Author Erik Larson imbues the incredible events surrounding the 1893 Chicago World's Fair with such drama that readers may find themselves checking the book's categorization to be sure that The Devil in the White City is not, in fact, a highly imaginative novel. Larson tells the stories of two men: Daniel H. Burnham, the architect responsible for the fair's construction, and H.H. Holmes, a serial killer masquerading as a charming doctor. Burnham's challenge was immense. In a short period of time, he was forced to overcome the death of his partner and numerous other obstacles to construct the famous "White City" around which the fair was built. His efforts to complete the project, and the fair's incredible success, are skillfully related along with entertaining appearances by such notables as Buffalo Bill Cody, Susan B. Anthony, and Thomas Edison. The activities of the sinister Dr. Holmes, who is believed to be responsible for scores of murders around the time of the fair, are equally remarkable. He devised and erected the World's Fair Hotel, complete with crematorium and gas chamber, near the fairgrounds and used the event as well as his own charismatic personality to lure victims. Combining the stories of an architect and a killer in one book, mostly in alternating chapters, seems like an odd choice but it works. The magical appeal and horrifying dark side of 19th-century Chicago are both revealed through Larson's skillful writing. --John Moe


From Publishers Weekly
Not long after Jack the Ripper haunted the ill-lit streets of 1888 London, H.H. Holmes (born Herman Webster Mudgett) dispatched somewhere between 27 and 200 people, mostly single young women, in the churning new metropolis of Chicago; many of the murders occurred during (and exploited) the city's finest moment, the World's Fair of 1893. Larson's breathtaking new history is a novelistic yet wholly factual account of the fair and the mass murderer who lurked within it. Bestselling author Larson (Isaac's Storm) strikes a fine balance between the planning and execution of the vast fair and Holmes's relentless, ghastly activities. The passages about Holmes are compelling and aptly claustrophobic; readers will be glad for the frequent escapes to the relative sanity of Holmes's co-star, architect and fair overseer Daniel Hudson Burnham, who managed the thousands of workers and engineers who pulled the sprawling fair together 0n an astonishingly tight two-year schedule. A natural charlatan, Holmes exploited the inability of authorities to coordinate, creating a small commercial empire entirely on unpaid debts and constructing a personal cadaver-disposal system. This is, in effect, the nonfiction Alienist, or a sort of companion, which might be called Homicide, to Emile Durkheim's Suicide. However, rather than anomie, Larson is most interested in industriousness and the new opportunities for mayhem afforded by the advent of widespread public anonymity. This book is everything popular history should be, meticulously recreating a rich, pre-automobile America on the cusp of modernity, in which the sale of "articulated" corpses was a semi-respectable trade and serial killers could go well-nigh unnoticed. 6 b&w photos, 1 map.Copyright 2002 Reed Business Information, Inc.


From Booklist
*Starred Review* Larson's ambitious, engrossing tale of the Chicago World's Fair of 1893 focuses primarily on two men: Daniel H. Burnham, the architect who was the driving force behind the fair, and Henry H. Holmes, a sadistic serial killer working under the cover of the busy fair. After the 1889 French Exposition Universel wowed the world with the Eiffel Tower and high attendance numbers, interest began to grow in the U.S. for a similar fair. Chicago and New York were the top contenders for the location, and in February 1890, Chicagoans were overjoyed to hear they had won the honor. Burnham and his partner, John Root, the leading architects in Chicago, were tapped for the job, and they in turn called on Frederick Law Olmstead, Louis Sullivan, and Richard M. Hunt to help them build the world's greatest fair. They faced overwhelming obstacles: inhospitable weather, bureaucracy, illness, and even death. Unbeknownst to any of them, Holmes, a charismatic, handsome doctor, had arrived in the city and built a complex with apartments, a drugstore, and a vault, which he used to trap his victims until they suffocated. When the White City opened for business in May 1893, hundreds of thousands of people flocked to it, although a plummeting economy and several accidents did nothing to help business. A shocking murder concludes the ultimately successful fair, and that's before Holmes claims his final victims in the cruelest act of his career. A magnificent book. Kristine Huntley
Copyright © American Library Association. All rights reserved

FROM OUR EDITORS

The bestselling author of Isaac's Storm returns with a gripping tale about two men -- one a creative genius, the other a mass murderer -- who turned the 1893 Chicago World's Fair into their playground. Set against the dazzle of a dream city whose technological marvels presaged the coming century, this real-life drama of good and evil unfolds with all the narrative tension of a fictional thriller.

