
He begins to feel a calling of a different kind.

As the war begins in earnest, and Chamberlain's distraction is evident to
the school administration, he is offered a leave of absence--a trip to
Europe, to take him away from the growing turmoil. Chamberlain uses the
opportunity in a way that astounds and distresses everyone. He goes to the
governor of Maine without telling anyone, including Fannie, and volunteers
for service in the newly forming Maine regiments. Though he has no
military experience, his intellect and zeal for the job open the door, and
he is appointed Lieutenant Colonel, second-in-command of the Twentieth
Maine Regiment of Volunteers.

After a difficult farewell to his family, Chamberlain and his regiment
join the Army of the Potomac in Washington, and in September 1862 they
march toward western Maryland, to confront Lee's army at Antietam Creek.
The Twentieth Maine does not see action, but Chamberlain observes the
carnage of the fight and, for the first time, experiences what the war
might mean for the men around him. Three months later he leads his men
into the guns at Fredericksburg and witnesses firsthand what the war has
become. He spends an amazing night on the battlefield, yards from the
lines of the enemy, and protects himself with the corpses of his own men.

In June 1863 he is promoted to full colonel, and now commands the
regiment. He marches north with the army in pursuit of Lee's invasion. By
chance, his regiment is the lead unit of the Fifth Corps, and when they
reach the growing sounds of the fight at Gettysburg, the Twentieth Maine
marches to the left flank, climbing a long rise to the far face of a rocky
hill known later as Little Round Top. His is now the last unit, the far
left flank of the Federal line, and he is ordered to hold the position at
all cost. The regiment fights off a desperate series of attacks from
Longstreet's corps, which, if successful, would likely turn the entire
Federal flank, exposing the supply train and the rear of the rest of the
army. Low on ammunition, his line weakening from the loss of so many men,
he impulsively orders his men to charge the advancing rebels with bayonets,
surprising the weary attackers so completely that they retreat in disorder
or are captured en masse. The attacks end and the flank is secured.

During the fight, he is struck by a small piece of shrapnel, and carries a
small but painful wound in his foot. As the army marches in slow pursuit
of Lee's retreat, the foul weather and Chamberlain's own exhaustion take
their toll, and he begins to suffer symptoms of malaria.

Though he is unknown outside of his immediate command, this college
professor turned soldier now attracts the attention of the commanders
above him, and it becomes apparent that his is a name that will be heard
again.



Ulysses Simpson Grant

Born in 1822 in Point Pleasant, Ohio, he graduates West Point in 1843.
Small, undistinguished as a cadet, it is his initials which first attract
attention. The U.S. becomes a nickname, "Uncle Sam," and soon he is known
by his friends as simply "Sam." He achieves one other notable reputation
at the Point, that of a master horseman, seemingly able to tame and ride
any animal.

His first duty is near St. Louis, and he maintains a strong friendship
with many of the former cadets, including "Pete" Longstreet. Grant meets
and falls madly in love with Julia Dent, whose father's inflated notion of
his own aristocratic standing produces strong objection to his daughter's
relationship with a soldier. Longstreet suffers a similar fate, and in
1846, when the orders come to march to Mexico, both men leave behind young
girls with wounded hearts.

Grant is assigned to the Fourth Infantry and serves under Zachary Taylor
during the first conflicts in south Texas. He makes the great march inland
with Winfield Scott and arrives at the gates of Mexico City to lead his
men into the costly fighting that eventually breaks down the defenses of
the city and gives Scott's army the victory. Grant leads his infantry with
great skill, and is recognized for heroism, but is not impressed with the
straight-ahead tactics used by Scott. He believes that much loss of life
could have been avoided by better strategy.

He returns home with a strong sense of despair for the condition of the
Mexican peasantry, which he sees as victims of both the war and their own
ruling class. It is an experience that helps strengthen his own feelings
about the abominable inhumanity of slavery.

