Commissioned to find the precious cargo of ivory stolen by river thieves from the hold of Clement Louvain's ocean-going schooner, private enquiry agent William Monk is intrigued by his new surroundings. The waterfront of the River Thames is a world unto itself, but without the help of the famed River Police, Monk hardly stands a chance of retrieving the ivory or tracking down the murderous men who killed an innocent crew member while robbing Louvain's ship. Not so coincidentally, Monk's wife Hester, who operates a shelter for sick and injured women of the streets, discovers that a woman with a mysterious connection to Louvain may hold the key to the missing ivory as well as many more deaths aboard his ship than the one Monk knows about. Perry's trademarked plotting, characterization, and verisimilitude in recreating Victorian London gleam brilliantly in this well-crafted historical mystery. --Jane Adams


From Publishers Weekly
The strain of publishing two major novels a year continues to show in bestseller Perry's 14th historical to feature private inquiry agent William Monk and his wife, Hester, despite the fresh start for Monk, who has recovered from the amnesia that afflicted him in Death of a Stranger (2002). In the autumn of 1873, because he needs the money, Monk agrees to recover valuable cargo stolen from a ship waiting to be unloaded at an East End London dock for the ship's owner, Clement Louvain, with the proviso that Louvain will also prosecute the thieves for murdering the ship's watchman. Monk enlists the aid of a young Cockney orphan, Scuff, who doubts Monk's ability to investigate a Docklands crime: "Yer in't got the wits fer it, nor the stomach neither. Yer stick to wot yer can do-wotever that is." Meanwhile, Hester, who receives no pay for the clinic she runs for streetwalkers, must deal with an unexpected death that she suspects may be murder. Unfortunately, the author too often tells rather than shows. The reader waits impatiently for the "ruthless" Monk to say or do something that suggests that quality. Still, with its focus on the lower classes and the Thames, the plot will resonate with fans of Dickens's riparian novel, Our Mutual Friend. And, as always, Perry uses her characters and story to comment on ethical issues that remain as relevant today as they were in Victorian times. Expect another bestseller. Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.


From AudioFile
William Monk, private investigator, and his wife, Hester, nurse and feminist, are a fascinating couple operating in Victorian England. In the latest of this series, Monk reluctantly takes a case involving cargo theft and murder while Hester spends most of her time helping at a clinic for street women. A confirmed case of death from the plague brings the two plot lines dramatically together. David Colacci is a master at portraying the London lowlifes of alley and waterfront, as well as the more aristocratic characters such as Rathbone, Monk's lawyer friend. Thanks to excellent pacing and characterization, the listener is gradually drawn into this story until its explosive conclusion. J.B.G. © AudioFile 2004, Portland, Maine-- Copyright © AudioFile, Portland, Maine


From Booklist
Throughout much of the long-running William Monk series, set in Victorian England, the former London police officer and now "private enquiry agent" has been defined by his amnesia. In book after book, Monk has struggled to regain knowledge of his identity before the coach accident that took his long-term memory. In Perry's last Monk novel, Death of a Stranger (2002), the investigator regained his memory. In the latest, he barely remembers his amnesia at all and leaves the streets to work London's "longest street," the Thames. The question is: What is Monk without his amnesia? This book seems to abandon the now fully functioning Monk in favor of the far more varied and changeable Thames. After Monk is hired to investigate the theft of a cargo of ivory from a merchant ship and a related murder, he and the reader become aware of what a universe the river represents--and a crime-riddled one at that. It is fascinating to watch Monk try (and fail) to apply his London street smarts to a secretive milieu totally governed by the tides. Monk's investigation blends into his wife's work (Hester runs a clinic for assaulted or sick prostitutes) when a shipowner's cast-off mistress is brought in to the clinic with a mysterious ailment. This ailment eventually threatens all of London. Sketchy characterization, a somewhat obvious plot, but marvelous historical material on the Thames. Connie Fletcher
Copyright © American Library Association. All rights reserved


Review
PRAISE FOR ANNE PERRY AND HER NOVELS

“Intelligently written and historically fascinating.”
—The Wall Street Journal

“You can count on a Perry tale to be superior.”
—The San Diego Union-Tribune

“[A] master of crime fiction who rarely fails to deliver a strong story and a colorful cast of characters.”
—The Baltimore Sun



From the Hardcover edition.


