From Publishers Weekly
Nashville PI Harry James Denton is hired by an old flame, Rachel Fletcher, to help her settle her husband Conrad's gambling debts--Conrad has been getting pay-up-or-else messages. Harry decides to drop in on Conrad, a surgeon, at the local hospital--and finds him sprawled on a bed, unconscious and near death. Harry is then whacked on the head by an unseen assailant. He later learns from forensic pathologist Marsha Helms that a narcotic injection caused Conrad's death. Strongly intimating that she would like to turn to him for comfort, Rachel pulls Harry off the case. Nevertheless, he is determined to find Conrad's murderer. Attending the wake, he finds that Conrad was rather unpopular; the guests have come less to pay their respects than "to make sure he was really dead." There is a lot to like in Womack's ( Smash Cut ) hard-boiled murder mystery--an engaging sleuth, a convincing setting, a passel of folks to distrust and some good minor characters (notably Marsha). But while the book's payoff has a tidy surprise in it, it also fails to tie up some important strands of the murder scenario. Copyright 1992 Reed Business Information, Inc.


Book Description
EDGAR AWARD WINNER--Best Paperback Original Mystery 1993.
When Rachel Fletcher, an old college flame, enters Harry James Denton's office needing his private detecting services, he'd rather not. But he prefers money to poverty, and agrees to find out what kind of dangerous business her husband is mixed up in. Conrad Fletcher is a rich surgeon with a lot of enemies. He also owes big money to a very big, very bad bookie. But by the time Harry catches up with Fletcher, he's gone from being in debt to being dead. The list of suspects could fill the Grand Ole Opry, and Harry's search for the killer will lead him into the partsof Nashville that no one ever sings about--unless they're singing the DEAD FOLKS' BLUES.
"A deft, atmosphere-rich novel: smart, funny, and filled with a sense of wry heartbreak. Steven Womack's Nashville stands out--it is a beautifully drawn backdrop."
James Ellroy


From the Paperback edition.


From the Inside Flap
EDGAR AWARD WINNER--Best Paperback Original Mystery 1993.
When Rachel Fletcher, an old college flame, enters Harry James Denton's office needing his private detecting services, he'd rather not. But he prefers money to poverty, and agrees to find out what kind of dangerous business her husband is mixed up in. Conrad Fletcher is a rich surgeon with a lot of enemies. He also owes big money to a very big, very bad bookie. But by the time Harry catches up with Fletcher, he's gone from being in debt to being dead. The list of suspects could fill the Grand Ole Opry, and Harry's search for the killer will lead him into the partsof Nashville that no one ever sings about--unless they're singing the DEAD FOLKS' BLUES.
"A deft, atmosphere-rich novel: smart, funny, and filled with a sense of wry heartbreak. Steven Womack's Nashville stands out--it is a beautifully drawn backdrop."
James Ellroy


From the Paperback edition.

FROM THE PUBLISHER

EDGAR AWARD WINNER—Best Paperback Original Mystery 1993.
When Rachel Fletcher, an old college flame, enters Harry James Denton's office needing his private detecting services, he'd rather not. But he prefers money to poverty, and agrees to find out what kind of dangerous business her husband is mixed up in. Conrad Fletcher is a rich surgeon with a lot of enemies. He also owes big money to a very big, very bad bookie. But by the time Harry catches up with Fletcher, he's gone from being in debt to being dead. The list of suspects could fill the Grand Ole Opry, and Harry's search for the killer will lead him into the partsof Nashville that no one ever sings about—unless they're singing the DEAD FOLKS' BLUES.
"A deft, atmosphere-rich novel: smart, funny, and filled with a sense of wry heartbreak. Steven Womack's Nashville stands out—it is a beautifully drawn backdrop."
James Ellroy

FROM THE CRITICS

Publishers Weekly

Nashville PI Harry James Denton is hired by an old flame, Rachel Fletcher, to help her settle her husband Conrad's gambling debts--Conrad has been getting pay-up-or-else messages. Harry decides to drop in on Conrad, a surgeon, at the local hospital--and finds him sprawled on a bed, unconscious and near death. Harry is then whacked on the head by an unseen assailant. He later learns from forensic pathologist Marsha Helms that a narcotic injection caused Conrad's death. Strongly intimating that she would like to turn to him for comfort, Rachel pulls Harry off the case. Nevertheless, he is determined to find Conrad's murderer. Attending the wake, he finds that Conrad was rather unpopular; the guests have come less to pay their respects than ``to make sure he was really dead.'' There is a lot to like in Womack's ( Smash Cut ) hard-boiled murder mystery--an engaging sleuth, a convincing setting, a passel of folks to distrust and some good minor characters (notably Marsha). But while the book's payoff has a tidy surprise in it, it also fails to tie up some important strands of the murder scenario. (Jan.)

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