Penzler Pick, February 2002: This thriller from the author of Hart's War is addictive. Analyst Dr. Frederick Starks has just turned 53 and, on his birthday, receives a letter informing him that he has ruined the letter-writer's life and now his own life is about to be ruined.

Starks must solve a riddle, he is told. He must find out whose life he ruined within two weeks. If he does not, he must kill himself. If he does not kill himself, then those nearest and dearest to him will be killed. The letter is signed, Rumpelstiltskin. At first Starks is dismissive--but he does call relatives to see that they are all right. Not all of them are. In fact Starks is convinced that the letter writer is deadly serious when he discovers how the birthday of his 14-year-old great-niece was ruined. He must now engage in the game or be responsible for the lives of others.

While he works frantically to try and unlock the past and find whose life he could possibly have ruined, Rumpelstiltskin is also busy. Within hours of receiving that first shattering letter, one of Dr. Starks's patients throws himself under a subway train, though Starks knows the patient was not suicidal.

When the police tell him that a couple and a homeless woman saw the man jump, Starks tries to find them. He finds only the homeless woman, who tells him that she was given money by the couple to tell what she witnessed. Starks is certain that Rumpelstiltskin must be one of the couple, but he's wrong. It's even more sinister than that, and when he meets the accomplices, he realizes that his adversary has been planning his revenge for years.

Soon, Starks's life is spiraling downward. There is nothing hidden from Rumpelstiltskin. His credit cards, his bank accounts, his patients, his homes in Manhattan and in Massachusetts, his reputation--nothing and no one is safe as Starks races against time as his world shrinks and his options run out. The clock is ticking as he hunts a ruthless psychopath who always seems to be one step ahead of him. As Starks tries to figure out what to do besides react to his life spinning out of control, he uses his training, his dwindling resources, and every weapon available to him to combat this relentless and deadly foe. --Otto Penzler


From Library Journal
Katzenbach (Hart's War) never writes the same book twice, nor does he use the same plot devices or characters. His latest opens as New York City psychoanalyst Frederick (Ricky) Starks receives an anonymous missive saying that Starks has ruined the writer's life and that he has ten days in which to discover his or her identity. If he fails, he must commit suicide; if he does not comply with this order, someone in his family will suffer or die. At first Ricky is disoriented and unable to function effectively, but he soon begins to take action. Using his research skills, he finds that a former patient was so despondent that she killed herself, leaving three children as orphans. But this information is not enough to save Ricky's life. Thus, he goes on a journey of self-discovery, calling upon unknown depths of endurance and using his medical training in order to survive. This masterfully told thriller is impossible to put down and equally impossible to forget. For all fiction collections. Jo Ann Vicarel, Cleveland Heights-University Heights P.L., OH Copyright 2001 Reed Business Information, Inc.


From Booklist
Katzenbach, two-time Edgar Award nominee for In the Heat of the Summer (1982) and The Shadow Man (1995), puts a suspense spin on the Rumplestiltskin fairy tale. An Upper East Side psychoanalyst, Dr. Frederick Starks spends his fifty-third birthday at his practice "listening to people complain about their mothers." When his last patient leaves, he finds a letter in the waiting room. The letter writer, who only identifies himself as a former patient, gives Starks an ultimatum: the patient will kill one of Starks' relatives within two weeks, unless Starks either correctly identifies him in an ad placed in the New York Times or kills himself. The threat is quickly made real when Starks learns that his teenage niece (who shares his birthday) has received a note promising sexual assault and torture. Katzenbach ratchets up the suspense with every page: as Starks embarks on his mental odyssey through 20 years of treatment to discover the identity of his tormentor, he is constantly besieged by more moves from the other side--false charges of seducing a patient, loss of his credit cards, loss of his status. Starks is in the position of fighting for his life and that of an unknown but soon-to-be-killed relative, while his abilities and sanity are steadily being eroded. Ticking-clock suspense. Connie Fletcher
Copyright © American Library Association. All rights reserved


Book Description
Happy 53rd birthday, Doctor. Welcome to the first day of your death.