From the Inside Flap
In her new masterpiece featuring private inquiry agent William Monk, New York Times bestselling novelist Anne Perry displays her prodigious writing talent. With insight, compassion, and a portraitist’s genius, Perry illuminates the shifting tide of emotions encompassing Queen Victoria’s London and the people who live there—aristocrats, brothel owners, thieves, Dickensian ruffians, and their evil keepers. She takes us through dangerous backstreets where the poor eke out their humble livings, and into the mansions of the rich, safe and secure in their privileged lives. Or so they believe. . . .

William Monk knows London’s streets like the back of his hand; after all, they are where he earns his living. But the river Thames and its teeming docks— where towering schooners and clipper ships unload their fabulous cargoes and wharf rats and night plunderers ply their trades—is unknown territory.

Only dire need persuades him to accept an assignment from shipping magnate Clement Louvain to investigate the theft of a cargo of African ivory from Louvain’s recently docked schooner, the Maude Idris. Monk is desperate for work, not only to feed himself and his wife, Hester, but to keep open the doors of Hester’s clinic, a last resort for sick and starving street women.

But he wonders: Why didn’t Louvain report the ivory theft directly to the River Police? Why did he warn Monk not to investigate the murder of one of the Maude Idris crew? Even more mysterious, why has Louvain brought to Hester’s clinic a desperately ill woman who he claims is the discarded mistress of an old friend? Neither Hester nor Monk anticipates the nightmare answers to these questions . . . nor the trap that soon so fatefully ensnares them.

In this magnificent novel, Anne Perry holds the reader spellbound, as Monk and Hester struggle to save themselves and their world from a catastrophe whose dimensions they can scarcely measure.


From the Hardcover edition.


About the Author
Among Anne Perry’s other novels featuring investigator William Monk are Death of a Stranger, Funeral in Blue, Slaves of Obsession, and The Twisted Root. She also writes the popular novels featuring Thomas and Charlotte Pitt, including Seven Dials, Southampton Row, The Whitechapel Conspiracy, and Half Moon Street. In addition, she is also the author of a new series set during World War One that began with No Graves as Yet. Her short story “Heroes” won an Edgar Award. Anne Perry lives in Scotland. Visit her Web site at www.anneperry.net.


From the Hardcover edition.


Excerpt. © Reprinted by permission. All rights reserved.
ONE

The murder doesn’t matter,” Louvain said abruptly, leaning a little over his desk towards Monk.

The two men were standing in the big office next to windows that faced the Pool of London with its forest of masts swaying on the tide against the ragged autumn sky. There were clippers and schooners from every seafaring nation on earth, barges from up and down the river, local pleasure boats, as well as tugs, ferries, and tenders.

“I have to have the ivory!” Louvain gritted the words between his teeth. “I’ve no time to wait for the police.”

Monk stared at him, trying to frame an answer. He needed this job, or he would not have come down to the Louvain Shipping Company offices prepared to undertake a task so far outside his usual area of skill. He was a brilliant detective in the city; he had proved it time and time again, both in the police force and later as a private agent of enquiry. He knew the mansions of the wealthy and the back streets of the poor. He knew the petty thieves and informers, the dealers in stolen goods and the brothel-keepers, the forgers and many of the general ruffians for hire. But the river, the “longest street in London,” with its shifting tides, its constant movement of ships, and men who spoke scores of different languages, was strange territory to him. The question beat in his mind, insistent as a pulse: Why had Clement Louvain sent for him rather than someone familiar with the docks and the water? The River Police themselves were older than Peel’s city police; in fact, they had existed for nearly three quarters of a century—since 1798. It was feasible that the River Police were too busy to give Louvain’s ivory the attention he wanted, but was that really his reason for calling in Monk?

