From Publishers Weekly
Again grounding her novel in family and the workings of fate, Tan (The Kitchen God's Wife) spins the tale of two sisters, two cultures, and several acts of betrayal. Kwan, who came to San Francisco from China when she was 18, remains culturally disjointed, a good-natured, superstitious peasant with a fierce belief that she has "yin eyes," which enable her to see ghosts. Kwan's younger half-sister Olivia (or Libby-ah, as Kwan calls her) is supremely annoyed by Kwan's habit of conversing with spirits and treats her with disdain. Despite herself, however, Libby is fascinated by the stories Kwan tells of her past lives, during one of which, in the late 1800s, she claims to have befriended an American missionary who was in love with an evil general. Kwan relates this story in installments that alternate with Libby's narration, which stresses her impatience with Kwan's clinging presence. But Kwan's devotion never cools: "She turns all my betrayals into love that needs to be betrayed," Libby muses. When circumstances take Kwan, Libby and Libby's estranged husband, Simon, back to Kwan's native village in China on a magazine assignment, the stories Kwan tells?of magic, violence, love and fate?begin to assume poignant?and dangerous?relevance. In Kwan, Tan has created a character with a strong, indelible voice, whose (often hilarious) pidgin English defines her whole personality. Needy, petulant, skeptical Libby is not as interesting; though she must act as Kwan's foil, demonstrating the dichotomy between imagination and reality, she is less credible and compelling, especially when she undergoes a near-spiritual conversion in the novel's denouement. Indeed, some readers may feel that the ending is less than satisfactory, but no one will deny the pleasure of Tan's seductive prose and the skill with which she unfolds the many-layered narrative. Major ad/promo; BOMC and QPB main selections; author tour. Copyright 1995 Reed Business Information, Inc.


From School Library Journal
YA?Olivia, the narrator of this story, was born to an American mother and a Chinese father. She meets her 18-year-old Chinese half sister, Kwan, for the first time shortly after their father's death. Kwan adores "Libby-ah" and tries to introduce her to her Chinese heritage through stories and memories. Olivia is embarrassed by her sibling, but finds as she matures that she has inadvertently absorbed much about Chinese superstitions, spirits, and reincarnation. Olivia explains, "My sister Kwan believes she has Yin eyes. She sees those who have died and now dwell in the World of Yin..." Now in her mid-30s, Olivia, a photographer, is still seeking a meaningful life. The climax of the story comes when she and her estranged husband Simeon, a writer, go to China on assignment with Kwan as the interpreter. In the village in which she grew up, Kwan returns to the world of Yin, her mission completed. Olivia finally learns what Kwan was trying to show her: "If people we love die, then they are lost only to our ordinary senses. If we remember, we can find them anytime with our hundred secret senses." The meshing of the contemporary story of Olivia and the tales Kwan tells of her past life in late-19th century China may confuse some readers. Although this story is different from Tan's previous novels because of the supernatural twist, YAs will find some familiar elements.?Carol Clark, R. E. Lee High School, Springfield, VACopyright 1996 Reed Business Information, Inc.


From Library Journal
As in The Joy Luck Club (LJ 2/15/89), Tan unwinds another haunting tale that examines the ties binding Chinese Americans to their ancestors. Nearing divorce from her husband, Simon, Olivia Yee is guided by her elder half-sister, the irrepressible Kwan, into the heart of China. Olivia was five when 18-year-old Kwan first joined her family in the United States, and though always irritated by Kwan's oddities, Olivia was entranced by her eerie dreams of the ghost World of Yin. Only when visiting Kwan's home in Changmian does Olivia realize the dreams are, in Kwan's mind, memories from past lives. Kwan believes she must help Olivia and Simon reunite and thereby fix a broken promise from a previous incarnation. Tan tells a mysterious, believable story and delivers Kwan's clipped, immigrant voice and engaging personality with charming clarity. Highly recommended.--Sheila Riley, Smithsonian Inst. Libs., Washington, D.C.Copyright 1995 Reed Business Information, Inc.