Returning to St. Louis, Grant receives reluctant consent to marry Julia,
and eventually they have four children. He receives a pleasant assignment
to Detroit, but in 1852 he is ordered to the coast of California, an
expensive and hazardous post, and so he must leave his family behind. The
following two years are the worst in his life, and despite a brief and enjoyable tour at Fort Vancouver, he succumbs both to the outrageous temptations of gold-rush San Francisco and the desperate loneliness of
life without his young family. Shy and withdrawn, he does not enjoy the
raucous social circles of many of his friends, and the painful isolation
leads him to a dependency on alcohol. His bouts of drunkenness are severe
enough to interfere with his duty, and his behavior warrants disciplinary
action. Because of the generosity of his commanding officer, Grant is
afforded the opportunity to resign rather than face a court-martial. He
leaves the army in May 1854 and believes his career in the military is at
a painful conclusion.

He returns to his family unemployed and penniless, and attempts to farm a
piece of land given him by Julia's father. With no money to provide the
beginnings of a crop, Grant attempts the lumber business, cutting trees
from the land himself. He eventually builds his own house, which he calls,
appropriately, "Hardscrabble."

He is generous to a fault, often loaning money to those who will never
repay the debts, and despite a constant struggle financially, he is always
willing to help anyone who confronts him in need.

In 1859 he is offered a position as a collection agent for a real estate
firm in St. Louis, and trades the small farm for a modest home in the
city, but the business is not profitable. Though he is qualified for
positions that become available in the local government, the political
turmoil that spreads through the Midwest requires great skill at intrigue
and political connections, and Grant has neither. He finally accepts an
offer from his own father, moves to Galena, Illinois, in 1860, and clerks
in a leather and tanned goods store with his brothers, who understand that
Grant's military experience and West Point training in mathematics will
make for both a trustworthy and useful employee. But the politics of the
day begin to affect even those who try to avoid the great discussions and
town meetings, and Grant meets John Rawlins and Elihu Washburne, whose
political influence begins to pave the way for an opportunity Grant would
never have sought on his own.

As the presidential election draws closer, Grant awakens to the political
passions around him, involves himself with the issues andthe candidates,
and finally decides to support the candidate Abraham Lincoln. When Lincoln
is elected, Grant tells his friend John Rawlins that with passions
igniting around the country, "the South will fight."

Persuaded by Washburne, Grant organizes a regiment of troops from Galena
and petitions the governor of Illinois for a Colonel's commission, which
he receives. After seven years of struggle as a civilian, Grant reenters
the army.

Serving first under Henry Halleck, he eventually commands troops through
fights on the Mississippi River at Forts Henry and Donelson, each fight
growing in importance as the war spreads. Promoted eventually to Major
General, Grant is named commander of the Federal Army of Tennessee, but
still must endure Halleck's fragile ego and disagreeable hostility. On the
Tennessee River at a place called Shiloh, facing a powerful enemy under
the command of Albert Sidney Johnston, Grant wins one of the bloodiest
fights of the war, in which Johnston himself is killed. Here, Grant's
command includes an old acquaintance from his days in California, William
Tecumseh Sherman.

In July 1862, when Halleck is promoted to General-in-Chief of the army and
leaves for Washington, the army of the western theater is a confused
mishmash of commands under Grant, Don Carlos Buell, and William Rosecrans.
While the focus of the nation is on the great battles in Virginia, Grant
gradually establishes himself as the most consistent and reliable
commander in the West. He finally unites much of the Federal forces for an
assault and eventually a long siege on the critical river port of
Vicksburg, Mississippi. In July 1863, the same week Lee's army confronts
the great Federal forces at Gettysburg, Grant succeeds in capturing both
Vicksburg and the Confederate force that had occupied it.

Now, Lincoln begins to focus not just on the great turmoil of Virginia,
but toward the West as well, and it is Grant's name that rises through the
jumble of poor commanders and the political gloom of Washington. After the
disasters of leadership that have plagued the army, Lincoln's patience for
the politics of command is at an end. He begins to speak of this quiet and
unassuming man out West, a general who seems to know how to win.