“The murder is part of the theft,” Monk replied at last. “If we knew who killed Hodge, we’d know who took the ivory, and if we knew when, we might be a lot closer to finding it.”

Louvain’s face tightened. He was a wind-burned, slender-hipped man in his early forties, but hard-muscled like the sailors he hired to work his ships to the East African coast and back, with ivory, timber, spices, and skins. His light brown hair was thick and sprang up from his forehead. His features were broad and blunt.

“On the river at night, time makes no difference,” he said curtly. “There are light-horsemen, heavy-horsemen, night plunderers up and down all the time. Nobody’s going to inform on anyone else, least of all to the River Police. That’s why I need my own man, one with the skills I’m told you have.” His eyes swept over Monk, seeing a man reputed to have the same ruthlessness as himself, an inch or two taller, darker, with high cheekbones and a lean, powerful face. “I need that ivory back,” Louvain repeated. “It’s due for delivery, and the money is owed. Don’t look for the murderer to find the thief. That might work on shore. On the river you find the thief, and that will lead you to the murderer.”

Monk would have dearly liked to decline the case. It would have been easy enough; his lack of knowledge alone would have provided grounds for it. In fact, it was increasingly difficult to see why Louvain had sent for him rather than one of the many men who must at least know the river and the docks. There was always someone who would undertake a private commission—for a fee.

But Monk could not afford to point that out. He faced the bitter fact that he must make himself obliging to Louvain, and convince him, against the truth, that it was well within his power to find the ivory and return it to him in less time, and with greater discretion, than the River Police could or would do.

Necessity drove him, the spate of recent trivial cases which paid too little. He dared not go into debt, and since Hester had given her time to the clinic in Portpool Lane, which was wholly charitable, she added nothing to their financial situation. But a man should not expect his wife to keep herself. She asked little enough—no luxury, no vanity, only to be able to do the work she loved. Monk would have served any man to give her that. He resented Louvain because he had the power to cause him acute discomfort, but far more than that he was troubled that Louvain showed more concern about catching a thief who had robbed him of goods than a murderer who had taken Hodge’s life.

“And if we do catch him,” he said aloud, “and Hodge is buried, what evidence do we have? We will have concealed his crime for him.”

Louvain pursed his lips. “I can’t afford to have the theft known. It would ruin me. Would it serve if I swear a testimony as to exactly where I found the body, and how and when? The doctor can swear to his in- juries, and you yourself can look, too. I’ll sign the document and you can have it.”

“How will you explain concealing the crime from the police?” Monk asked.

“I’ll hand them the murderer, with proof,” Louvain answered. “What more could they want?”

“And if I don’t catch him?”

Louvain looked at him with a wry, delicately twisted smile. “You will,” he said simply.

Monk could not afford to argue. Morally, it set ill with him, but in practical terms Louvain was right. He must succeed; but if he did not, then the River Police’s chances were even less.

“Tell me as much as you know,” he said.

Louvain sat down at last, easing himself into the padded round-backed chair and indicating that Monk should sit also. He fixed his gaze on Monk’s face.

“The Maude Idris put out from Zanzibar fully loaded with ebony, spices, and fourteen first-grade tusks of ivory, bound ’round the Cape of Good Hope and home. She’s a four-masted schooner with a nine-man crew: captain, mate, bosun, cook, cabin boy, and four able seamen, one per mast. That’s standard for her tonnage.” He was still watching Monk’s face. “She made fair weather most of the way, calling in for supplies and fresh water up the west coast of Africa. She reached Biscay five days ago, Spithead the day before yesterday, and tacked the last few miles upriver with the wind behind her. Dropped anchor just east of the Pool yesterday, October twentieth.”