When a mysterious letter bearing these threatening words is delivered to Dr. Frederick Starks, his predictable life is thrown into chaos. Suddenly, the psychoanalyst is plunged into a horrific game designed by a man who calls himself Rumplestiltskin. The rules: in two weeks Starks must guess Rumplestiltskin’s identity and the source of his fury. If he succeeds, he goes free. If he fails, one by one, Rumplestiltskin will destroy fifty-two of Dr. Starks’ loved ones–friends, relatives, children–unless the good doctor agrees to kill himself.

You ruined my life. And now I fully intend to ruin yours.

Ignoring the threat is not an option. When one of his patients dies under the wheels of a subway train and a detective investigating the case is struck by a hit-and-run driver, Starks knows his tormentor means business. And then there are the messengers sent to guide Starks on his descent, from the seductive woman in a trench coat who calls herself Virgil to a lawyer named Merlin weaving a spell of havoc and lies. His bank account rifled, his credit ruined, and his reputation dragged through the mud, Starks must rouse himself from the cocoon of his life, unlock the secret of Rumplestiltskin, and find a way to stop the madman–before he himself is driven mad.

One thing of which you can be absolutely certain: My anger knows no limits.

A mesmerizing thriller that gives a wicked new twist to the doctor-patient relationship, The Analyst’s Last Days weaves a blistering race against time with a tale of identities shattered and chosen, disguises taken and discarded. With his trademark style, breathless plots, and brilliantly realized characters, John Katzenbach proves once again why both critics and fans alike have crowned him the master of suspense.



From the Inside Flap
Happy 53rd birthday, Doctor. Welcome to the first day of your death.

When a mysterious letter bearing these threatening words is delivered to Dr. Frederick Starks, his predictable life is thrown into chaos. Suddenly, the psychoanalyst is plunged into a horrific game designed by a man who calls himself Rumplestiltskin. The rules: in two weeks Starks must guess Rumplestiltskin’s identity and the source of his fury. If he succeeds, he goes free. If he fails, one by one, Rumplestiltskin will destroy fifty-two of Dr. Starks’ loved ones–friends, relatives, children–unless the good doctor agrees to kill himself.

You ruined my life. And now I fully intend to ruin yours.

Ignoring the threat is not an option. When one of his patients dies under the wheels of a subway train and a detective investigating the case is struck by a hit-and-run driver, Starks knows his tormentor means business. And then there are the messengers sent to guide Starks on his descent, from the seductive woman in a trench coat who calls herself Virgil to a lawyer named Merlin weaving a spell of havoc and lies. His bank account rifled, his credit ruined, and his reputation dragged through the mud, Starks must rouse himself from the cocoon of his life, unlock the secret of Rumplestiltskin, and find a way to stop the madman–before he himself is driven mad.

One thing of which you can be absolutely certain: My anger knows no limits.

A mesmerizing thriller that gives a wicked new twist to the doctor-patient relationship, The Analyst’s Last Days weaves a blistering race against time with a tale of identities shattered and chosen, disguises taken and discarded. With his trademark style, breathless plots, and brilliantly realized characters, John Katzenbach proves once again why both critics and fans alike have crowned him the master of suspense.


About the Author
John Katzenbach has written seven previous novels: the Edgar Award-nominated In the Heat of the Summer, which was adapted for the screen as The Mean Season; the New York Times bestseller The Traveler; Day of Reckoning; Just Cause, which was also made into a movie; The Shadow Man (another Edgar nominee); State of Mind, and Hart’s War. Mr. Katzenbach has been a criminal court reporter for The Miami Herald and Miami News and a featured writer for the Herald’s Tropic magazine. He lives in western Massachusetts.