ANNOTATION

Finalist for the 2003 National Book Award, Nonfiction

Winner of the 2004 Edgar Award for Best Fact Crime

FROM THE PUBLISHER

"Two men, each handsome and unusually adept at his chosen work, embodied an element of the great dynamic that characterized America's rush toward the twentieth century. The architect was Daniel Hudson Burnham, the fair's brilliant director of works and the builder of many of the country's most important structures, including the Flatiron Building in New York and Union Station in Washington, D.C. The murderer was Henry H. Holmes, a young doctor who, in a malign parody of the White City, built his "World's Fair Hotel" just west of the fairgrounds - a torture palace complete with dissection table, gas chamber, and 3,000-degree crematorium. Burnham overcame tremendous obstacles and tragedies as he organized the talents of Frederick Law Olmsted, Charles McKim, Louis Sullivan, and others to transform swampy Jackson Park into the White City, while Holmes used the attraction of the great fair and his own satanic charms to lure scores of young women to their deaths. What makes the story all the more chilling is that Holmes really lived, walking the grounds of that dream city by the lake." The Devil in the White City draws the reader into a time of magic and majesty, made all the more appealing by a supporting cast of real-life characters, including Buffalo Bill, Theodore Dreiser, Susan B. Anthony, Thomas Edison, Archduke Francis Ferdinand, and others. In this book the smoke, romance, and mystery of the Gilded Age come alive as never before.

SYNOPSIS

Two men, each handsome and unusually adept at his chosen work, embodied an element of the great dynamic that characterized America’s rush toward the twentieth century. The architect was Daniel Hudson Burnham, the fair’s brilliant director of works and the builder of many of the country’s most important structures, including the Flatiron Building in New York and Union Station in Washington, D.C. The murderer was Henry H. Holmes, a young doctor who, in a malign parody of the White City, built his “World’s Fair Hotel” just west of the fairgrounds—a torture palace complete with dissection table, gas chamber, and 3,000-degree crematorium. Burnham overcame tremendous obstacles and tragedies as he organized the talents of Frederick Law Olmsted, Charles McKim, Louis Sullivan, and others to transform swampy Jackson Park into the White City, while Holmes used the attraction of the great fair and his own satanic charms to lure scores of young women to their deaths. What makes the story all the more chilling is that Holmes really lived, walking the grounds of that dream city by the lake.

The Devil in the White City draws the reader into a time of magic and majesty, made all the more appealing by a supporting cast of real-life characters, including Buffalo Bill, Theodore Dreiser, Susan B. Anthony, Thomas Edison, Archduke Francis Ferdinand, and others. In this book the smoke, romance, and mystery of the Gilded Age come alive as never before.

Erik Larson’s gifts as a storyteller are magnificently displayed in this rich narrative of the master builder, the killer, and the great fair that obsessed them both.

To find outmore about this book, go to http://www.DevilInTheWhiteCity.com.


From the Hardcover edition.

FROM THE CRITICS

Publishers Weekly

This is a steady performance of a book that, while gripping in its content and crisply paced, isn't quite a gold mine for an audio performer. It relies on journalistic narration and includes almost no quotes, so there isn't much chance for interesting characterization. But it is excellent nonfiction, chronicling the hurly-burly planning and construction of the 1893 Chicago World's Fair (which did, as the title suggests, include building what amounted to an entire city) and a cruelly calculating sociopath who used the event's tumult and crowds to serve his homicidal compulsion. Goldwyn is an experienced narrator with a keen dramatic sense, and his resonant voice is well-suited to the project. Music is used only sparingly, but the few subdued, creepy bars Goldwyn reads over in the beginning do an excellent job of creating atmosphere for a tale that is subtle but often genuinely unsettling. Listeners will also be fascinated by descriptions of the sheer logistics of the fair itself, which serve as not only carefully crafted and informative history, but also as welcome breaks from the macabre and relentless contrivances of the killer. In all, it's a polished presentation of an intriguing book that outlines the heights of human imagination and perseverance against the depths of our depravity. Simultaneous release with the Crown hardcover (Forecasts, Dec. 16, 2002). (Feb.) Copyright 2003 Reed Business Information.