Monk was listening intently, but the account held nothing useful to him. He was certain Louvain knew that; nevertheless they both continued to play out the charade.

“Crew was paid off,” Louvain went on. “As is usual. Been away a long time, close to half a year, one way and another. I left the bosun and three able seamen on board to keep things safe. One of them is the dead man, Hodge.” A flicker passed across his face. It could have been any emotion at all: anger, sorrow, even guilt.

“Four out of the nine stayed?” Monk confirmed it.

As if reading his thoughts, Louvain pursed his lips. “I know the river’s dangerous, especially for a ship newly come in. All the watermen will know the cargo’s still on it. Not much on the river is secret for long, but any fool could work that out. You don’t come up this far if you’re empty. You’re loading or unloading. I thought four men, armed, would be enough. I was wrong.” His face was filled with emotion, but which emotion was unreadable.

“How were they armed?” Monk asked.

“Pistols and cutlasses,” Louvain replied.

Monk frowned. “Those are close-quarter weapons. Is that all you carry?”

Louvain’s eyes widened almost imperceptibly. “There are four cannons on deck,” he replied guardedly. “But that’s in case of piracy at sea. You can’t fire that sort of thing on the river!” A slight flare of amusement crossed his face and vanished. “They only wanted the ivory, not the whole damn ship!”

“Was anyone else injured apart from Hodge?” Monk concealed his annoyance with an effort. It was not Louvain’s fault that he was obliged to work out of his depth.

“No,” Louvain said. “River thieves know how to come alongside and board in silence. Hodge was the only one they encountered, and they killed him without arousing anyone else.”

Monk tried to imagine the scene: the cramped spaces in the bowels of the ship, the floor shifting and tilting with the tide, the creaking of the ship’s timbers. And then would come the sudden knowledge that there were footsteps, then the terror, the violence, and finally the crippling pain as they struck.

“Who found him?” he said quietly. “And when?”

Louvain’s face was heavy, his mouth drawn tight. “The man who came to relieve him at eight o’clock.”

“Before or after he saw the ivory was missing?”

Louvain hesitated only a second. It was barely discernible, and Monk wondered if he had imagined it. “After.”

If he had said before, Monk would not have believed him. In self-preservation the man would have wanted to know what he was dealing with before he told Louvain anything. And unless he were a complete fool, he would have thought first to make sure the killer was not still on board. If he could have said he had captured him, and kept the ivory, he would have had a very different story to tell. Unless, of course, he already knew all about it and was party to it?

“Where were you when you got the message?”

Louvain looked at him stonily. “Here. It was nearly half past eight by then.”

“How long had you been here?”

“Since seven.”

“Would he know that?” He watched Louvain’s face closely. One of the ways he could judge the men left on the ship was by Louvain’s trust in them. A man in Louvain’s position could not afford to forgive even error, let alone any kind of disloyalty.

“Yes,” Louvain replied, a flicker of amusement in his eyes. “Any seaman would expect it. That doesn’t tell you what you think it does.”

Monk felt the heat burn up inside him. He was clawing after answers, not grasping as he usually did. This was not the right pace at which to play games of wits with Louvain. He must be either blunter or a great deal more subtle.

“All shipowners are in their offices at that hour?” he concluded aloud.

Louvain relaxed a little. “Yes. He came here and told me Hodge had been killed and the ivory stolen. I went with him immediately—” He stopped as Monk stood up.

“Can you retrace your steps, and I’ll come with you?” Monk requested.

Louvain rose smoothly. “Of course.” He said nothing else as he led Monk across the worn carpet to the heavy door, opened it and then locked it behind them, putting the key in the inside pocket of his waistcoat. As he took a heavier jacket from a coat stand, he glanced at Monk’s attire, as if to consider its adequacy, and decided it would suffice.