Excerpt. © Reprinted by permission. All rights reserved.
Chapter One

I n the year he fully expected to die, he spent the majority of his fifty-third birthday as he did most other days, listening to people complain about their mothers. Thoughtless mothers, cruel mothers, sexually provocative mothers. Dead mothers who remained alive in their children’s minds. Living mothers, whom their children wanted to kill. Mr. Bishop, in particular, along with Miss Levy and the genuinely unlucky Roger Zimmerman, who shared his Upper West Side apartment and it seemed the entirety of both his waking life and his vivid dreams with a hypochondriac, manipulative, shrewish woman who seemed dedicated to nothing less than ruining her only child’s every meager effort at independence—all of them used the entirety of their hours that day to effuse bitter vitriol about the women who had brought them into this world.

He listened quietly to great surges of murderous hatred, only occasionally interjecting the most modest of benign comments, never once interrupting the anger that spewed forth from the couch, all the time wishing that just one of his patients would take a deep breath and step back from their rage for an instant and see it for what it truly was: fury with themselves. He knew, through experience and training, that even- tually, after years of talking bitterly in the oddly detached world of the analyst’s office, all of them, even poor, desperate, and crippled Roger Zimmerman, would reach that understanding themselves.

Still, the occasion of his birthday, which reminded him most directly of his own mortality, made him wonder whether he would have enough time remaining to see any of them through to that moment of acceptance which is the analyst’s eureka. His own father had died shortly after he reached his fifty-third year, heart weakened through years of chain smoking and stress, a fact that he knew lurked subtly and malevolently beneath his consciousness. So, as the unpleasant Roger Zimmerman moaned and whined his way through the final few minutes of the last session of the day, he was slightly distracted, and not paying the complete attention he should have been when he heard the faint triple buzz of the bell he’d installed in his waiting room.

The bell was his standard signal that a patient had arrived. Every new client was told prior to their first session that upon entry, they were to produce two short rings, in quick succession, followed by a third, longer peal. This was to differentiate the ring from any tradesman, meter reader, neighbor, or delivery service that might have arrived at his door.

Without shifting position, he glanced over at his daybook, next to the clock he kept on the small table behind the patient’s head, out of their sight. The six p.m. entry was blank. The clock face read twelve minutes to six, and Roger Zimmerman seemed to stiffen in his prone position on the couch.

“I thought I was the last every day.”

He did not respond.

“No one has ever come in after me, at least not that I can remember. Not once. Have you changed your schedule around without telling me?”

Again, he did not reply.

“I don’t like the idea that someone comes after me,” Zimmerman said decisively. “I want to be last.”

“Why do you think you feel that way?” he finally questioned.

“In its own special way, last is the same as first,” Zimmerman answered with a harshness of tone that implied that any idiot would have seen the same.

He nodded. Zimmerman had made an intriguing and accurate observation. But, as the poor fellow seemed forever doomed to do, he had made it in the session’s final moment. Not at the start, where they might have managed some profitable discussion over the remaining fifty minutes. “Try to bring that thought with you tomorrow,” he said. “We could begin there. I’m afraid our time is up for today.”

Zimmerman hesitated, before rising. “Tomorrow? Correct me if I’m mistaken, but tomorrow is the last day before you disappear for your damn stupid August vacation the same as you do every damn year. What good will that do me?”

Again, he remained silent, letting the query remain floating in the space above the patient’s head. Zimmerman snorted loudly. “Whoever’s out there’s probably more interesting than I am anyway, huh?” he said bitterly. Then Zimmerman swung his feet off the couch and looked up toward the doctor. “I don’t like it when something is different,” he said sharply. “I don’t like it at all.” He tossed a quick, pointed glare at the doctor as he rose, shaking his shoulders, letting a nasty snarl creep across his face. “It’s supposed to always be the same. I come in, lie down, start talking. Last patient every day. That’s the way it’s supposed to be. No one likes change.” He sighed, but this time with more than a touch of anger, not resignation. “All right. Tomorrow, then. Last session before you take off for Paris, Cape Cod, Mars, or wherever you head for and leave me all goddamn alone.” Zimmerman pivoted abruptly and strode purposely across the small office, and out the exit door without once looking back.