KLIATT - Pat Moore

If you did not know this is a history book, you would think it a mystery novel, so skillfully does Larson weave together the story of the architect who directed the building of the World's Columbian Exposition in Chicago in 1893 and the story of the psychopathic serial killer who murdered a number of those who were drawn to Chicago by the fair. This meticulously researched work with its 50 pages of notes, sources and index reads like a popular suspense novel complete with daring accomplishments, gruesome murders and a tireless police chase. What matter if the daring accomplishment is an architectural feat—complete with the world's first "Ferris" wheel and an island and lagoon designed by Frederick Law Olmstead? What matter if the American reader has never heard of architect Daniel Burnham or of the assassination of Chicago mayor Prendergast? What matter if the Philadelphia detective on the trail of a psychopath had never heard the term? The reader will not put this book down. Such a combination of writing skill and historical inquiry is rare indeed. Highly recommended. KLIATT Codes: SA*—Exceptional book, recommended for senior high school students, advanced students, and adults. 2003, Random House, Vintage, 464p. notes. bibliog. index., Ages 15 to adult.

Library Journal

Before the turn of the 20th century, a city emerged seemingly out of the ash of then dangerous Chicago, a dirty, grimy, teeming place ravaged by urban problems. Daniel Burnham, the main innovator of the White City of the 1892 World's Fair, made certain that it became the antithesis of its parent city, born to glow and gleam with all that the new century would soon offer. While the great city of the future was hastily being planned and built, the specially equipped apartment building of one Herman Webster Mudgett was also being constructed. Living in a nearby suburb and walking among the hundreds of thousands of visitors who would eventually attend the fair, Mudgett, a doctor by profession more commonly known as H.H. Holmes, was really an early serial killer who preyed on the young female fair goers pouring into Chicago. Using the fair as a means of attracting guests to a sparsely furnished "castle" where they ultimately met their end, Holmes committed murder, fraud, and numerous other crimes seemingly without detection until his arrest in 1894. Both intimate and engrossing, Larson's (Isaac's Storm) elegant historical account unfolds with the painstaking calm of a Holmes murder. Although both subjects have been treated before, paralleling them here is unique. Highly recommended.-Rachel Collins, "Library Journal" Copyright 2003 Cahners Business Information.

Kirkus Reviews

A vivid account of the tragedies and triumphs of the 1893 World￯﾿ﾽs Columbian Exposition in Chicago and the concurrent depravities of America￯﾿ﾽs first serial killer.

In roughly alternating chapters, former Wall Street Journal reporter Larson (Isaac￯﾿ﾽs Storm, 1999, etc.) tells the stories of Daniel H. Burnham, chief planner and architect of exposition, and Dr. Henry Howard Holmes, whose rambling World￯﾿ﾽs Fair Hotel, just a short streetcar ride away, housed windowless rooms, a gas chamber, secret chutes, and a basement crematory. The contrast in these accomplishments of determined human endeavor could not be more stark--or chilling. Burnham assembled what a contemporary called "the greatest meeting of artists since the 15th century" to turn the wasteland of Chicago￯﾿ﾽs swampy Jackson Park into the ephemeral White City, which enthralled nearly 28 million visitors in a single summer. Overcoming gargantuan obstacles--politically entangled delays, labor unrest, an economic panic, and a fierce Chicago winter--to say nothing of the architectural challenges, Burnham and his colleagues, including Frederick Law Olmsted, produced their marvel in just over two years. The fair was a city unto itself, the first to make wide-scale use of alternating current to illuminate its 200,000 incandescent bulbs. Spectacular engineering feats included Ferris￯﾿ﾽs gigantic wheel, intended to "out-Eiffel Eiffel," and, ominously, the latest example of Krupp￯﾿ﾽs artillery, "breathing of blood and carnage." Dr. Holmes, a frequent visitor to the fair, was a consummate swindler and lady-killer who secured his victims￯﾿ﾽ trust through "courteous, audacious rascality." Most were comely young women, and estimates of their total rangedfrom the nine whose bodies (or parts thereof) were recovered to nearly 200. Larson does a superb job outlining this "ineluctable conflict between good and evil, daylight and darkness, the White City and the Black."