Monk was proud of his clothes. Even in his most financially restricted times, he had dressed well. He had a natural elegance, and pride dictated that the tailor’s bill had come before the butcher’s. But that had been when he was single. Now he might have to reverse that order, and it already weighed heavily with him. It was a kind of defeat. However, he had realized that a man involved in shipping, as Louvain was, might well have business that required them both to go on the river, so he had come with that in mind. His boots were heavy and well soled; his overcoat was easy to move in and would cut the wind.

He followed Louvain down the stairs and across the outer office, where clerks were bent over ledgers or sitting on high stools with quills in hand. The odors of ink and dust were in the air, and there was an acrid sting of smoke as he passed the iron heating stove just as someone opened it to put more coke in the top.

Outside in the roadway towards the dock, the raw-edged wind struck them immediately, making the skin smart, whipping the hair back, catching in the throat the taste of salt on the incoming tide. It was heavy with smells of fish, tar, and the sour, overbearing effluent of mud and sewage from above the waterline beyond the wharves.

The water slurped against the pier stakes in endless movement, rhythm broken now and then by the wash of barges laden so they sank deep. They moved slowly upriver towards London Bridge and beyond. The mewing of gulls was shrill, yet it was a sound that brought back echoes of meaning for Monk, flashes of his life in Northumberland as a boy. A carriage accident seven years before, in 1856, had robbed him of most of those many-colored fragments that build the past and form the pictures of who we are. By deduction he had pieced much of it together, and now and again windows opened suddenly and showed him whole landscapes for a moment. The cry of gulls was one of those.

Louvain was crossing the cobbles down to the wharf and striding along without looking right or left. The docks, with their vast warehouses, cranes and derricks, were all familiar to him. He was used to seeing the laborers and watermen and the small craft coming and going.

Monk followed Louvain to the end of the wharf, where the dark water swirled and slapped under the shadows, its surface spotted with scum and drifting refuse. On the far bank there was a stretch of mud below the tide line, and three children were wading in it, sunk halfway up to their knees, bent over, searching with busy, skilled hands for whatever they could find. A snatch of memory told Monk it was almost certainly for coal off the barges, fallen by chance, or deliberately pushed a piece at a time, precisely in order to be picked up by the mudlarks.

Louvain waved his arm and shouted across the water. Within moments a light boat, twelve or fourteen feet long, drew up to the steps with a single man aboard at the oars. His face was weather-beaten to the color of old wood, his gray beard little more than bristle, and his hat, jammed down over his ears, hid whatever hair he might have had. He gave a brief, half salute of recognition and waited for Louvain’s orders.

“Take us out to the Maude Idris,” Louvain told him, stepping easily down into the boat, adjusting his weight to keep his balance as it tipped and jiggled. He offered no assistance to Monk behind him, either assuming he was accustomed to boats or uninterested in whether he made a fool of himself or not.

A moment of fear rose in Monk, and embarrassment in case he did it clumsily. He stiffened, and then physical instinct told him that was wrong, and he dropped down loosely, bending his knees and adjusting with a grace that surprised both of them.

The waterman wove between the barges with practiced skill, skirting around a three-masted schooner, its canvas lashed, timbers stained and peeling from long days of tropical sun and salt wind. Monk glanced down and saw the crusting of barnacles below the waterline. The river was too murky for him to see more than a foot or so below the surface.

He looked up quickly as they passed under the shadow of a much larger ship and caught his breath with a sudden thrill as the sheer beauty of it gripped him. It towered into the air, three tremendous masts with yardarms eighty or ninety feet long and dark against the gray clouds, sails furled, rigging in fine lines like an etching on the sky. It was one of the great clippers that sailed around the world, probably racing from China to London with tea, silk, and spices of the Far East. First one to unload won the stupendous prices, second got only what was left. His imagination teemed with visions of roaring winds and seas, worlds of sky, billowing canvas, spars thrashing in a wild dance of the elements. And there would be calmer seas, flaming sunsets, clear water like glass teeming with creatures of myriad shapes, and windless days when time and space stretched into eternity.