For a moment, he remained in his armchair, listening for the faint sound of the angry man’s footsteps resounding down the exterior hallway. Then he rose, feeling some of the age that had stiffened his joints and tightened his muscles during the long and sedentary afternoon behind the couch, and made his way to the entrance, a second door that led to his modest waiting room. In some respects, this room with its odd, unlikely design, where he’d established his practice decades ago, was unique, and had been the sole reason he’d rented the apartment in the year after he’d finished his residency and the reason he’d stayed there more than a quarter century.

The office had three doors: one which led to the vestibule, which he’d reinvented as a tiny waiting room; a second, which led directly out to the apartment building corridor; and a third, which took him inside to the modest kitchen, living area, and bedroom of the remainder of the apartment. His office was a sort of personal island, with portals to these other worlds. He often regarded it as a nether-space, a bridge between different realities. He liked that, because he believed the separation of the office from the great outside helped make his own job somewhat easier.

He had no idea which of his patients had returned without an appointment. He could not immediately recall a single instance of a patient doing that, in all his years of practice.

Nor was he able to imagine which patient was in crisis sufficiently to throw such an unexpected change in the relationship between analyst and analysand. Routine was what he built on, routine and longevity, where the sheer weight of words spoken in the artificial but absolute sanctity of the analyst’s office finally paved themselves into roads of understanding. Zimmerman was right about that. Change went against the grain. So he briskly crossed the room with the modestly gathered pace of anticipation, slightly unsettled at the idea that something of possible urgency had entered a life he frequently feared had become far too stolid and utterly predictable.

He opened the door to the waiting room and stared ahead.

The room was empty.

For a moment, he was confused, and thought perhaps that he’d imagined the bell ringing, but then, Mr. Zimmerman had heard it as well, and he, too, had recognized the distinctive noise signaling that someone familiar was present in the waiting room.

“Hello?” he said, although there was clearly no one there to hear him.

He could sense his forehead knitting with surprise, and he adjusted the wire-rim glasses perched on his nose. “Curious,” he said out loud. And then he noticed the envelope left behind on the seat of the single stiff-backed chair he provided for patients waiting for their appointments. He exhaled slowly, shook his head back and forth, and thought this was a bit overly melodramatic, even for the membership of his current list of patients.

He stepped over and picked up the envelope. His name was typed on the outside.

“How unusual,” he said out loud. He hesitated before opening the letter, holding it up to his forehead the way Johnny Carson used to, when engaged in his Carnac the Magnificent routine, trying, in that instant, to guess which of his patients had left it for him. But it was an act that seemed uncharacteristic among the dozen he saw regularly. They all liked to voice their complaints about what they perceived as his many inadequacies and shortcomings directly and frequently, which while sometimes irritating, remained an integral part of the process.

He tore open the envelope and withdrew two sheets of paper filled with typing. He read only the first line:

Happy 53rd birthday, doctor. Welcome to the first day of your death.

He breathed in sharply. The stale air of the apartment seemed to make him dizzy, and he reached out quickly for the wall, to steady himself.

Dr. Frederick Starks, a man in the profession of introspection, lived alone, haunted by other people’s memories.

He walked over to his small, antique maple desk, a gift fifteen years earlier from his wife. It had been three years since she passed away, and when he sat down at the desk it seemed he could still hear her voice. He spread the two sheets of the letter out in front of him on the blotter. He thought to himself that it had been a decade since he’d actually been afraid of something, and what he’d been afraid of then was the diagnosis delivered by the oncologist to his wife. Now, this new dry, acid taste on his tongue was as unwelcome as the acceleration of his heart, which he could feel racing in his chest.