FROM THE PUBLISHER

As The Last Full Measure opens, Gettysburg is past and the war advances to its third brutal year. On the Union side, the gulf between the politicians in Washington and the generals in the field yawns ever wider. Never has the cumbersome Union Army so desperately needed a decisive, hard-nosed leader. It is at this critical moment that Lincoln places Ulysses S. Grant in command -- and turns the tide of the war. For Robert E. Lee, Gettysburg was an unspeakable disaster -- compounded by the shattering loss of the fiery Stonewall Jackson two months before. Lee knows better than anyone that the South cannot survive a war of attrition. But with the total devotion of his generals -- Longstreet, Hill, Stuart -- and his unswerving faith in God, Lee is determined to fight to the bitter end. Battle by staggering battle, Shaara dramatizes the escalating confrontation between Lee and Grant -- complicated, heroic, deeply troubled men.

SYNOPSIS

In the Pulitzer prize-winning classic The Killer Angels, Michael Shaara created the finest Civil War novel of our time, an enduring bestseller that has sold more than two million copies.

FROM THE CRITICS

Chicago Tribune

The Last Full Measure is everything that a reader could ask for.

Publishers Weekly

Concluding the Civil War trilogy that began with his father Michael's Pulitzer-winning The Killer Angels, Shaara (Gods and Generals) chronicles Lee's retreat from Gettysburg and his valiant efforts to defend northern Virginia from Grant's superior, better-supplied forces. Seen alternately through the eyes of Lee, Grant and Maine abolitionist Colonel Joshua Lawrence Chamberlain, the narrative begins with the successful Union ambush at Bristoe Station in October 1863. It then details Lee's 18-month cat-and-mouse game as he outmaneuvers Grant, despite overwhelming odds and terrible deprivation, concludes with Lee's surrender at Appomattox. Impressively researched, this deeply affecting work can't be faulted for inaccuracy or lack of detail. But the occasionally coarse grain of Shaara's characterizations is a problem. Haunted by Stonewall Jackson's ghost, 56-year-old Lee frequently appears to be a semi-senile neurotic. Grant, more concerned about his supply of cigars than battle losses, comes across as a dolt. This tendency toward caricature notwithstanding, Shaara has produced a stirring epigraph to his father's remarkable novel.

Library Journal - Charles Michaud

The late Michael Shaara's The Killer Angels), about the Battle of Gettysburg, is a classic Civil War novel. His son Jeff has written two novels that bracket it and complete a trilogy about the Civil War in the East. In his Gods and Generals, Shaara followed the fortunes of several men destined to fight one another in the great battles of Antietam and Chancellorsville, and in this book he writes about the course of the war in Virginia from Lee's retreat from Gettysburg to his surrender at Appomattox Court House. Ulysses S. Grant has come East to assume command of all Federal forces and to confront Lee, and the war they make is marked by such horrendous battles as The Wilderness and Spotsylvania. As characters, Grant and Lee dominate this book, overshadowing such other historical figures as Joshua Lawrence Chamberlain and John Gordon. Civil War buffs will find Shaara nodding on some small details, but they generally will be delighted with this book. More general readers, however, may find it lacks the dramatic intensity of his father's riveting novel. While not ranking with the very best Civil War fiction, it does take its place along side such fine ones as William Safire's Freedom.

Library Journal - Charles Michaud

The late Michael Shaara's The Killer Angels), about the Battle of Gettysburg, is a classic Civil War novel. His son Jeff has written two novels that bracket it and complete a trilogy about the Civil War in the East. In his Gods and Generals, Shaara followed the fortunes of several men destined to fight one another in the great battles of Antietam and Chancellorsville, and in this book he writes about the course of the war in Virginia from Lee's retreat from Gettysburg to his surrender at Appomattox Court House. Ulysses S. Grant has come East to assume command of all Federal forces and to confront Lee, and the war they make is marked by such horrendous battles as The Wilderness and Spotsylvania. As characters, Grant and Lee dominate this book, overshadowing such other historical figures as Joshua Lawrence Chamberlain and John Gordon. Civil War buffs will find Shaara nodding on some small details, but they generally will be delighted with this book. More general readers, however, may find it lacks the dramatic intensity of his father's riveting novel. While not ranking with the very best Civil War fiction, it does take its place along side such fine ones as William Safire's Freedom.

AudioFile - Robin F. Whitten