From AudioFile
Amy Tan is as delightful to listen to as she is to read. She creates magic in this story of two sisters: Olivia, totally American and pragmatic, and Kwan, Chinese and mystical, who converses more easily with the dead than with the living. Tan's contrasting American and Chinese accents bring both personalities vividly to life and provide enchanting images of alternately conflicting and blending cultures. She needs no special effects to engage the listener's hundred secret senses. B.L.W. (c)AudioFile, Portland, Maine


From Booklist
Tan, a critical and commercial favorite, returns to the fiction scene after a four-year absence with a risky, ambitious novel that tackles themes of loyalty, connectedness, and what it means to be a family. When Olivia Yee's half-sister, Kwan, arrives from China, Olivia's life is irrevocably changed. For one thing, Kwan has yin eyes--she can see ghosts. Every night as they were growing up, Kwan told Olivia bedtime stories about the same group of yin people: a woman named Banner, a man named Cape, a one-eyed bandit girl, and a half-and-half man. But, for Olivia, Kwan is also a perpetual source of embarrassment due to her endless questions, fractured English, and boundless optimism. When Olivia separates from her husband, Simon, Kwan schemes to get them back together, and the three take a trip to China to visit the village where Kwan grew up and to learn the secret of their connection to the yin people. Tan's fantastical novel is both mesmerizing and awkward. She is obviously betting that readers will find the ancient and modern worlds she draws here equally fascinating, but Kwan steals every scene she appears in, and her magnetic ghost stories completely overpower Olivia's more modern tale of a broken relationship. It's no contest, for who can resist the lure of a good old-fashioned ghost story? Joanne Wilkinson


Book Description
The Hundred Secret Senses is an exultant novel about China and America, love and loyalty, the identities we invent and the true selves we discover along the way. Olivia Laguni is half-Chinese, but typically American in her uneasiness with her patchwork family. And no one in Olivia's family is more embarrassing to her than her half-sister, Kwan Li. For Kwan speaks mangled English, is cheerfully deaf to Olivia's sarcasm, and sees the dead with her "yin eyes."Even as Olivia details the particulars of her decades-long grudge against her sister (who, among other things, is a source of infuriatingly good advice), Kwan Li is telling her own story, one that sweeps us into the splendor, squalor, and violence of Manchu China. And out of the friction between her narrators, Amy Tan creates a work that illuminates both the present and the past sweetly, sadly, hilariously, with searing and vivid prose."Truly magical...unforgettable...this novel...shimmer[s] with meaning."--San Diego Tribune"The Hundred Secret Senses doesn't simply return to a world but burrows more deeply into it, following new trails to fresh revelations."--Newsweek


From the Publisher
I have to admit my first reading of this book was actually a "listening". I listened to it on audio; Amy Tan reading. She is an outstanding reader...I can still hear the characters' distinct voices and visualize scenes as vividly as if I'd "seen" the book instead of "heard" it read to me. I was inspired to read the book for myself as well as more of her novels which balance Chinese traditions with American ideas.

-Jocelyn Schmidt, Ballantine National Sales Coordinator


From the Publisher
I hadn't read an Amy Tan book since Kitchen God's Wife and it was refreshing to see that she just gets better and better with her storytelling! This book was a lot more authentic. Kwan Li, Olivia's stepsister was such an intriguing character who had much more depth as you got to know her. In fact, she had so much depth that I feel like I missed somethings by reading this book only once. Kwan's ability to link the present with the past in a believable fashion was an example of Amy Tan's talent.-Ceneta Lee Williams, Ballantine National Account Manager


From the Inside Flap
The Hundred Secret Senses is an exultant novel about China and America, love and loyalty, the identities we invent and the true selves we discover along the way. Olivia Laguni is half-Chinese, but typically American in her uneasiness with her patchwork family. And no one in Olivia's family is more embarrassing to her than her half-sister, Kwan Li. For Kwan speaks mangled English, is cheerfully deaf to Olivia's sarcasm, and sees the dead with her "yin eyes."

Even as Olivia details the particulars of her decades-long grudge against her sister (who, among other things, is a source of infuriatingly good advice), Kwan Li is telling her own story, one that sweeps us into the splendor, squalor, and violence of Manchu China. And out of the friction between her narrators, Amy Tan creates a work that illuminates both the present and the past sweetly, sadly, hilariously, with searing and vivid prose.