He took a second or two to try to calm the rapid beating, waiting patiently until he could feel the rate settle slowly. He was acutely aware of his loneliness at that moment, hating the vulnerability that solitude created within him.

Ricky Starks—he rarely let anyone know how much he greatly preferred the playground and frat house sound of the informal abbreviation to the more sonorous Frederick—was a man of necessary routine and order. He was devoted to a regularity that bordered on religion and certainly touched obsession; by imposing so much reason on his own day-to-day life, he thought it was the only safe way to try to make sense of the turmoil and chaos that his patients brought to him daily. He was a slight man physically, an inch or two short of six feet, with a thin, ascetic body helped by a daily lunchtime course of brisk walking exercise and a steadfast refusal to indulge in the sweets and ice creams that he secretly adored.

He wore glasses, which wasn’t unusual for a man his age, though he took pride in the detail that his prescription still was minimal. He took pride, as well, that although thinned, his hair still rode upright on his scalp like wheat on a prairie. He no longer smoked, and took only a rare glass of wine on an occasional evening to help him sleep. He was a man who had grown accustomed to his solitude, undaunted by eating dinner in a restaurant alone, or attending a Broadway show or current movie by himself. He thought the inventory of his body and mind to be in excellent condition. He felt far younger than his years most days. But he was acutely aware that the year he was entering was the year that his father had failed to live past, and despite that lack of logic in this observation, he had not thought that he would live past fifty-three, either, as if such an act would be unfair, or was somehow inappropriate. And yet, he thought contradictorily to himself, as he stared again at the first words of the letter, I am not yet ready to die. Then he read on, slowly, pausing over each sentence, allowing dread and disquiet to take root within him.

I exist somewhere in your past.

You ruined my life. You may not know how, or why,

or even when, but you did. Brought disaster and sadness to

my every second. You ruined my life. And now I fully intend to ruin yours.

Ricky Starks breathed in hard again. He lived in a world common with false threats and fake promises, but knew immediately that the words in front of him were far different from those meandering rantings he was accustomed to hearing daily.

At first, I thought I should simply kill you to settle the score.

Then I realized that was simply too easy. You

are a pathetically facile target, doctor. You do not lock

your doors during the day. You take the same walk on

the same route Monday through Friday. On weekends, you remain

wondrously predictable, right down to the trip out on

Sunday morning to pick up the Times, an onion bagel, and

a hazelnut coffee, two sugars, no milk, at the trendy

coffee bar two blocks to your south.

Far too easy. Stalking and killing you wouldn’t have

been much of a challenge. And, given the ease with which

this murder could be accomplished, I wasn’t certain that

it would deliver the necessary satisfaction.

I’ve decided I would prefer you to kill yourself.

Ricky Starks shifted uncomfortably in his seat. He could feel heat rippling up from the words in front of him, like fire catching in a woodstove, caressing his forehead and cheeks. His lips were dry, and he fruitlessly ran his tongue over them.

Kill yourself, doctor.

Jump from a bridge. Blow your brains out with a handgun.

Step in front of a midtown bus. Leap in front of a subway

train. Turn on the gas stove and blow out the pilot light. Find

a convenient beam and hang yourself. The method you choose

is entirely up to you.

But it is your best chance.

Your suicide will be far more appropriate, given the

precise circumstances of our relationship. And certainly

a far more satisfying method for you to pay off your debt to me.

So, here is the game we are going to play: You have exactly

one fortnight, starting tomorrow morning at six a.m., to discover who

I am. If you succeed, you must purchase one of those tiny

one-column ads that run along the bottom of the daily New York

Times front page, and print my name there. That’s all: Just print

my name.

If you do not, then . . . well, this is the fun part. You will

take note that the second sheet of this letter contains the names

of fifty-two of your relatives. They range in age from a newborn,

barely six months old, the child of your great-grand-niece, to your cousin

the Wall Street investor, and capitalist extraordinaire, who is

as dried-up and dull as you. If you are unable to purchase the ad

as described, then you have this choice: Kill yourself immediately or I

will destroy one of these innocent people.