Monk jerked himself back to the present and the loud, busy river, the cold spray off the water whipping his face. Ahead of them was a four-masted schooner lying at anchor, rolling slightly on the wake from a string of barges. She was wide beamed and quite deep of draft, an oceangoing carrier of heavy cargo, swift under full sail, easy to maneuver, and this close, the gun ports on the foredeck were plain to see. She would be neither caught nor captured easily.

Yet here in her home port she was a sitting target for two or three men creeping up over the black water by night, swarming up the sides to the deck and taking an inattentive guard by surprise.


From the Hardcover edition.

FROM THE PUBLISHER

"Anne Perry illuminates the shifting tide of emotions encompassing Queen Victoria's London and the people who live there - aristocrats, brothel owners, thieves, Dickensian ruffians, and their evil keepers. She takes us through dangerous backstreets where the poor eke out their humble livings, and into the mansions of the rich, safe and secure in their privileged lives. Or so they believe." "William Monk knows London's streets like the back of his hand; after all, they are where he earns his living. But the river Thames and its teeming docks - where towering schooners and clipper ships unload their fabulous cargoes and wharf rats and night plunderers ply their trades - is unknown territory." "Only dire need persuades him to accept an assignment from shipping magnate Clement Louvain to investigate the theft of a cargo of African ivory from Louvain's recently docked schooner, the Maude Idris. Monk is desperate for work, not only to feed himself and his wife, Hester, but to keep open the doors of Hester's clinic, a last resort for sick and starving street women." But he wonders: Why didn't Louvain report the ivory theft directly to the River Police? Why did he warn Monk not to investigate the murder of one of the Maude Idris crew? Even more mysterious, why has Louvain brought to Hester's clinic a desperately ill woman who he claims is the discarded mistress of an old friend? Neither Hester nor Monk anticipates the nightmare answers to these questions...nor the trap that soon so fatefully ensnares them.

FROM THE CRITICS

Marilyn Stasio - The New York Times

In scenes that could have come out of Dickens's Our Mutual Friend, Monk wanders the teeming streets and ventures into the perilous river traffic, at one point chatting up an old sailor who yearns for the days of an even more exciting era of privateering. As the sailor says, ''River's full o' tales,'' and Perry knows how to bring them to life.

Publishers Weekly

The strain of publishing two major novels a year continues to show in bestseller Perry's 14th historical to feature private inquiry agent William Monk and his wife, Hester, despite the fresh start for Monk, who has recovered from the amnesia that afflicted him in Death of a Stranger (2002). In the autumn of 1873, because he needs the money, Monk agrees to recover valuable cargo stolen from a ship waiting to be unloaded at an East End London dock for the ship's owner, Clement Louvain, with the proviso that Louvain will also prosecute the thieves for murdering the ship's watchman. Monk enlists the aid of a young Cockney orphan, Scuff, who doubts Monk's ability to investigate a Docklands crime: "Yer in't got the wits fer it, nor the stomach neither. Yer stick to wot yer can do-wotever that is." Meanwhile, Hester, who receives no pay for the clinic she runs for streetwalkers, must deal with an unexpected death that she suspects may be murder. Unfortunately, the author too often tells rather than shows. The reader waits impatiently for the "ruthless" Monk to say or do something that suggests that quality. Still, with its focus on the lower classes and the Thames, the plot will resonate with fans of Dickens's riparian novel, Our Mutual Friend. And, as always, Perry uses her characters and story to comment on ethical issues that remain as relevant today as they were in Victorian times. Expect another bestseller. Agent, Donald Maass. (On sale Apr. 27) FYI: Perry has recently edited a mystery anthology with a Charles Dickens theme, Death by Dickens (Forecasts, Feb. 23). Copyright 2004 Reed Business Information.

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