"Truly magical...unforgettable...this novel...shimmer[s] with meaning."--San Diego Tribune

"The Hundred Secret Senses doesn't simply return to a world but burrows more deeply into it, following new trails to fresh revelations."--Newsweek

FROM OUR EDITORS

Set in San Francisco and in a remote village of southern China, this is the story of a young American woman's pragmatism, shaken and soothed by Chinese ghosts she swears she doesn't believe in. From the acclaimed author of The Joy Luck Club and The Kitchen God's Wife.

ANNOTATION

Amy Tan's latest effort unfolds a series of family secrets that questions the connection between fate, beliefs, and hopes, memory and imagination, and the natural gifts of our hundred secret senses. Years after her Chinese half-sister assails her with ghost stories set in the mysterious world of Yin, a young woman finds herself in China, looking for a way to reconcile the ghosts of her past with the dreams of her future.

FROM THE PUBLISHER

Set in San Francisco and in a remote village of southern China, this is a tale of American pragmatism shaken, and soothed, by Chinese ghosts. What proof of love do we seek between mother and daughter, among sisters, lovers, and friends? What are its boundaries and failings? Can love go beyond 'Until death do us part?' And if so, which aspects haunt us like regretful ghosts? In 1962, Olivia, nearly six years old, meets Kwan, her adult half sister from China, for the first time. Olivia's neglectful mother, who in pursuing a new marriage can't provide the attention her daughter needs, finds Kwan to be a handy caretaker. In the bedroom the sisters share, Kwan whispers secrets about ghosts and makes Olivia promise never to reveal them. Out of both fright and resentment, Olivia betrays her sister -- with terrible consequences. From then on she listens to Kwan's stories and pretends to believe them. Thirty years pass, and Olivia is about to divorce her husband, Simon, after a lengthy marriage. She is certain he has never given up his love for a former girlfriend, who died years before. Kwan and her ghosts believe otherwise, and they provide Olivia with ceaseless advice and pleas to reconsider. But Olivia has long since dismissed the ghosts of her childhood and the wacky counsel of her sister. Just as Kwan anticipates, fate intervenes and takes her, Olivia, and Simon to China. In the village where Kwan grew up, Olivia confronts the tangible evidence of what she has always presumed to be her sister's fantasy of the past. And there, she finds the proof that love endures, and comes to understand what logic ignores, what you can know only through the hundred secret senses.

FROM THE CRITICS

Newsweek

Tan has once more produced a novel somewhat like a hologram: turn it this way and find Chinese-Americans shopping and arguing in San Francisco; turn it that way and the Chinese of Changmian village in 1864 are fleeing into the hills to hide from the rampaging Manchus. . . .The Hundred Secret Senses doesn't simply return to a world but burrows more deeply into it, following new trails to fresh revelations.

Publishers Weekly

Tan's novel of the conflicts between two very different Chinese American sisters spent 12 weeks on PW's bestseller list. (Dec.)

AudioFile - Bonnie L. Worcester

Amy Tan is as delightful to listen to as she is to read. She creates magic in this story of two sisters: Olivia, totally American and pragmatic, and Kwan, Chinese and mystical, who converses more easily with the dead than with the living. Tan￯﾿ﾽs contrasting American and Chinese accents bring both personalities vividly to life and provide enchanting images of alternately conflicting and blending cultures. She needs no special effects to engage the listener￯﾿ﾽs hundred secret senses. B.L.W. ￯﾿ﾽAudioFile, Portland, Maine

USA Today

Her most polished work . . . Tan is a wonderful storyteller, and the story's many strands -- Olivia's childhood, her courtship and marriage, Kwan's ghost stories and village tales -- propel the work to its climactic but bittersweet end.

Newsweek

Tan has once more produced a novel somewhat like a hologram: turn it this way and find Chinese-Americans shopping and arguing in San Francisco; turn it that way and the Chinese of Changmian village in 1864 are fleeing into the hills to hide from the rampaging Manchus. . . .The Hundred Secret Senses doesn't simply return to a world but burrows more deeply into it, following new trails to fresh revelations.Read all 7 "From The Critics" >

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