Destroy.

What an intriguing word. It could mean financial ruin. It could mean

social wreckage. It could mean psychological rape.

It could also mean murder. That’s for you to wonder about. It could

be someone young, or someone old. Male or female. Rich or poor.

All I promise is that it will be the sort of event that they—or their loved

ones—will never recover from, no matter how many years they might

spend in psychoanalysis.

And whatever it is, you will live every remaining second of every

minute you have left on this earth with the knowledge that you alone caused it.

Unless, of course, you take the more honorable approach and kill yourself

first, saving whichever target I have selected from their fate.

There’s your choice: my name or your obituary. In the same paper,

of course.

As proof of the length of my reach, and the extent of my planning, I have

this day contacted one of the names on the list with a most modest little

message. I would urge you to spend the remainder of this evening

ferreting out who was touched, and how. Then you can begin on the true

task before you without delay in the morning.

I do not, of course, truly expect you to be able to guess my identity.

So, to demonstrate that I am a sporting type, I’ve decided that

from time to time over the next fifteen days I will provide you with

a clue or two. Just to make things more interesting, although a clever,

intuitive sort, such as yourself, should assume that this entire letter is

filled with clues. Nevertheless, here is a preview, and it comes for free.

In the past, life was fun and wild,

Mother, father, and young child.

But all the good times went astray,

When my father sailed away.

Poetry is not my strong suit.

Hatred is.

Remember: You may ask three questions. Yes or No answers, please.

Use the same method, the front-page ads in the New York Times.

I will reply in my own style within twenty-four hours.

Good luck. You might also try to find time now to make your funeral arrangements. Cremation is probably preferable to an elaborate

burial service. I know how much you dislike churches. I don’t think

it would be a smart idea to contact the police. They would probably

mock you, which I suspect your conceit would have difficulty

handling. And it would likely enrage me more, and, right now, you

must be a little uncertain as to how unstable I actually am. I

might respond erratically, in any number of quite evil ways.

But of one thing of which you can be absolutely certain: My anger

knows no limits.

The letter was signed in all-capital letters:

RUMPLESTILTSKIN

Ricky Starks sat back hard in his chair, as if the fury emanating from the words on the page in front of him had been able to strike him in the face like a fist. He pushed himself to his feet, walked over to the window and cracked it open, allowing the city sounds to burst into the quiet of the small room, carried by an unexpected late July breeze that promised an evening thunderstorm might be tracking the city. He breathed in, looking for something in the air to give him a sense of relief from the heat that had overcome him. He could hear the high-pitched caterwaul of a police siren a few blocks distant, and the steady cacophony of car horns that is like white noise in Manhattan. He took two or three deep breaths, then pulled the window closed, shutting away all the outside sounds of normal urban life.

He turned back to the letter.

I am in trouble, he thought. But how much, he was initially unsure.

He realized that he was being deeply threatened, but the parameters of that threat were still unclear. A significant part of him insisted he ignore the document on the desktop. Simply refuse to play what didn’t sound like much of a game. He snorted once, allowing this thought to flourish. All his training and experience suggested that doing nothing was the most reasonable course of action. After all, often the analyst finds that maintaining silence and a failure to respond to the most provoca- tive and outrageous behavior by a patient is the cleverest way to get to the psychological truth of those actions. He stood up and walked around the desk twice, like a dog sniffing at an unusual smell.

On the second pass, he stopped and stared down at the page of words again.

He shook his head. That won’t work, he realized. For a moment he had a shot of admiration for the writer’s sophistication. Ricky understood he would probably have greeted the “I’m going to kill you” threat with a detachment closing on boredom. After all, he had lived long, and quite well, he thought, so threatening to kill a man in his middle years didn’t really amount to much. But that wasn’t what he was facing. The threat was more oblique. Someone else was slated to suffer if he did nothing. Someone innocent, and in all likelihood, someone young, because the young are far more vulnerable.

Ricky swallowed hard. I would blame myself and I would live out my remaining time in true agony.

Of that, the writer was absolutely correct.

Or else kill myself. He could taste a sudden bitterness on his tongue. Suicide would be the antithesis of everything he’d stood for, his entire life. He suspected the person who signed his name Rumplestiltskin knew that.

He felt abruptly as if he’d been placed on trial.

Again he began to pace around his office, assessing the letter. A great voice within him wanted to be dismissive, to shrug the entire message off, to anoint it an exaggeration and a fantasy without any basis in reality but found that he was unable to. Ricky berated himself: Just because something makes you uncomfortable, doesn’t mean you should ignore it.

But he didn’t really have a good idea how to respond. He stopped pacing and returned to his seat. Madness, he thought. But madness with a distinctly clever touch, because it will cause me to join in the madness.

“I should call the police,” he said out loud. Then he stopped. And say what? Dial 911 and tell some dull and unimaginative desk sergeant that he’d received a threatening letter? And listen to the man tell him So what? As best as he could tell, no law had been broken. Unless suggesting that someone kill themselves was a violation of some sort. Extortion? What sort of homicide could it be? he wondered. The idea crossed his mind to call an attorney, but then he understood that the situation posed by Rumplestiltskin’s letter wasn’t legal. He had been approached on the playing field that he knew. The game suggested was one of intuitiveness, and psychology; it was about emotions and fears. He shook his head and told himself: I can play in that arena.

“What do you know already?” he spoke to himself in the empty room.

Someone knows my routine. Knows how I let patients into my office. Knows when I break for lunch. What I do on the weekends. Was also clever enough to ferret out a list of relatives. That took some ingenuity.

Knows my birthday.

He breathed in sharply, again. I have been studied.

I did not know it, but someone has been watching me. Measuring me. Someone has devoted considerable time and effort to creating this game and not left me much time for counter moves.

His tongue remained dry and his lips parched. He was suddenly very thirsty, but unwilling to leave the sanctity of his office for the kitchen and a glass of water.

“What did I do to make someone hate me so?” he asked.

This question was like a quick punch in the stomach. Ricky knew he enjoyed the arrogance of many caregivers, thinking that he had delivered good to his small corner of the world through understanding and acceptance of one’s existence. The idea that he’d created some monstrous infection of hatred in someone somewhere was extremely unsettling.

“Who are you?” he demanded of the letter. He immediately started to race through the catalog of patients, stretching back over decades, but, just as swiftly, stopped. He understood he might have to do this even- tually, but he would need to be systematic, disciplined, dogged, and he wasn’t ready to take that step yet.

Ricky didn’t think of himself as very qualified to be his own policeman. But then he shook his head, realizing that, in a unique way, that was untrue. For years he’d been a sort of detective. The difference was truly the nature of the crimes he’d investigated and the techniques he’d used. Buttressed slightly by this thought, Ricky Starks sat back down at his desk, reached into the top right-hand drawer and removed an old, leather-bound address book so frayed around the edges that it was held together by a rubber band. For starters, he told himself, we can find the relative who has been contacted by this person. It must be some former patient, he told himself, one who cut his analysis short and plunged into depression. One who has harbored a near-psychotic fixation for a number of years. He guessed that with a little bit of luck and perhaps a nudge or two in the right direction from whichever of his relatives had been contacted, he would be able to identify the disgruntled ex-patient. He tried to tell himself, empathetically, that the letter writer—Rumplestiltskin—was really reaching out to him for help. Then, almost as quickly, he discarded this wishy-washy thought. Holding the address book in his hand, Ricky thought about the fairy tale character whose name the letter writer had signed. Cruel, he told himself. A magical gnome with a black heart that isn’t outfoxed, but loses his contest through sheer bad luck. This obser- vation did not make him feel any better.

The letter seemed to glow on the desktop in front of him.

He nodded slowly. It tells you much, he insisted. Blend the words on the page with what the writer has already done, and you’re probably halfway to figuring out who it is.

So, he pushed the letter to the side and opened up the address book, searching for the number for the first person on the list of fifty-two. He grimaced a little and he started to punch the numbers onto the telephone keypad. In the past decade, he had had little contact with any of his relatives, and he suspected none of them would be very eager to hear from him. Especially given the nature of the call.

FROM OUR EDITORS

The Barnes & Noble Review
Psychological suspense thrillers are often framed around a hero psychiatrist attempting to save a doomed patient or working with the police to bring some insane culprit to justice. Rarely is the psychiatrist himself the party under attack, and so John Katzenbach has managed to bring a rarely seen element to the forefront of his work.

On his 53rd birthday, Dr. Fredrick "Ricky" Stark receives a chilling letter from "Rumplestiltskin," threatening to destroy one of Ricky's relatives in two weeks' time. Mr. Skin is presumably one of Ricky's former patients who wants revenge for some wrong done to him, either real or imagined. Ricky has only two opportunities to save his family and thwart his adversary: Before the deadline he must either kill himself or discover Skin's true identity. To be fair, Skin will answer three yes-or-no questions, using the ads page of The New York Times. But Skin isn't alone: Two companions named Merlin and Virgil also help drive Ricky to distraction, after molestation charges are brought against him and he's left without finances or aid from any source.

The Analyst is a gripping and often startling read in the arena of suspense. There may be a few rather unrealistic leaps in plotting, but you'll easily forgive Katzenbach's narrative devices because of the smoothness of his writing and the powerful draw of his story. His protagonist's journey is ultimately ours as well, one of pain and courage, desperation and eventual redemption. Just as circumstances in the author's work twist into a taut mystery that entwines his characters, the skillful prose will similarly grip the reader. You'll find The Analyst nearly impossible to put down. (Tom Piccirilli)

FROM THE PUBLISHER

"Happy fifty-third birthday, Doctor. Welcome to the first day of your death." "When a mysterious letter bearing these threatening words is delivered to Dr. Frederick Starks, his predictable life is thrown into chaos. Suddenly, the psychoanalyst is plunged into a horrific game designed by a man who calls himself Rumplestiltskin. The rules: in two weeks Starks must guess Rumplestiltskin's identity and the source of his fury. If he succeeds, he goes free. If he fails, one by one, Rumplestiltskin will destroy Dr. Stark's loved ones - friends, relatives, children - unless the good doctor agrees to kill himself." "You ruined my life. And now I fully intend to ruin yours." Ignoring the threat is not an option. When one of his patients dies under the wheels of a subway train and a detective investigating the case is struck by a hit-and-run driver, Starks know his tormentor means business. And then there are the messengers sent to guide Starks on his descent, from the seductive woman in a trench coat who calls herself Virgil to a lawyer named Merlin who concocts a spell of havoc and lies. His bank account rifled, his credit ruined, and his reputation dragged through the mud, Starks must rouse himself from the cocoon of his life, unlock the secret of Rumplestiltskin, and find a way to stop the madman - before he himself is driven mad.

SYNOPSIS

Happy 53rd birthday, Doctor. Welcome to the first day of your death.

When a mysterious letter bearing these threatening words is delivered to Dr. Frederick Starks, his predictable life is thrown into chaos. Suddenly, the psychoanalyst is plunged into a horrific game designed by a man who calls himself Rumplestiltskin.

FROM THE CRITICS

Library Journal

This analyst is being stalked. Next February, Katzenbach's Hart's War will debut as a movie starring Bruce Willis and Colin Firth, and his new book has been snatched for film production as well. Copyright 2001 Cahners Business Information.

Kirkus Reviews